Americana, Broadcasting, Folk, Heartland Rock, Music, Music Countdowns, Podcasts, Radio, Retro Rock, Rock Music, Top 40 Radio

21 Essential Heartland Rock Anthems  

What is Heartland Rock?  I first learned about this topic a couple of weeks ago when I went to the website of my local National Public Radio (NPR) station, WVTF 89.1 FM Roanoke, Virginia. 

One of the programs that WVFT airs on weekdays is called “Here and Now” which is a live production of WBUR 90.9 FM Boston, Massachusetts and (NPR).  I went to the “Here and Now” link and found a story about Heartland Rock (HR) from a segment that aired on July 2, 2026. 

The “Here and Now” segment had WBUR co-hosts Indira Lakshmanan and Will Walkey interviewing author Erin Osmon who recently published a book called, “Won’t Back Down: Heartland Rock and the Fight for America.”   

Osmon, a journalist and music historian, answers 8 questions on her new book about Heartland rock during the “Here and Now” segment which can be accessed via this link.

After I read and listened to Osmon’s “Here and Now” interview segment, I was curious to learn more about Heartland Rock. I then purchased her new book on this musical sub-genre. 

If you are also interested in this topic, I would encourage you to buy a copy of “Won’t Back Down: Heartland Rock and the Fight for America.” either online or at your favorite local bookstore.  

In Osmon’s informative book, she explores the foundation and emergence of what is now known as Heartland Rock and gives explanations on why this sub-genre of rock music became popular during the 80s decade. 

Osmon traces the history and influences of Heartland Rock to several of the 60s and 70s legendary singer-songwriters: Woody Guthrie, Bob Dylan, Neil Young and John Fogerty. 

According to Osmon, three 60s rock songs stand out as roots for what later became known as Heartland Rock: “Fortunate Son” Creedence Clearwater Revival, “The Weight” The Band and “Everybody Knows This Is Nowhere” Neil Young.  

The timeline for Heartland Rock’s rise to prominence in the United States happened in the mid 70s and its influence remained strong until the late 80s.  

Osmon identifies four core artists in the Heartland Rock genre: Bruce Springsteen from New Jersey, Bob Seger from Michigan, Tom Petty from Florida and John Mellencamp from Indiana. 

While male artists were at the forefront of Heartland Rock’s rise in popularity, women such as Bonnie Raitt, Tracy Chapman, Melissa Etheridge, and Lucinda Williams were also serving up outstanding perspectives with songs into this musical genre. 

Musically, HR generally blends rock, folk, country and Americana genres together with acoustic and electric guitars as dominant instruments in these types of songs. 

One misnomer about Heartland Rock is that all songs are centered around either small Rust Belt communities or industrial towns located in the Great Lakes region of the U.S. 

As Osmon points out in her book, Heartland Rock is about ideological and spiritual geography, and not physical locations. Songs in this sub-genre of rock music can be about any small locality across America.  

At the beginning of this article, I asked the question, “What is Heartland Rock?” While there are no simple definitions of songs in this category, this musical sub-genre has many common themes. HR anthems tend to have some of the elements that I have listed below:

  • Rooted in working-class life  
  • Pride in small-town communities 
  • Resilience in hard economic times 
  • Struggling or losing family farms 
  • Factories closing 
  • Longing for a simple life 
  • Pulling for an underdog during trying times  
  • Railing against “Reaganomics”  
  • Shattered Expectations of the American Dream  
  • Manufacturing jobs eliminated  
  • Inequality in various forms  
  • Abandonment of rural values  
  • Fear of recession and globalization 
  • Small towns losing population 
  • Lyrics that tell a story 
  • Romanticizing rural life of the 50s & 60s  
  • Having Cold War hysteria  
  • Searching for spiritual belonging  

After I educated myself on the topic of Heartland Rock, I started thinking about my favorite songs in this category. For the rest of this article, I will be counting down what I consider to be the top 21 best Heartland Rock anthems. 

My countdown of songs is based upon Osmon’s listing of “150 Essential Heartland Rock Songs” in the appendix of her outstanding book.  

One note: Bruce Springsteen has 22 out of the 150 songs on Osmon’s essential HR list. While I could devote a whole countdown of odes by the Boss, I didn’t overload my selections from the New Jersey native. 

I do not consider my countdown as a definitive list or the absolute best HR songs in the category. My selections are what I consider to be my favorites from the years of 1975 to 1989. 

Before starting the countdown of my prominent HR songs, I am sharing other superb tracks that fell outside just outside the top 21 designation. These tunes are not ranked and placed in a random order. 

  • Fire Lake—Bob Seger & the Silver Bullet Band 
  • Jack & Diane—John Mellencamp  
  • Handle With Care—The Traveling Wilburys 
  • Glory Days—Bruce Springsteen  
  • Rock & Roll Girls—John Fogerty  
  • Free Fallin’–Tom Petty 
  • Mandolin Rain—Bruce Hornby & the Range 
  • Money for Nothing—Dire Straits  
  • Out in the Street—Bruce Springsteen  
  • Nick of Time—Bonnie Raitt  
  • And We Danced—The Hooters 
  • End of the Line—The Traveling Wilburys  
  • Rockin’ in the Free World—Neil Young 
  • Fast Car—Tracy Chapman   
  • Thunder Road—Bruce Springsteen  
  • Cherry Bomb—John Mellencamp 
  • Walk of Life—Dire Straits 
  • Night Moves—Bob Seger & the Silver Bullet Band 
  • The Waiting—Tom Petty & the Heartbreakers  
  • The Promised Land—Bruce Springsteen  

Without further ado, my best Heartland Rock countdown begins: The first selection at #21 is an outlier as the track that isn’t found on Osmon’s 150 essential HR song list. However, I believe it should be considered a top HR track and that anthem starts off the countdown.

