Music, Retro Rock, Virginia Artists

Agents of Good Roots Celebrate 25 Years

Agents of Good Roots Celebrate 25 Years

In 1993, “I Will Always Love You” by Whitney Houston was the biggest single of the year, Michael Jackson played the Super Bowl halftime show and the Dave Matthews Band from Charlottesville, Virginia released their live album, “Remember Two Things.”

While the Dave Matthews Band was gaining popularity nationally during 1993, another Virginia band was formed that same year in Richmond: the Agents of Good Roots (AOGR). Andrew Winn and Stewart Myers, friends from Patrick Henry High School in Roanoke, Virginia, hooked up with Brian Jones and J.C. Kuhl to form the band that became a darling of East Coast college campus venues and club circuits throughout the 90’s.

Agents of Good Roots are celebrating their 25 years as a band by performing two Virginia concerts. AOGR will playing at The Broadberry in Richmond on December 21st and then the next night will be performing at Roanoke’s 5 Points Music Sanctuary.

My connection with AOGR goes back to the late 80’s when I met Tom and Nancy Myers along with their son Stewart. I was a sound engineer for Grace Covenant Church in Roanoke, Virginia and Stewart played bass with the worship team during his high school years.

Stewart Myers met Andrew Winn at Patrick Henry High School. The two boys played together in various rock bands and formed their musical bond during this time period. After graduation from high school, Winn attended James Madison University and Myers went to school at William and Mary.

By 1993, both Myers and Winn ended up in Richmond and formed a band with Brian Jones and J.C. Kuhl. The original name of this new band was River Jacks and their first show was played at Shockoe Bottom in Richmond 25 years ago. Quickly after the first concert, the band became Taxicat and then finally came up with the name Agents of Good Roots within the first year of the band’s forming.

From 1995 until 2001, AOGR toured up and down the East Coast and had a regional following. The band toured with Virginia artists Dave Matthews Band and Bruce Hornsby, along with Blues Traveler during their active touring years.

Agents of Good Roots recorded five studio albums, two EP’s and released four singles during the years 1995 through 1999. Two of the AOGR singles received airplay on Triple A rock radio stations and one of the band’s videos was played on MTV.

The single, “Smiling Up the Frown” was a radio hit on Triple A rock radio stations and reached number two on the Billboard Triple A chart during 1998. Another popular single for the band in 1998 was “Come On (Let Your Love Come Alive).” This tune also received airplay on Triple A rock radio and MTV added a video for this song to their rotation when the song was popular.

Starting in 2001, AOGR cut back on their massive touring schedule and maintained a limited amount of concerts in and around the Richmond area. Then in 2006, the band went on hiatus and remained dormant until 2017.

According to the official Agents of Good Roots website, the band, “reunited for a memorial show for their tour manager and spiritual advisor, Jeff Peskin.” Since that time in October 2017, AOGR have performed 12 concerts in Richmond, Roanoke, Hampton, Charlottesville and Arrington, all in Virginia, plus in Baltimore, Maryland and Washington D.C.

I had the opportunity to attend the Agents of Good Roots Roanoke concert back in October and also met with band members Andrew Winn and Stewart Myers three hours before the beginning of their concert that evening. It was great reconnecting with Myers and a pleasure meeting Winn for the first time at the 5 Points Music Sanctuary concert venue.

So how does one describe what kind of band AOGR is and what genre of music they play? I asked this question to Winn when we met and he came up with one word: “improvisational”. My one word to describe AOGR’s music is “hybrid”. They play rock, pop, jazz and old school R&B with some retro grooves. The band is known for playing its songs differently each time they perform live.

If you are attending one of AOGR’s 25th anniversary concerts, here is the lineup you will see:

Drums, Vocals / Brian Jones

Tenor, Bari, Soprano Sax / J.C. Kuhl

Bass, Vocals / Stewart Myers

Guitar, Keys, Vocals / Andrew Winn

So what are the “day jobs” that the Agents of Good Roots members are performing here at the end of 2018? Winn now lives in Roanoke and is an anesthesiologist with Carilion Clinic. Myers works in the recording industry and recently produced an album by Virginia folk/country artist Sarah White. Kuhl and Jones both teach college jazz courses at the College of William and Mary, the University of Richmond and Virginia Commonwealth University.

If you are looking for more current facts on AOGR band members, Tad Dickens of the Roanoke Times provided an excellent article on the band just before their Roanoke concert during October. https://www.roanoke.com/arts_and_entertainment/music/reunited-agents-of-good-roots-in-it-for-fun-headed/article_c6cdc4b0-7258-5857-8068-06eb8f9c5db9.html

Recently, I asked Andrew Winn a couple of questions on AORG music:

What are the Top 5 AORG songs?

  1. “Sidewinder”
  2. “Smiling Up the Frown”
  3. “Bucks in Cash”
  4. “Shot Down”
  5. “The Ballad of Hobby and the Piano

What is the signature song of AOGR?

“Sidewinder”

AGOR’s member Brian Jones wrote “Sidewinder” and here are the opening lyrics to the signature song from the band:

“Standing in the Eden Garden

Lying in the shade

Sidewinder in the dirt

Grass cutting King of Spades

Sidewinder

Adam was combing hair

Eden was bearing fruit”

Agents of Good Roots Facebook Page: https://www.facebook.com/Agents-of-Good-Roots-1630761856948921/

Agents of Good Roots Official Online Page: https://www.agentsofgoodroots.com/

Agents of Good Roots: Photo by Dylan King

As I mentioned above, I attended AOGR’s Roanoke concert a couple months ago and I came away impressed with the musical variety and musicianship of each member of the band. I enjoyed their show and would definitely attend another concert by AOGR.

If you ever have the opportunity to attend an Agents of Good Roots concert, you will not be disappointed. Happy 25th anniversary to the band.

 

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Music, Retro Rock

The Beatles White Album: They Say It’s Your Birthday—50 Years

50 Years of The Beatles White Album

“They say it’s your birthday, we’re gonna have a good time, I’m glad it’s your birthday, happy birthday to you” are the opening lyrics to the song “Birthday” off of The Beatles’ legendary White Album.

The White Album, officially named “The Beatles,” turns 50 on November 22nd. Originally released in 1968, the double album has a plain white sleeve with no graphics or text other than the band’s name embossed on the front cover of the album.

The White Album contains 30 tracks and is diverse with many musical styles. Rock, pop, blues, country, reggae, avant-garde, folk, psychedelic and Indian music are all featured on this landmark album. It was a groundbreaking eclectic mix of musical styles for the year 1968.

While there were no singles released from the White Album, the songs “Hey Jude” and “Revolution” were both recorded during the same recording sessions but left off the album. This was the same pattern that was used when “Penny Lane” and Strawberry Fields Forever” were left off the Beatles, “Sgt. Pepper” album in 1967.

By no means will this article attempt to rank songs, claim to be a definitive source or declare that any tune from the White Album is the “greatest or best” from the album. If you are looking for that type of analysis, I would encourage you to check out other Internet sources for that kind of information.

According to The Beatles Bible, most of the songs from the White Album were written during a “transcendental meditation course with Maharishi Mahesh Yogi in Rishikesh, India, between February and April 1968.”

During the time the band was in India, Beatle fans were clamoring for more music. The “Lady Madonna” single became a number 1 song during that time period but that was the only music released by the band.

After the Sgt. Pepper’s album was released in May 1967, The Beatles did not put out any more full-length studio albums for a year and a half. The six-track “Magical Mystery Tour” EP and the four new songs for the “Yellow Submarine” LP were the only new Beatles music being produced. Some wondered if the band were all washed up.

Once back in England, the Beatles started recording the White Album in May 1968 and didn’t complete the process until October of that year. It was an extremely long and arduous undertaking that many music historians link to the beginning of the end for the most popular band of the 60’s.

Along with the recording of the White Album, the band also formed the Apple Record Company, which brought many new challenges to the Beatles’ empire.

Most of the tracks of the White Album were recorded at the Abbey Road Studios in London. But as my friend Steve Delaney of Virginia Beach shared with me, a few of the tracks on the album were also recorded at London’s Trident Studios. Delaney learned of that information when he and his brother Dave Delaney visited the legendary Abbey Road Studio during August 2018.

Beatles record producer George Martin decided to take two tracks from the White Album recording sessions, Hey Jude and Revolution, and release those songs as a double A sided single during August 1968. “Hey Jude” was not only was the biggest song of 1968 but also was the best selling single for the entire 60’s decade.

One of the most interesting quotes that I read researching the history of the White Album is from writer Jann S. Wenner that was published in Rolling Stone Magazine on December 21st, 1968:

“There is almost no attempt in this new set to be anything but what the Beatles actually are: John, Paul, George and Ringo. Four different people, each with songs and styles and abilities. They are no longer Sgt. Pepper’s Lonely Hearts Club Band, and it is possible that they are no longer The Beatles.

Wenner’s review is almost seems prophetic as the demise of The Beatles became reality when John Lennon privately told his band mates that he was leaving the band ten months later during September 1969. (Public announcement of the Beatles break-up came in April 1970 when Paul McCartney announced that he was also leaving the band).

For this 50th anniversary of the White Album, I have asked some of the biggest Beatle fans that I know for their thoughts on the album released exactly 5 years after the assassination of U.S. President John F Kennedy on 11/22/63.

But before I share my friends’ thoughts on various songs from the White Album, I want to express what are my favorite songs from the album turning 50 years old this month. “While My Guitar Gently Weeps” is my absolute favorite Beatles song of all time and “Back in the USSR” is my third favorite song ever by the band.

Above is an audio clip when I was a guest DJ, for a My Fab Four segment on the Beatles Channel, with SiriusXM.  I countdown my four favorite Beatles songs of all-time. This featured aired multiple times during August and September 2017.

Besides “While My Guitar Gently Weeps” and “Back in the USSR”, rounding out my top 5 songs on the White Album are “Blackbird,” “Helter Skelter” and “Revolution 1.”

If you ask 100 individuals what are the top five songs on the White Album, most likely you would end up with 100 different answers. With this in mind, I have asked friends of mine who are huge Beatles fans, to share some of their thoughts on this legendary album.

David Hollandsworth: Roanoke, Virginia:

“I was only 11 when the While album came out so it wasn’t until a
couple years later that I first heard it at a friend’s house. I was
intrigued by it because it was a double LP release in a plain white
jacket.

Favorite songs would include “Back in the USSR”, “Birthday,” “Ob-La-Di,
Ob-La-Da,” “While My Guitar Gently Weeps,” “Blackbird,” “Happiness Is a Warm
Gun” and “Everybody’s Got Something to Hide Except Me and My Monkey”.
Probably my favorite is “Dear Prudence”; I’ve just always liked the
melancholy chord progression and mood.

I used to think this was kind of a hodge-podge album but it’s grown on me over the decades and next to Abbey Road and Sgt. Pepper’s, I would say this is my third favorite Beatles album. Hard to believe it’s turning 50 years old! Happy birthday to ya!”

Sherry Hicks Richardson: Roanoke, Virginia:

“The Beatles White Album is one of my all-time favorites. I remember getting this album for Christmas and listening to it non-stop for weeks. It’s iconic. Wow! Favorite song off the album? I really like “Glass Onion” for the historical references (although Paul was not the walrus — John was) and I still remember photos of Paul with his sheepdog Martha, so “Martha My Dear” is a big fave too. I’ve always liked “While My Guitar Gently Weeps” by George — it’s one of his best Beatles songs. It is just too hard to pick just one favorite.”

Gayle Deel: Roanoke, Virginia:

“The White Album – 50 years ago – I was 14.  I had been what I call myself an ‘original Beatlemaniac’ since 9 years old. This album helped to continue the hunger for more music, more Beatles, more growth in their societal involvement.
The album was an eclectic contribution by all four of my favorite musicians and idols.

What I know factually is that they recorded for many weeks and for many 24-hour marathons and it was during this period that they first recorded on an eight-track tape machine.

From the hard driving “Back in the U.S.S.R.” to the ironic “Happiness is a Warm Gun” to the moving “Julia” or the most beautiful of the album  – George’s “While My Guitar Gently Weeps” – I loved them all. I can’t choose. It is impossible.

Love you John, Paul, George and Ringo – thank you for all the creativity, the dedication, the genius that has personally helped me through many times and provided me with a lifetime of memories.” 

Dave Delaney: Roanoke, Virginia:

“I have definitely gone through phases with the White Album. I remember my brother Steve and I hearing this for the first time in late 1968, visiting our grandparents for Thanksgiving. The next-door neighbor had a teenager who had gotten it and played it for us.

Even at 11 years old I could tell that these were no longer songs meant to blow up the pop charts. This was music that older kids would sit down and listen to, even more so than Sgt. Pepper’s had been. Later I remember thinking that the whole album was a bit of a sloppy attempt at self-indulgence (“yeah we’re the Beatles – it doesn’t matter what we play – people will listen to it”). Only later did I really come to appreciate that this was indeed additional ground-breaking work. I grew to love this album so much that I named my car after it! And the Beatles song people most ask me to play when I’m sitting around holding a guitar is ‘Blackbird.’”

Steve Delaney: Virginia Beach, Virginia:

“I think perhaps more than any album, the White Album highlighted the amazing range of musical styles they were able to pull off. Contrast “Julia” with “Helter Skelter” or “Yer Blues” with “Mother Nature’s Son.” Then add in unusual tracks like “Ob-La-Di” or “Piggies” and you have a smorgasbord of styles and sounds.

It also might be interesting to point out that the White Album wasn’t entirely recorded at Abbey Road. A few tracks were recorded at Trident Studios in London. They had 8 track equipment as opposed to EMI’s 4 track machines.”

Here are the 30 tracks on the White Album:

  • Side 1

Back In The USSR

Dear Prudence

Glass Onion

Ob-La-Di, Ob-La-Da

Wild Honey Pie

The Continuing Story Of Bungalow Bill

While My Guitar Gently Weeps

Happiness Is A Warm Gu

  • Side 2

Martha My Dear

I’m So Tired

Blackbird

Piggies

Rocky Raccoon

Don’t Pass Me By

Why Don’t We Do It In The Road?

I Will

Julia

  • Side 3

Birthday

Yer Blues

Mother Nature’s Son

Everybody’s Got Something To Hide Except Me And My Monkey

Sexy Sadie

Helter Skelter

Long, Long, Long

  • Side 4

Revolution 1

Honey Pie

Savoy Truffle

Cry Baby Cry

Revolution 9

Good Night

Fifty years after the White Album was released, it remains one of the greatest rock albums of the 20th Century. In 2003, the White Album was ranked number 10 on the Rolling Stone “Greatest Albums of All Time” listing.

Critics all rank the White Album as one of the top three Beatles albums of all time. Beauty is in the eye of the beholder but one thing is sure: The Beatles’ White Album is a beautiful collection of songs and is now celebrating 50 years of wonderful music.

They say it’s your birthday: I am sure glad that John, Paul, George and Ringo recorded the White Album, “All Those Years Ago.” Rock on!

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Virginia Artists

Josey Lackey & Tim Lowe: Virginian Artists on the Rise

Josey Lackey with guitar.

It was a perfect sunny October afternoon in Botetourt County, Virginia when I met Virginian recording artist Josey Lackey for the first time. I had the pleasure of attending one of her concerts at Blue Ridge Vineyard that afternoon. I also got to hear Tim Lowe, another musical artist, who opened up for Josey at the concert venue.

Highlighting new and promising Virginian artists is one of the goals I have writing this blog and I am glad to share on these two budding artists.

I first learned of Joesy ‘s music while communicating with her step-grandmother Cheryl Miller Lackey. She is a regular reader of my blog and knew that I feature Virginian artists like Caroline Weinroth/Cinema Hearts and Adele Marie on a regular basis. Cheryl also enjoyed reading about legendary Roanoke band the Kings and suggested that I feature Josey in one of my future blog messages.

So I agreed to Cheryl’s suggestion of attending one of Josey’s concerts. Since I had not ever heard Josey sing before, I didn’t know what to expect when I attended her concert during the first Sunday in October. After listening to the first couple songs at Josey’s show, I can tell you: She did not disappoint. Josey’s performance was engaging and refreshing.

Josey Lackey: Photo by Jenna B Photography.

I met Josey 30 minutes before the start of her show and had the opportunity to interview the 17 year-old singer. Lackey is a senior at James River High School in Buchanan, Virginia and is the starting catcher for her varsity softball team. During the 2018 season, Josey was first all-district and all-conference with her catching skills.

In addition to her softball activities, Josey is taking classes this fall to become an ENT. She also has a goal to study nursing at either Radford University or James Madison University after her graduation from high school in 2019.

Obviously, music is Josey’s passion and she has been furthering her music career during the past two years. She just released her first album, “Made in Virginia,” this past August. Lackey maintains a limited concert schedule on weekends during the school year.

Another young musical talent that I met at Josey’s concert was Virginian singer-songwriter Tim Lowe. It was an unexpected pleasure to speak with Tim and to hear his music as he performed an eight-song music set prior to Josey taking the stage.

Tim Lowe

Tim is a 2017 graduate of James River High School in Buchanan, Virginia and uses social media sites like Instagram and YouTube to promote his new music projects.

Tim released his first single, “Wildfire Season,” in September and in October he debuted the instrumental song “Coloring,” which features Tim playing every instrument on the tune. Later on this month, he has scheduled the release of another song called, “Virginia Summers.”

For Tim’s eight-song set, he mixed self-penned songs and cover versions of pop and rock tunes. One of the highlights for me was Lowe’s performance of “Have You Ever Seen the Rain” by Creedence Clearwater Revival.

The other song on Tim’s set that stood out to me was Bob Dylan’s “Knockin’ On Heaven’s Door.” Before he sang the song, Tim gave a shout out to his girlfriend Hope McCormick, who was in the audience. Lowe announced that Hope had purchased tickets for his birthday to see Bob Dylan’s Roanoke concert on November 10th.

After a short break, Josey came on stage to perform two sets for the afternoon. My best description of her music is a pop/country mix. Josey’s vocals are polished for a young singer and she has a smooth, modern country feel to her voice.

During Josey’s concert, she accompanied herself with a guitar and performed some well-crafted songs. She sang many self-written songs along with a few cover versions from Simon & Garfunkel, Guns ‘N Roses and Bob Dylan.

“Take Me To Georgia” was one of the original songs performed at the concert. Josey shared this with me before the show, explaining why the song is meaningful to her:

“The first song that I ever played in front of anyone was ‘Take Me to Georgia.’ I was with my aunt and uncle in Peachtree City, GA. We decided to eat dinner at their golf resort right down the road. My aunt, Deb, went over to the man playing music on the patio and asked him if I could play one of my original songs. I had no clue, and it was TERRIFYING! He ended up calling me up there, and everyone loved the song! It was so thrilling, and that’s when I knew that I wanted to play as much as I could. I really have my aunt to thank for helping me overcome that fear of sharing my music with people.”

Josey Lackey performing at Blue Ridge Vineyard.

A second song that Lackey performed was, “Daddy’s Song,” a song that she wrote as a tribute to her father. Here are Josey’s thoughts on this tune:

“‘Daddy’s Song’ is another one of my favorites. I wrote it for my dad about two Father’s Days ago. I recorded and put it on a CD for him, and he cried like a baby!”

A third highlight of the concert was the song “Girl’s Night” and Josey revealed to me about how this song came to be written:

“’Girl’s Night’ was inspired by my best friend, Evie, and I. We’ve been close since we were little, and I loved being able to compose a song about that bond.”

Josey Lackey at Blue Ridge Vineyard concert, October 7, 2018.

For anyone interested in Josey’s music and purchasing her CD “Made in Virginia,” you can access her Facebook page here.

Tim Lowe is also available on social media. Click here to view his Instagram.

After the concert ended, I asked Lackey to send me some information on her career and what music means in her life. Here is what Josey shared with me:

Josey Lackey: Photo by Jenna B Photography.

“I’ve always been so thankful for the blessings upon blessings that music has given me. It has truly made the hard times seem like a breeze, and the great times even better! People will ask me, ‘When did you start singing?’ and I really can’t give an answer to that. A better question would be, ‘Have you ever stopped?’ because I really can’t remember a time when I wasn’t singing.”

“Picking up a guitar and writing my own music has been the best therapy for me during my high school years, and I know it’ll continue to help me wherever I go in life. That is what makes me so incredibly thankful for music. Wherever you go, it’ll follow you. You can never escape it, and I don’t think I’ll ever want to. From singing with my grandmother as a baby to being a little rebellious and getting a guitar tattooed on my ankle. music has and always will be a part of who I am. “

I was thankful that I had the opportunity to attend the concert of Josey Lackey and Tim Lowe last month at Blue Ridge Vineyard. As Josey expressed to me: “I am so happy to be able to write music freely and have it as a stress-reliever.” It is a good thing to hear new songs from emerging Virginian music artists. Here is hoping that I will get to hear much more new music in the future from Josey and Tim.

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Artist Profiles, Music

Jen Lilley: Music with a Cause

Recently I read on social media “that nothing good ever comes out of Roanoke.” Obviously the folks that propagate such myths have never educated themselves about Jen Lilley. The Roanoke, Virginia native is already a successful actress and is now embarking on a new music career in addition to her work on TV and film projects.

I had the opportunity to chat with Jen in a phone interview last week as she discussed growing up in Roanoke and influences on her music career during childhood and teen years. We also talked about her new brand single, “King of Hearts” and Lilley’s ten-song album, “Hindsight.”

Before I share Jen’s story, here is the bio taken from her official website: “A star on both the silver and small screens, including the Academy Award-winning film THE ARTIST, NBC’s iconic daytime series “Days of Our Lives,” ABC’s “General Hospital,” and a regular leading lady on the Hallmark Channel, actress/singer/philanthropist Jen Lilley has tackled countless roles throughout her illustrious career.”

Lilley was born and raised in my hometown of Roanoke, Virginia. Jen is one of four siblings raised by her parents Vincent and Ellen. I first came to know the Lilley family through Jen’s sister Katherine. My daughter Stephanie and Katherine are friends, with both graduating together at two schools: Hidden Valley High School in 2010 and James Madison University in 2014.

Although much can be written on Jen’s career as an actress, I will be focusing mostly on her music career for the remaining part of this message.

During the beginning of our phone conversation, I asked Jen to describe her early musical memories and influences while she was growing up in Roanoke. Lilley’s first memory is priceless.

When Lilley was 4 years old, her parents said she could be anything she wanted to be when she grew up. Jen answered, “Anything?” Her parents then confirmed their statement was true. Jen responded to her mom and dad with, “Then I am going to be a bird so I can sing all day!”

Other fond memories for Jen were weekly shopping trips to Kroger with her father. During these trips, Jen’s dad would turn on the car radio to an oldies radio station and they would sing together Motown classics such as “My Girl” by the Temptations, British Invasion songs from the 60’s and classic rock tunes from the 70’s. These father-daughter moments are still cherished memories for Jen.

The other significant event in Jen’s childhood was her parents’ decision to attend Church of the Holy Spirit, an Anglican parish. Jen began attending a Sunday school class on a regular basis and started understanding the teachings of the Bible. It was at that time that she became a Christian. Her decision has continued to guide her path even to this day.

Music played a large part in Jen’s teen years, as she was a member of the worship team at the church her family attended during her high school career. Lilley also performed multiple concerts down in Guatemala when she was 16 and the group that she toured with received the National Educators Award of Guatemala during that trip.

Jen graduated from Cave Spring High School and then attended the University of Virginia in Charlottesville for undergraduate studies.

By the time that Jen started her freshman year at University of Virginia, she gave up her dream of singing and started thinking about alternative career options. Lilley wanted to select a career that she could use as a platform to do good. She considered becoming a lawyer, doctor, geologist or teacher but eventually Lilley “got bit by the acting bug.”

It was at the University of Virginia that Jen started her acting career in a film called, “The Loss of Life.” Because of her new love for acting, Lilley completed her education early with a bachelor’s degree and graduated with magna cum laude honors.

Just out of college, Jen taught kindergarten during the daytime and waited on tables at a restaurant during nights. Then in 2007, two important events happened: She moved to Los Angeles, California and married her husband Jason Wayne. During the wedding reception, Jen danced with her father to the sounds of “My Girl” by the Temptations.

The first time that Lilley pursued any type of music as an adult was in 2014 when she recorded a Christmas single, “Baby It’s Cold Outside” with her “TV husband” Eric Martsolf, from the soap opera “Days of Our Lives.” The single became a top downloaded Christmas song on Apple iTunes during the 2014 holiday season.

With the success of “Baby It’s Cold Outside,” Lilley recorded an entire album of Christmas music entitled “Tinsel Time” the following year. According to Lilley, “Tinsel Time” was the number 1 Christmas album on the Amazon Swing Chart during December 2015 and out-sold albums by Frank Sinatra (Jen’s favorite artist of all time), Dean Martin, Ella Fitzgerald and Harry Connick, Jr.

Although both the “Baby It’s Cold Outside” single and the “Tinsel Time” Christmas album were both successful, Lilley had no intention of pursuing any more recording opportunities as a singer. In fact, Jen totally rejected the idea that she would ever record another album.

However, Jen’s plans changed. Through a series of events, Lilley’s childhood dream of being a singer with a music career started becoming reality. When Jen was describing to me the timeline of how the recording of her new album came about, I was totally amazed at how the pieces of the puzzle came together for the Roanoke native. “It was like various scenes from one of my Hallmark movies,” Jen stated to me on how she came to meet producer Adrian Gurvitz.

Born in Britain, Adrian Gurvitz is a singer, songwriter, musician and record producer. At age 20, his band Gun had a Top 10 hit in the U.K. with “Race With the Devil.” In 1982, Gurvitz had a solo top ten British hit with the song “Classic” and he wrote “The Love in Your Eyes” which was a number 1 rock song for Eddie Money in 1988. Gurvitz also co-wrote “Even If My Heart Would Break,” performed by Kenny G and Aaron Neville, which was on the legendary 1992, “The Bodyguard” soundtrack.

Under the guidance of producer Gurvitz, Lilley has recorded 10 tracks for an album called “Hindsight.” All songs on the album deal with love, loss and relationships. One of the songs that will be on the album is “King of Hearts.”

Released less than two weeks ago, “King of Hearts” is the first single from Lilley’s new album. The music on Jen’s song features Rosie Danvers and her 50-piece orchestra. Lilley’s strong vocals have a 60’s Motown vibe, similar to the legendary girl groups from that era of pop music.

The best description that I can write about “King of Hearts” is to quote a portion of an email that I sent to Jen after I heard her song for the very first time:

“So this morning I am listening to the “King of Hearts” track and this is a perfect song for a single to kick off your new album.

Things I love about the song: It is catchy and has a 60’s Motown kind of groove. I love your voice on this tune and it reminds me of an old school R&B singer. I am calling it blue-eyed soul (even though your eyes may be brown or green).

The best comparison of your voice to me is with 60’s and 70’s British singer Dusty Springfield.   Another aspect I like about the song is the use of strings. So much of the music released here in 2018 is Electronic Dance Music (EDM) that uses auto-tune for voices and fake instruments. You song is refreshingly different than all of those types of songs.”

“Hindsight” by Jen Lilley takes audiences on a journey through love, loss, and relationships and leaves them feeling empowered to learn from their mistakes and move on with purpose.  Album was released September 2020.

As you just read from my message to Jen, the “King of Hearts” single is excellent. Lilley’s album, “Hindsight” also promises to have more superb songs just like her current single. “King of Hearts” is now available for purchase and you can also order Lilley’s new album “Hindsight” at www.jenlilleymusic.com 

The most refreshing thing I see about Lilley and her new music endeavor is simple: Instead of trying to achieve fame, fortune and a chance to enrich her own pockets with wealth, she is following Biblical principles and giving her money away! I am encouraged that Jen is following the teachings of Jesus in the area of money stewardship.

100% of the money that Jen will be receiving from the purchase of the “King of Hearts” single, the sales of her “Hindsight” album and any Jen Lilley gear (t-shirts, hoodies) bought, will be going to help children. Here is where money will be going:

  1. The first 6,500 dollars will be given to help save the life of an 11 year-old boy from Uganda that needs heart surgery.
  2. The next money raised will be going to Project Orphans, an organization in Uganda that helps foster children and empowers women with relief work and spiritual mentorship. Money sent will be used for monthly operating expenses for that organization.
  3. The final area where money would go is for the creation of an orphan village in California. It has been Jen’s dream to create a safe environment for foster children that fall through the cracks in her home state of California.

Here is a quote from Jen on Project Orphans and her dream to create an orphan village in California:

“The whole point of the album for me, and I don’t know that I would ever be able to do it, but my God-sized dream is that I want to build a village for children who have been orphaned by the foster system; where they can come and be adopted. Or young teen moms can get support. Or if they age out of the system, give them a place to come so they have somewhere to stay – especially during the holidays because they don’t have any family. That’s my long-term goal.”

For now, though, her focus remains on Project Orphans, and all of the good that she and her fans can achieve with “King of Hearts” and “Hindsight” album sales.

As I spoke with Jen during our phone chat, I realized the passion she has for foster children and the plight that many of these boys and girls face with uncertain futures. I applaud Lilley for her compassion and advocacy for boys and girls that struggle to find a safe environment once leaving foster care. Thanks to Jen for her role communicating this issue: This is excellent!

Jen Lilley’s story as a singer is not yet complete. Who knows where the “King of Hearts” single and her new album “Hindsight” will lead? While no one knows the future, I am confident that she will continue to use her platform as an actress and singer for the advancement of positive change.

Links to Jen’s various online sites:

www.jenlilley.com 

www.jenlilleymusic.com

Instagram

Twitter

Facebook.com/JenLilleyOfficial

**** Edit note:  I updated this message on 10/25/20 to include the title of Jen’s album, “Hindsight” that was released during September 2020.  Lilly’s album didn’t have a title when I first published Jen’s story in 2018.

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Music, Retro Rock

Dave and Steve Delaney: Beatles Pilgrimage to England

Dave & Steve Delaney: Penny Lane Sign Liverpool

“Penny Lane is in my ears and in my eyes, there beneath the blue suburban skies” is the chorus to my 2nd favorite Beatles song of all time, “Penny Lane.” During August 2018, brothers Dave and Steve Delaney had the opportunity to visit Penny Lane in Liverpool and to tour the Abbey Road Studios in London as part of their Beatles pilgrimage to England. I will be chronicling Dave & Steve’s journey to various Fab Four sites during their Beatles excursion.

Recently I had the opportunity to interview the Delaney brothers to hear their stories as they reminisced about their Beatles trip. It was a wonderful time viewing their photos as they shared various experiences while visiting Beatles sites in England.

I first met Steve while we were both students at James Madison University in Harrisonburg, Virginia during the late 70’s. Steve and I also worked together at public radio station WMRA 90.7 FM during that time period. Dave and I first met at Roanoke College during my daughter Amy’s graduation in May 2011.

Over the course of the past few years, I came to discover the love that Dave and Steve have for the Beatles. I actually saw them at the end of a Paul McCartney concert that all three of us attended in Greensboro, North Carolina back during October 2014.

Before I start describing the brothers’ Beatles trip, here is a little bit about each brother:

Steve provided the following bio: “Steve Delaney has worked for Virginia Beach Public Schools for 23 years, and is currently serving as an Instructional Technology Specialist. He graduated from James Madison University in 1982 with a degree in Communications. While at JMU, he fostered his love of music of many genres by working at public radio station WMRA. He lives in Virginia Beach with his wife and daughter, who both share his love of the Beatles.”

Bio for Rev. and Dr. David Delaney: Since 2001, Dave has been as Director of Youth and Young Adult Ministries for Lutheran churches in Virginia (Virginia Synod ELCA). He also teaches part time in the religion and philosophy department at Roanoke College. Dave also was the pastor for several Lutheran congregations in Virginia prior to 2001. He holds an undergraduate degree from Wittenberg University, a degree from Trinity Lutheran Seminary and received his PH.D. in Early Christianity and Judaism at University of Virginia. Dave married his wife Nancy in 1980 and they have two daughters.

Dave & Steve at Strawberry Fields Gate Liverpool

The first vivid memory that Dave has of the Beatles came during 1964 when the Delaney family was at a fast food restaurant in Beckley, West Virginia. Dave was 6-1/2 years old at the time and all the tables had a jukebox. While at the restaurant, someone selected “I Want To Hold Your Hand” on the jukebox and Dave then described to me what happened next:

“I was immediately smitten and started dancing in my seat. I remember my parents looking at me with resigned concern as if to say, “Oh no – he likes it.” Steve, 3 years younger, was next to me and I seem to remember him reacting the same way, although I don’t know if it was the music or my twitching around that was bringing it on.   Anyway, the rest, as they say, is history.”

The catalyst for Dave and Steve traveling to England and checking out all Beatles locations was the opportunity to tour Abbey Road Studios (formally known as EMI). This recording studio is where the Beatles recorded most of their music from 1962 until the group split up in 1970.

Sound board inside Abbey Road Studios

So how did Steve and Dave get to tour the legendary Abbey Road Studios (ARS), since that facility is not open for regular tours? Dave read about a lecture series that ARS was conducting in August and obtained tickets for the event. As part of the lecture, attendees were given a full tour of the ARS facility at the end of the lecture. This was a dream come true for the Delaney brothers.

“The Studio That Became A Legend” was the name of the lecture that Steve and Dave attended at ARS.  Here is what Steve had to say about his experience at this site:

“After being inside Abbey Road Studios, seeing the pianos and vintage equipment, and spending the day in Liverpool, I hear Beatles music with a new set of ears. I’m working my way through listening to the Beatles’ body of work again, and have a new, fresh perspective. It’s wonderful.”

Being inside ARS was also meaningful for Dave. Here is what he had to say:

“Visiting Abbey Road Studios and walking across “the crossing” is something I had always hoped to do, but I never dreamed I would have the chance to go INSIDE and be in the very same room where the Beatles recorded some of the most famous music of all time! To spend time in Studio 2, where the magic happened, and so many landmark conversations took place, was beyond all expectations.”

Later on that day, the Delaney brothers walked the famous Abbey Road crosswalk, just like the Beatles did in the summer of 1969 and thousands of other Fab Four fans do on a monthly basis.

One other place of interest that Dave and Steve visited was the house that Paul McCartney bought in 1965 located on 7 Cavendish Ave. in St John’s Wood, London. The brothers Delaney then finished up day one touring regular tourist attractions like Big Ben, the London Eye and Buckingham Palace.

Day two of the Beatles pilgrimage for the Delaney brothers started with a four-hour train ride from London to Liverpool. The tour of the birthplace of the Beatles started with a stop at “The Beatles Museum” located on the UNESCO World Heritage site at Albert Dock along the Mersey River.

Dave & Steve at Philharmonic Pub Liverpool

After checking out that museum, the brothers went to the Philharmonic Pub, which was the site of Paul McCartney’s small intimate “concert” that was featured on James Corden’s Carpool Karaoke segment in June 2018. Unfortunately, Sir Paul wasn’t performing at the pub the day Dave and Steve were at this establishment.

After lunch, Steve and Dave hailed a taxi and took a personalized two-hour tour of Liverpool for only 50 pounds.   During this time, the cab driver played Beatles music in the cab while driving and when stopped, he acted as a tour guide for the various Beatles-related places of interest.

One of the stops on the taxi tour was “beneath the blue suburban skies” of Penny Lane. This famous street is a main thoroughfare in Liverpool and the brothers visited several of the locations mentioned in the song “Penny Lane” including the barber shop and the roundabout. The bank building is now home to another business and the fire station is longer found on the corner.

Strawberry Fields Gate Liverpool

Another site brothers Delaney visited on the taxi tour were the gates at Strawberry Field. The building associated with that area was a children’s home but it is now being renovated. Plans are to open up the grounds for visitors and to have an exhibition center dedicated to the place and song of “Strawberry Fields Forever” in the future.

The final stop for Dave and Steve was St Peter’s Church. It was at the church’s yard that Paul McCartney met John Lennon for the first time. Here is Dave’s communication on why this site was important for him to view:

“My number one goal in Liverpool was to go and stand at the place where the Quarrymen had performed on July 6, 1957, the day that Paul came and saw them and later on met John. I finally have a 3-D visual on St. Peter’s churchyard and the Parish Hall for the day that is often called the “Big Bang” of the Beatles. I did manage to get a nice photo of myself there and put it side by side with the famous photo of John performing with the Quarrymen in roughly the same spot.”

Once the taxi tour was finished, it was time to head back to London for the Delaney brothers. After spending the night in London, the Beatles pilgrimage was at its end. Steve and Dave then headed back to Virginia, via a short visit to Iceland. It was an extremely satisfying trip for the Delaney Brothers.

Dave summed up the trip with these words: “It’s hard to believe that we were in England for just two days – we packed so much into that brief time that it felt like weeks. I suppose it would take weeks to actually see everything related to the Beatles in both London and Liverpool. Where next, then, Hamburg?”

Being huge Beatles fans, this was a trip of a lifetime for Steve and Dave. After I listened to their stories and viewed the photos of their trip, I am ready to sign up for the next lecture series held at Abbey Road Studios. One day I hope to experience London and Liverpool Beatlemania for myself.

Thanks to Dave and Steve for allowing me to share the story of their Beatles pilgrimage to London and Liverpool, England. Rock on!

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Broadcasting, Radio

Curt Dudley: A Day in the Life

 

Curt Dudley and I at JMU Sports Press Conference, O’Neill’s Grill.

“I read the news today, oh boy, about a lucky man who made the grade” is the opening line to the Beatles legendary 1967 song, “A Day in the Life.” Those lyrics easily describe the daily activities of Curt Dudley, who is Director of Broadcast Services, Athletics and Communications at James Madison University (JMU) in Harrisonburg, Virginia.

One of Curt Dudley’s nicknames is “The Voice of JMU Athletics” and the university is fortunate to have him as chief ambassador for the JMU Nation. I recently had the opportunity to spend some time with Dudley on JMU’s campus and to experience a “day in his life.”

Dudley oversees the dissemination of all varsity sports news for JMU in a variety of ways. He functions in the traditional role of a sports information director, but also utilizes 21st century multimedia technology to distribute JMU sporting news in fresh and exciting ways.

The most intriguing new technology Dudley has developed is MadiZONE HD SportsNet. Created in 2012 under Dudley’s direction, MadiZONE is an online channel that JMU fans can use to stream live sports events. The MadiZONE media team is made up of JMU “students with interns, practicums and volunteers who assist in producing the video and audio content for the channel” according to JMUSports.com.

Dudley’s current career path began while he was attending Bridgewater College (BC) during 1980. While at BC, he developed the first Sports Information Director position and held that position for a total of eight years. Dudley received his B.S. degree from BC in 1983 and was active in the Bridgewater, Harrisonburg and Rockingham County sports community during that time period.

Then in 1988, JMU hired Dudley as Sports Information Director (SID) and he held that position until 2006. During his time as SID, he was an announcer/analyst for JMU football and men’s basketball games as well as many other sporting events. He had the pleasure of being in Chattanooga, Tennessee and announcing when the football team won the I-AA National championship in 2004.

During a typical day, Dudley wears many hats and partakes in various activities related to JMU sports. Most mornings, he uses social media outlets like Twitter and Facebook to communicate JMU sporting news to the world. When JMU hosts home games for varsity sports, many times Dudley will be the main announcer for games that will be aired on MadiZONE.

This fall you will be able to hear Dudley on MadiZONE HD SportsNet as he will be one of three announcers broadcasting all of the Dukes home football games at Bridgeforth Stadium.

My day with “The Voice of JMU Athletics” started at his JMU Sports office, located just a few blocks from the university campus. I met Dudley for the first time that morning and he was welcoming and open with me as we discussed the upcoming schedule for the day. We also talked about our shared experiences at JMU: being involved in radio broadcasting and the Communications department (now known as SMAD) at the university.

Once our introductory time ended, we headed over to Moody Hall on the JMU campus, where Dudley teaches a sports broadcasting course. Attending this class was extremely meaningful to me since I am a 1980 graduate of James Madison University with a B.S. degree in Communication Arts. This was the very first time that I had been back in a JMU classroom in over 38 years and fond memories flooded my mind during this class time.

Since I was a Communications major and had worked at radio station WMRA while I was attending JMU, Dudley gave me the opportunity to share with his students about my experiences at JMU and how I applied things I learned once I graduated from the university. I was thankful I had the opportunity to share my thoughts with Dudley’s students.

If I were attending JMU as a student in 2018, I would want to sign up for Dudley’s class. His presentation of the material is excellent and I am confident that his students will be learning the proper ways to communicate. He was affirming to his students and set positive parameters so that they could succeed in this course.

It was interesting to me that of the thirteen students who were in Dudley’s class, four of those students play varsity sports and one other student plays a club sport. Before the class started, I spoke with senior Sarah Salzman, who is a goalie for the JMU club lacrosse team. Sarah and I communicated about the differences of JMU between when I attended the university and how things are now on campus.

At the end of the class, I met students Lauren DuVall and Shannon Quinlan from the JMU lacrosse team that won the 2018 D1 Women’s Lacrosse National Championship in May. Both Lauren and Shannon shared with me how thrilling it was to be on the Dukes national championship team last May. Curt Dudley was at the championship game and announced the game for MadiZONE. You can hear his voice on the video below.

(Video of JMU 2018 DI Women’s Lacrosse National Championship with the voice of Curt Dudley announcing throughout on May 26th, 2018)

After the class concluded, Dudley and I walked on campus. I was amazed by the number of students that Curt knew and that he actually called each one of these individuals by their first name. Dudley was personable to everyone that he saw during the time that I spent with him.

The next major event on tap that day was a JMU Sports press conference with the Dukes head football coach Mike Houston. This event regularly happens every Tuesday at 12-noon during the school year at O’Neill’s Restaurant in Harrisonburg. During most weeks, multiple Dukes coaches speak at the JMU Sports press conference but on this day Coach Houston was the only coach to speak.

Curt Dudley at JMU Sports Press Conference at O’Neill’s Grill.

The set up for the press conference was fascinating to watch. Dudley’s crew put together a JMU backdrop board that started on the floor like an accordion and then was lifted up by a couple of crew members into the final place directly behind the podium. Of course, audio and video equipment also have to be all in working order prior to the start of the press conference.

Before the conference began, I got to meet Dave Thomas, who is the JMU Sports Network’s play-by-play announcer for the football and men’s basketball teams. Thomas was doing a live broadcast of the press conference on 1360 ESPN Radio. I also got to see Clayton Metz, who is the director of video content for athletics at JMU. I have known Metz since he was a teenager so it was good connecting with him at this event.

At the beginning of the press conference, Dudley spoke about various upcoming sporting events at JMU and then introduced JMU Head Football Coach Mike Houston. You can watch Dudley announcing JMU sports information at the beginning of the video below.

(JMU Sports press conference on 9/4 with Curt Dudley and Mike Houston)

Coach Houston first spoke about the JMU game with NC State and then took questions from the press corps. After the completion of press conference, I had the opportunity to meet Coach Houston along with his wife Amanda (who happened to be sitting next to me while her husband was conducting his press conference). Both Mike and Amanda were cordial and friendly to me.

The breaking down of equipment and lunch were in order after the press conference ended and then it was time for Dudley and I to end our time together. We said our goodbyes and then I went back over the to JMU campus to walk on the quad and soak up some afternoon sun before heading back home to Roanoke. It was an extremely satisfying day for me in Harrisonburg.

Before I came to Harrisonburg on this day, I had asked friends of mine who knew Dudley this question: “What are your thoughts on Dudley and his role with JMU sports?” All responded to me with positive attributes: Caring, thoughtful, professional, personable, engaging, likable, knowledgeable and understanding. Dudley is much beloved on the campus of JMU.

One other important aspect that individuals mentioned to me was Dudley’s attention to all JMU student athletes. As I understand, he regularly interacts with student athletes and has the goal to communicate with each of these individuals over the course of the school year. Dudley is most beloved by all of the student athletes at JMU and he received the James Madison Athletics Unseen Hero Award during April 2018, being recognized for his work with the JMU Athletics department as a member who works outside of the public spotlight.  It was a well deserved award for Dudley.

After I spent my day with Curt, I would have to say that I totally agree with the assessments of those folks on his positive traits as a leader. JMU Nation is extremely fortunate to have the Dukes chief ambassador Curt Dudley as the “Voice of James Madison University Athletics.”

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Music, Retro Rock

Hey Jude: Best Single of 1968?

“Hey Jude, don’t make it bad

Take a sad song and make it better

Remember to let her into your heart

Then you can start to make it better”

If you asked music historians what they felt was the greatest single record from 1968, many would select “Hey Jude” by the Beatles as being the best individual song from 50 years ago.

“Hey Jude” has the distinction of being not only the top selling single from 1968 but also the biggest song for the entire decade of the 60’s according to Billboard magazine. The tune was also the first number one song to be over seven minutes long.

So I wonder: Is “Hey Jude” the best single of 1968? Although I have great respect for the Beatles and their mega hit, I feel there are some other songs that I place higher than the Fab Four’s biggest song during their career. Side note: If the Beatles had released “While My Guitar Gently Weeps” as a single in 1968, that song would be my choice as greatest song for that year.

Besides “Hey Jude”, here are some of the other top selling songs of 1968 according to Billboard:   “Love is Blue” Paul Mauriat, “Honey” Bobby Goldsboro, “(Sittin’ On) The Dock on the Bay” Otis Redding, “Mrs. Robinson” Simon and Garfunkel and “Tighten Up” Archie Bell and the Drells. However, none of those songs are on my top ten listing of best singles from 1968.

Here is the criterion am I using to determine the best single songs of 1968:

  1. Are the lyrics meaningful and have substance?
  2. Does the song have historical significance?
  3. Is the song still relevant in 2018?
  4. Has the song received honors and awards from music Hall of Fames?
  5. Does the song still sound good in the 21st Century?
  6. Did the song reach number 20 or higher on either Billboard or Cashbox?

From reading my list above, you may guess that that there are some excellent songs from 1968 that don’t make my listing as they were not hits in America. Example: “The Weight” by The Band. This song ranks number 41 on the Rolling Stone “500 Greatest Songs of all Time” listing and is in the Rock and Roll Hall of Fame but only reached number 62 on the Billboard Hot 100 during 1968. It’s a great song, but not a hit in the U.S.

Here are the songs that I consider to be the best 10 singles from 1968. There are no rankings with my listing and the songs are placed in a random order. I deem the 10 songs to be culturally, historically or aesthetically significant.

  1. Born To Be Wild—Steppenwolf

“I like smoke and lightning, heavy metal thunder, racin’ with the wind and the feelin’ that I’m under. Like a true nature’s child, we were born, born to be wild, we can climb so high, I never wanna die.”

“Born To Be Wild” musically and lyrically has become a motorcycle rock anthem and is associated with the 1969 classic cult motorcycle movie, “Easy Rider.” The lyrics of “heavy metal thunder” are credited with the naming of “heavy metal” as a genre of rock music and the song was inducted into the Rock and Roll Hall Fame earlier this year. Steppenwolf’s signature song is “Born To Be Wild.”

“Born To Be Wild” peaked at number 2 on Billboard Hot 100 August 1968.

  1. Scarborough Fair—Simon and Garfunkel

“Are you going to Scarborough Fair? Parsley, sage, rosemary and thyme, remember me to one who lives there, she once was a true love of mine.”

Paul Simon and Art Garfunkel took an old traditional English folk ballad, “Scarborough Fair” and combined the song with Simon’s song “Canticle” which came from rewriting a 1963 Simon song, “The Side of a Hill.”   The beauty of this tune is that “Scarborough Fair” and “Canticle” are actually two songs that are sung simultaneously with alternately verses from both songs interweaved together.

This melodic anti-war song was featured in, “The Graduate” movie and is absolutely brilliant.

“Scarborough Fair” peaked at number 11 on Billboard Hot 100 April 1968.

  1. Hurdy Gurdy Man—Donavan

“Histories of ages past, unenlightened shadows cast, down through all eternity, the crying of humanity. It is then when the Hurdy Gurdy Man, comes singing songs of love, then when the Hurdy Gurdy Man, comes singing songs of love.”

Donovan wrote “Hurdy Gurdy Man” when he was with the Beatles in India while studying Transcendental Meditation during early 1968. The music on this tune is considered psychedelic rock and features three session musicians who became famous just after recording this song. Those musicians: Jimmy Page on electric guitar, John Bonham on drums and John Paul Jones on bass. These three guys, along with vocalist Robert Plant formed Led Zeppelin right after laying down the track for “Hurdy Gurdy Man.”

“Hurdy Gurdy Man” peaked at number 5 on the Billboard Hot 100 August 1968.

https://www.youtube.com/watch?v=JR8k8jpT3tw

  1. Jumpin’ Jack Flash—Rolling Stones

“I was born in a crossfire hurricane and I howled at the maw in the drivin’ rain. But it’s all right now, in fact, it’s a gas, but it’s all right, I’m Jumpin’ Jack Flash, It’s a gas, gas, gas.”

After going through a psychedelic pop phase during 1967, the Rolling Stones returned to a more blues-rock sound and this song is known for its signature guitar riffs by Keith Richards. The distinctive guitar sound on the tune places it in the top ten of the “greatest guitar tracks” in rock music history. The Rolling Stones have also played “Jumpin’ Jack Flash” during every concert the band has performed since the song was released 50 years ago.

“Jumpin’ Jack Flash” peaked at number 1 on the Cashbox Top 100 July 1968.

  1. Do It Again—Beach Boys

“It’s automatic when I talk with old friends, the conversation turns to girls we knew, when their hair was soft and long and the beach was the place to go. Suntanned bodies and waves of sunshine the California girls and a beautiful coastline, warmed up weather, let’s get together and do it again.”

After Brian Wilson and the Beach Boys recorded the landmark “Pet Sounds” album in 1966, Wilson had health issues and the group quit having hits on Top 40 radio. The band then recorded and released, “Do It Again” during July 1968 with much success. The highlight of this tune is the five-part harmony that is sung throughout the song. Once again the Beach Boys had created the magic of the “Pet Sounds” album with this summer of 1968 hit.

“Do It Again” peaked at number 8 on the Cashbox Top 100 September 1968.

  1. Sunshine of Your Love—Cream

“It’s getting near dawn and lights close their tired eyes, I’ll soon be with you, my love, to give you my dawn surprise, I’ll be with you, darling, soon, I’ll be with you when the stars start falling. I’ve been waiting so long, to be where I’m going, in the sunshine of your love.”

The hard driving drums of Ginger Baker, the guitar playing of Eric Clapton and the excellent bass riffs and vocals on “Sunshine of Your Love” make this tune the signature song by the trio Cream. The song continues to rank as one of the greatest rock songs of all time, was voted as one of the best rock guitar riffs of all time and has been inducted into the Rock and Roll Hall of Fame.

“Sunshine of Your Love” peaked at number 5 on the Billboard Hot 100 August 1968.

  1. Wichita Lineman—Glen Campbell

“I am a lineman for the county and I drive the main road, searchin’ in the sun for another overload. I hear you singing in the wire, I can hear you thru the whine and the Wichita lineman, is still on the line.”

Glen Campbell soared to great heights with the Jimmy Webb-written song “Wichita Lineman” on both country and Top 40 radio during 1968. Campbell employed members of “The Wrecking Crew” to play on this tune that some have called “one of the greatest pop songs ever composed.” Carol Kaye’s guitar playing on this tune is outstanding. A truly quintessential crossover hit almost 50 years ago.

“Wichita Lineman” peaked at number 3 on Billboard Hot 100 December 1968/January 1969.

  1. Pictures of Matchstick Men—Status Quo

“When I look up to the sky, I see your eyes a funny kind of yellow, I rush home to bed, I soak my head, I see your face underneath my pillow, I wake next morning, tired, still yawning, see your face come peeping through my window. Pictures of matchstick men and you, mirages of matchstick men and you, all I ever see is them and you.”

Status Quo’s only hit in America was inspired by matchstick men paintings of L.S. Lowry that depicted industrial areas of England during the 20th century. This tune features a phasing audio effect with wah-wah guitars. The record is said to be one of the first to use this technique. The distinctive four-note guitar riff throughout the song makes this a memorable song from the summer of 1968.

“Pictures of Matchstick Men” peaked at number 12 on the Billboard Hot 100 July 1968.

  1. All Along the Watchtower—Jimi Hendrix

“All along the watchtower, princes kept the view, while all the women came and went, barefoot servants too, outside in the cold distance, a wildcat did growl, two riders were approaching and the wind began to howl.” 

Bob Dylan wrote the lyrics to “All Along the Watchtower” in 1967 but it was Jimi Hendrix’s cover version of the song that put this tune on music map. Obviously with Hendrix being one of the greatest guitar players of his generation, he does an outstanding job laying the riffs down on this masterpiece. Rolling Stone magazine ranks Hendrix’s cover at number 47 on their “500 Greatest Songs of All Time” list.

“All Along the Watchtower” peaked at number 18 on the Cashbox Top 100 October 1968.

  1. People Got To Be Free—Rascals

“All the world over, so easy to see, people everywhere just wanna be free, listen, please listen, that’s the way it should be, peace in the valley, people got to be free.” 

50 years ago this week, the Rascals had the number 1 song in America with “People Got To Be Free.” The song spent five weeks at the number one position and was a popular song of healing for our country after the assassinations of Martin Luther King, Jr. and Robert Kennedy earlier in 1968. The Rascals message of freedom was much needed for all the turmoil that America witnessed during that time period.

“People Got To Be Free” peaked at number 1 on the Billboard Hot 100 August 1968.

There you have my top ten songs from 1968. I do not proclaim that my selections are the absolute ten best tunes from 50 years ago. Now that you know my top ten songs, I would love for you to post your thoughts. What songs do you consider to be the best songs from 1968? I value your opinion on this topic. Rock on!

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Artist Profiles

Kayla Woodson: Up & Coming Country Rock Singer

The definition of “up-and-coming” in the Merriam-Webster dictionary says: Gaining prominence and likely to advance or succeed.   That is exactly how I would describe country rock singer Kayla Woodson. Originally from Waggaman, Louisiana, she now calls Nashville, Tennessee her home and is a rising star in the music industry.

So those of you who are astute may be thinking: DJ Dave Woodson must be promoting his daughter, niece, cousin or some other close relative with this latest blog? Obviously, I share the same last name as Kayla but we are not close relatives. Most likely we are 10th cousins, just about like all other people with the Woodson surname in America.

Earlier this week, I had the pleasure of speaking with Kayla via phone for the first time and got to learn of her music career. Among the things I learned: Kayla was a child music prodigy at a young age and started singing publicly at age 4 as a hobby. When Kayla was 7 years old, she performed regularly with Opry shows in Texas and Louisiana.

By age 10, Kayla fronted her own band for the first time and played at various locations throughout the South. Her musical performances continued during her early teen years and at age 15, Kayla wrote her own music and recorded an album called “I’m Moving On.”

After graduation from high school, Kayla moved to Nashville to attend Belmont University in 2012. Kayla received her BS degree from Belmont in 2016, with a major in Entertainment Industry Studies and a minor in Music Business. She continues to make Nashville her home since graduation from college.

In 2014, Kayla was at a Hard Rock Café in the Dominican Republic when she unexpectedly got called up on stage while country music trio Lady Antebellum was performing the song “American Honey.” Kayla then sang the song with the country group through the ending of the former number one country tune. After the song ended, Lady Antebellum lead singer Hillary Scott briefly interviewed Kayla before she left the stage.

While Kayla was getting her college degree during 2015, she performed on the Hard Rock stage at the CMA Music fest and released her first single, “Fan for the Flame ” to country music radio stations in America. The song is about a woman who has been scorned once but is refusing to play the fool multiple times. Kayla’s vocals are sassy on this catchy tune.

At the end of Kayla’s senior year at Belmont, she released her self-titled 5-song EP “Kayla Woodson” during April 2016. Every song was either written or co-written by Kayla and the EP shows a wide range of music styles along with powerful vocals by the Louisiana native.

During the past year Kayla has been busy writing new songs, playing with her own band and performing with other artists like Emma Place and Annie Lawrence around the Nashville area and around the South.

One of the current 24-year old singer’s latest projects is the recording of a new song, “Unfixable” which was written by Kayla along with co-writer Andrew Peebles. It is a powerful song but don’t just take my word about Kayla’s newest song and video for “Unfixable.” Here is what Kayla says about her new tune:

“I wrote ‘Unfixable’ with my co-writer Andrew Peebles, and by the time we were done writing the song I knew that I had to release it as my next single. It’s more of an emotional song that shows way more vulnerability than I have ever shown through my music. It’s about that moment when you love someone so much that you can’t walk away from them even though you know the relationship is not good for you. You’re essentially begging this person to cause you pain and in turn make your connection unfixable, so that it gives you enough reason to walk away from them. I’m so excited for the world to hear this song and I hope you all love it as much as I do!”

Up to this point you may think Kayla is just a country singer. However, she doesn’t limit herself to that genre of music: Kayla also rocks! Her dynamic voice is also well suited to sing rock music. From power ballads and straight up classic rock tunes, Kayla delivers the goods when singing rock songs during her concerts.

When I spoke with Kayla, I was curious what kind of set list that she and her band perform when out on the concert trail. While she sings much of her own material, Kayla also performs selected cover version of popular songs in rock and country plus occasionally singing Motown classic songs.

Two rock song covers that Kayla keeps in her set list are The Outlaw’s “Your Love” and “Guns N Roses’ “Sweet Child of Mine.”   With the country covers, she regularly sings Dolly Parton’s “Jolene” and Shania Twain’s “Any Man of Mine.” When Kayla goes Motown, she performs either Stevie Wonder’s “Signed Sealed Delivered I’m Yours” or Aretha Franklin’s “Chain of Fools.”

So what kind of music does Kayla listen to on a regular basis? She described her music favorites as a “Louisiana Gumbo Pot” meaning lots of variety all mixed together into one bowl. I asked Kayla some questions about her favorite music and here are the answers:

  • Favorite Rock Groups: Journey and Gun N Roses
  • Favorite Motown Artists: Stevie Wonder and Aretha Franklin
  • Favorite Country Artists: Dolly Parton and Carrie Underwood
  • Favorite Journey Song: “Wheel in the Sky”
  • Last Album Played: “Golden Hour” Kasey Musgraves

For the rest of the summer and into the fall, Kayla is taking time to write new songs and will be touring with her band in Tennessee, Kentucky, Louisiana and Alabama. You can always get Kayla’s up to date concert information here.

You can listen or purchase Kayla’s music at either iTunes or Spotify.

You can also access Kayla’s Facebook here and her official website here

“Ooh, the wheel in the sky keeps on turning

I don’t know where I’ll be tomorrow

Wheel in the sky keeps on turning.”

The chorus to Journey’s song “Wheel in the Sky” that I quoted above accurately describes Kayla upcoming musical journey. Her path is yet to be written. As I see things, Kayla Woodson has a bright future as a country/rock singer. I am confident that bigger and better things will be happening in the future during Kayla’s career. Rock on!

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Retro Rock

This Is It: Yacht Rock

Camden Harbor, Maine (June 2018)

“This is it, make no mistake where you are, this is it, the waiting is over”: These lyrics are to the chorus of the song “This Is It” by Kenny Loggins and is one of the biggest Yacht Rock songs of all time. Make no mistake, the waiting is over: You are now reading a blog message about Yacht Rock.

The term Yacht Rock might seem innocuous but for much of the music world, just the mention of this musical genre sometimes brings ridicule and mockery to those willing to admit they actually like Yacht Rock.

The most famous line in the Coasters song “Charlie Brown” is, “Why’s everybody always pickin’ on me.” That statement could also be applied about Yacht Rock: Why’s everybody always pickin’ on the genre of music known as Yacht Rock? Publicly frowned upon and scorned by many, Yacht rock is like Rodney Dangerfield: It gets no respect.

So what is Yacht Rock? This genre of music is loosely defined as “soft rock” that incorporates music influenced by smooth jazz, R&B, soul, pop and funk and regularly features instruments such as saxophones, acoustic guitars and electric pianos.

Most songs range from slow to mid tempos but some tunes have fast tempos and are not “soft rock” at all. Two examples of this type of Yacht Rock song: “Hold the Line” from Toto and “Takin’ It To The Streets” by the Doobie Brothers. Most all Yacht Rock songs feature high quality studio productions, clean vocals and catchy melodies.

The years from 1975 through 1985 are considered the main era for Yacht Rock popularity.

Although many of the songs in the Yacht Rock category have to do with sailing, yachts, ships, bodies of water or other things associated with nautical activities, the subject matters of Yacht Rock are wide open and may touch on a variety of topics with their lyrics.

The term Yacht Rock was created by J.D. Ryznar as he made an online ten-part video series in 2005 called “Yacht Rock.” In this series, yacht owners off the coast of California set sail listening to smooth soft rock music with artists like Michael McDonald, Pablo Cruise, Kenny Loggins, Steely Dan, Toto and Christopher Cross.

During the past 3 years, Yacht Rock radio has been a staple during the summer months on SiriusXM. In addition to the artists I mentioned above, here are some of the other core artists associated with Yacht Rock: Ambrosia, Doobie Brothers, Little River Band, Gerry Rafferty, Al Stewart, Boz Scaggs and 10cc.

Matt Colier from the online music guide AllMusic says there are three defining rules of Yacht Rock:

  1. “Keep it smooth, even when it grooves, with more emphasis on the melody than on the beat”
  2. “Keep the emotions light, even when the sentiment turns sad (as is so often the case in the world of the sensitive yacht-rocksman)”
  3. “Always keep it catchy, no matter how modest or deeply buried in the tracklist the tune happens to be.”

You may asking: What are some of the most popular songs in the Yacht Rock genre?

The absolutely number 1 and quintessential greatest Yacht Rock song ever made is “Sailing” by Christopher Cross.

Some of the other top Yacht Rock songs include:

  • Hey Nineteen—Steely Dan
  • What a Fool Believes—Doobie Brothers
  • Kiss on my List—Hall and Oates
  • Rosanna—Toto
  • This is It—Kenny Loggins
  • Deacon Blues–Steely Dan
  • Mornin’–Al Jarreau
  • Biggest Part of Me—Ambrosia
  • I Keep Forgettin’—Michael McDonald
  • Key Largo—Bertie Higgins
  • Magic—Olivia Newton-John
  • Dance With Me—Orleans
  • Is It You–Lee Ritenour
  • Baker Street–Gerry Rafferty
  • Whatcha Gonna Do—Pablo Cruise
  • Baby Come Back—Player
  • Lotta Love—Nicolette Larson
  • Reminiscing—Little River Band
  • Human Nature—Michael Jackson
  • What You Won’t Do For Love–Bobby Caldwell
  • Sweet Freedom–Michael McDonald
  • Call on Me—Chicago
  • You Make Loving Fun–Fleetwood Mac
  • Running With the Night–Lionel Richie
  • Thunder Island—Jay Ferguson
  • Year of the Cat–Al Stewart
  • FM–Steely Dan
  • Cool Night–Paul Davis

Now that you know what Yacht Rock is all about, I will go back to my original opening thoughts on this genre of music: Why does Yacht Rock have a bad reputation? Are people really ashamed to admit that they enjoy Yacht Rock?

I am confident that the lack of respect for Yacht Rock is one of the main reasons that the band Chicago did not actually get inducted into the Rock and Roll Hall of Fame until 2016. The same can be said for Hall and Oates not becoming a member until 2015 and the Doobie Brothers waiting 25 years before being inducted in the Rock Hall class of 2020.

A good example of prejudice against Yacht Rock songs is “Africa” by Toto. Even though the band won a Grammy for the song in 1983 and it has become the Internet’s most favorite song (with 250 million views on YouTube) during this decade, music gurus still continue to pan one of the most ironic Yacht Rock songs of all time.

The same can be said for Yacht Rock songs from Steely Dan, Doobie Brothers and Chicago.   According to those who dislike Yacht Rock, Steely Dan songs “Reelin’ in the Years” and “Do It Again” are far superior to “Peg”, “Hey Nineteen” or “Deacon Blues?” Is that right?

So why do music critics despise Yacht Rock anyway? Why do these individuals hate Yacht Rock music and continually down play its place in rock music history?

I personally think these so-called rock critics that loathe Yacht Rock are full of bologna. The musicianship on most Yacht Rock songs are excellent and have wonderful sound production associated with each record. How these “critics” do not respect the Yacht Rock genre is beyond me.

To be fair, there are some songs in the Yacht Rock genre that are just not very good. The most glaring example of this is Rupert Holmes’ tune, “Escape (The Pina Colada Song)” which is ranked as one of the worst songs of 70’s by Rolling Stone magazine.

While there are some fairly wretched Yacht Rock songs, most of the music played in that genre has quality and is actually quite good. In fact, some songs of Yacht Rock are excellent. Let me share with you 20 of my favorite Yacht Rock songs without any ranking and in a totally random order.

As you will notice with my listing, I have 20 separate artists: That means that I believe there are 20 different musical groups and performers that have made superb Yacht Rock music over the years.

  • Saturday in the Park–Chicago
  • Ride Captain Ride—Blues Image
  • Brandy (You’re a Fine Girl)—Looking Glass
  • Right Down the Line—Gerry Rafferty
  • Summer Breeze—Seals and Croft
  • Peg—Steely Dan
  • I Can’t Tell You Why–Eagles
  • September–Earth Wind & Fire
  • Lowdown—Boz Scaggs
  • So Into You—Atlanta Rhythm Section
  • Love is the Answer–England Dan & John Ford Coley
  • Couldn’t Get It Right—Climax Blues Band
  • Yah Mo Be There–James Ingram & Michael McDonald
  • Steppin’ Out—Joe Jackson
  • Whenever I Call You Friend—Kenny Loggins & Stevie Nicks
  • Ride Like the Wind—Christopher Cross
  • South City Midnight Lady—Doobie Brothers
  • Route 101–Herb Alpert
  • Cool Change–Little River Band
  • Time Passages—Al Stewart

If you were compiling your 20 favorite Yacht rock songs, your listing would be different than mine. I maintain that much of the music that is in the Yacht Rock category is quality material and musically just as good as those who perform other sub categories in rock music. Maybe Yacht Rock musicians are even better musically than other rock genres of music?

Obviously I will never be able to change what some people think about Yacht Rock. However, I do believe that if anyone reads my blog message with an open mind, they would come to view the Yacht Rock genre of music in a different light. Those folks might actually admit that they enjoy certain Yacht Rock songs?

What are your thoughts about Yacht Rock? I would love to read your comments: the good, the bad or the ugly on your opinion of Yacht Rock and its place in modern music history. Please let your voice be heard on the subject of Yacht Rock. Rock on!

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Virginia Artists

The Kings: Rocking Roanoke Since 1965

The Kings performing at Elmwood Park in Roanoke, VA on July 5

If you think of longevity with rock bands, the Rolling Stones are the first that comes to mind on the international music scene. In the Roanoke community, look no further than The Kings, a Roanoke based band that has been in existence for over 53 years.

I had the opportunity to meet the band members of the Kings and attend their July 5th concert at Elmwood Park. Along with the Kings, DJ Jerry English was laying down danceable tunes before and during intermission times. Many in the crowd danced to the music as DJ English played tunes from legendary Carolina Beach bands like the Tams, Band of Oz and Jim Quick.

DJ English and I at Elmwood Park on July 5

DJ English was kind enough to allow me to shadow him during the entire evening. I had an excellent vantage point from my seat next to him, observing his DJ duties and interacting with the band. I was extremely impressed with the friendliness and hospitality of the Kings band members.

Prior to the Kings opening first set, I met the members of the band and the man that founded the group, Perry Caligan. Caligan started the band, then known as The Royal Kings, 53 years ago and was the lead singer and lead guitarist. He now acts as the business owner of Kings Entertainment Agency.

From 1969 until 1980, The Royal Kings were the house band for the Roanoke nightclub The Kings Inn. The current leader and manager of the band, Larry Wheeling, joined the band during February 1969. It was a thrill for me to be able to meet both Caligan and Wheeling at this event.

Larry Wheeling and Perry Caligan at Elmwood Park on July 5

Before the concert began, I asked both Caligan and Wheeling about some of the bands that The Royal Kings opened up for during their days performing at The Kings Inn. Here are just a few of the artists they mentioned: The Four Tops, Ides of March, Chairmen of the Board and Billy Stewart.

Over the years there have been many members playing with the Kings. However, Wheeling has been with the band ever since he joined in 1969. Joining Larry Wheeling in the 2018 edition of the band are his brothers Brian Wheeling and Randy Wheeling. Below are the current 7 members of the Kings:

Brian Jones—guitar bass

Terry Brown—lead singer

Brian Wheeling—guitar

Tim Martin—lead singer and guitar

Larry Wheeling—Trumpet and Keyboards

Randy Wheeling—Trumpet and Trombone

Ray Mitchell—Drums

The Kings performing at Elmwood Park on July 5

The Kings official motto is “These guys play everything.” That slogan is accurate.

With a total of 29 songs during their two-sets, the Kings had a wide variety of musical styles on their set list. Basically the Kings play all types of dance music: From Motown to current chart topping songs, the band keeps the groove going with guitars, bass, drums and a brass section. Plus the vocals of Terry Brown and Tim Martin makes the Kings a top-notch band.

For a majority of the songs performed in concert, Terry Brown takes the lead singing vocals. For the remainder of the Kings songs, Tim Martin provides lead vocals for the band. This combination of vocalists gives the Kings a nice balance with the various styles of music played during concerts.

The Kings opened up their first set of the evening with the classic Chicago song, ‘Does Anybody Really Know What Time It is.” Other highlights during the first part of the concert includes covers of Al Green’s “Let’s Stay Together”, Looking Glass’ “Brandy (You’re a Fine Girl)”, the Spinners’ “I’ll Be Around” and KC & the Sunshine Band’s “Boogie Shoes.’

Towards the end of the first set, Tim Martin sang the Old Crow Medicine Show song “Wagon Wheel” which actually mentions the name of Roanoke in the lyrics of this tune:

Walking to the south out of Roanoke

I caught a trucker out of Philly had a nice long toke

But he’s a heading west from the Cumberland Gap

To Johnson City, Tennessee

And I got to get a move on before the sun

I hear my baby calling my name and I know that she’s the only one

And if I die in Raleigh at least I will die free

After DJ Jerry English played classic Carolina Beach music during the intermission, the Kings came out rocking the house with covers of more contemporary tunes from the past five years. Highlights of the second set includes, DNCE’s “Cake By the Ocean”, Justin Timberlake’s “Can’t Stop the Feeling”, Robin Thicke’s “Blurred Lines” and The Time’s “Jungle Love.”

There were two other exceptional performances by the Kings during the second set. The first song was the Portugal The Man’s “Feel It Still” which featured Terry Brown’s outstanding falsetto vocal range along with the band’s wonderful rhythm section.

The final song of the evening was Mark Ronson and Bruno Mars’ “Uptown Funk” song. Every part of this performance was excellent. From the vocals, the bass riffs, guitars and drums in sync and the brass section rocking, this ending song was “smokin’ hot” and was a fitting end to an excellent concert by the Kings.

After this event ended, I asked some folks for their thoughts about the Kings concert. Here are a couple responses:

Beth Ledwith of Salem:

“I thought they were great. They offered a variety that appealed to the audience and also played some current hits. They also played a good mix of slow and faster tempos. A great party band with talented members. The brass also adds additional richness to the overall sound. I would highly recommend them!”

Bruce Bias of Roanoke:

“Probably no other band has had such a local impact on the Roanoke Valley’s music scene than the Kings. Going back to the late 60’s to the present they have remained the most known group within a 200-mile radius of the valley. They stayed on top of current hits, while always keeping the roots of their beginnings true. I have always believed the horns was what set them apart form other really good local bands. Larry Wheeling: If Roanoke had a hall of fame for bands, you’d be in the very 1st class. Big thanks for your efforts to keep THE KINGS alive and thriving.”

Thanks to Beth and Bruce for sharing their thoughts on the Kings.   If you are interested to know more about the Kings, check out their webpage.

I want to thank DJ Jerry English, Larry Wheeling and the rest of the Kings band for allowing me to witness the “Party in Elmwood” concert on stage with them on July 5th. It was an honor for me to be able to watch Roanoke’s legendary band perform their magic the day after Independence Day 2018.

Long live The Kings!

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