21. “Allentown” by Billy Joel: 1982  

The lyrical content of this song written by Billy Joel has core themes central with many Heartland Rock tunes. The words on “Allentown” depict steel mills and coal mines shutting down, with folks in that town showing desperation with their living experiences. In my humble opinion, Joel’s track is an essential quintessential 80s HR anthem.

20.  The End of the Innocence—Don Henley 1989   

A collaboration with Bruce Hornby, who plays piano on the song and co-wrote the track with Henley.  Lyrics combine nostalgic and fond remembrances of life as a youngster, as well as disillusionment with present realities. In 1980, song won a Grammy Award for “Best Rock Male Vocal Performance.” 

19.  My Hometown—Bruce Springsteen 1984 

Written by Bruce Springsteen. Describes economic depression, main street stores vacant, and a textile mill closing. The track became the Boss’ seventh consecutive top 10 hit on the Billboard Hot 100 from the legendary “Born in the USA” album.  

18.  Small Town—John Mellencamp 1985 

John Mellencamp penned this autobiographical ode to his Indiana roots. The author shared experiences growing up in the Hoosier state and painted a sentimental affection for living life in a rural community.  One of Mellencamp’s signature songs. 

17.  I Won’t Back Down—Tom Petty 1989 

Co-written by Tom Petty and Jeff Lynne.  Lead single from “Full Moon Fever” which was Petty’s first solo album. It became an anthem for standing up for what a person believes no matter the consequences. George Harrison provides acoustic guitar and backing vocals on the track. 

16.  The Valley Road—Bruce Hornsby & the Range 1988 

Written by brothers Bruce and John Hornsby. Lyrics were formed from observations made by the siblings when growing up in Williamsburg, Virginia. The story is set in a rural area and describes betrayal and deception with problematic outcomes and social consequences for many individuals.  

15.   Hollywood Nights—Bob Seger & the Silver Bullet Band 1978 

Bob Seger’s penned this fictional story about a blue-collar Midwest man going to Los Angeles and meeting a beautiful California woman. Then after a short love affair, the gorgeous lady suddenly disappears and leaves the fellow heartbroken. This song remains a mainstay on classic album rock radio in 2026. 

14.   Born in the USA—Bruce Springsteen 1984 

This must be the most misunderstood HR anthem of all time. Instead of being a flag-waving, celebratory patriotic tune, Springsteen wrote a protest song. He expressed disapproval of Vietnam war veterans having economic hardships in civilian life, despite their military service.  

13.   Summer of ‘69–Bryan Adams 1985 

Most complex written songs can have dual meanings, and that appears to be the case for Bryan Adams and Jim Valance who penned the 1985 hit single.  The lyrics fondly look back on a youthful summertime romance during the historic year of 1969. At the same time, the number 69 is also a metaphor for making love.  The tune has an excellent guitar riff.

12.   Rain on the Scarecrow—John Mellencamp 1985 

The powerful lyrics of this song were co-written by George Green and John Mellencamp. The focus of the track was on the cultural identity and collapse of rural family farms in the U.S.  This was one of the songs that Mellencamp performed at the inaugural Farm Aid concert in 1985. 

11.   Against the Wind—Bob Seger & the Silver Bullet Band: 1980  

Bob Seger composed the title track from his “Against the Wind” album. The author yearns for the simplicity of past times and explores past relationships with former friends and ex-girlfriend Janey.  Seger closes his ditty by stating he has mellowed out as he has aged.  

10.   American Girl—Tom Petty & the Heartbreakers: 1976  

This up-tempo rocker is considered one of Tom Petty’s most popular tracks.  The artist who was born in Gainesville, Florida wrote the song about a young woman who escaped a rural small town and ends up in a large city seeking a brighter future. Despite being lonely and heartbroken, she is hopeful for a better life. 

9.     The River—Bruce Springsteen: 1980  

I consider the profound lyrics the Boss wrote for this composition to be his greatest written masterpiece. Using a river as a metaphor is absolutely brilliant. Springsteen’s story goes from a working-class teenage couple’s youthful dreams, then transitions to troubling life events happening which result in total disillusionment of those earlier shattered dreams. A truly outstanding song. 

8.     The Way It Is—Bruce Hornsby & the Range: 1986  

Singer-songwriter, multi-instrumentalist and superb pianist Bruce Hornsby penned the hard-hitting HR song. Lyrics address topics such as welfare, racism, economic opportunity and civil rights. “The Way It Is” helped pave the way for Bruce Hornsby and the Range to win a Grammy Award for “Best New Artist” in 1987 

7.     Pink Houses—John Mellencamp:  1983 

John Mellencamp’s written ode was totally misunderstood when it was released as a single. While many folks thought the song was patriotic, this anthem is social commentary on race, class and the bleak reality of a housing crisis in America. The Indiana native sang about the real struggle for working-class families just to pay their bills. 

6.     Turn the Page—Bob Seger & the Silver Bullet Band: 1976  

Sometime when touring during with his band in 1972, Bob Seger wrote the lyrics for “Turn the Page.”  The lyrics were based on real life experiences of musicians and bands traveling from town to town during concert tours. The song describing the ups and downs of life on the road is my favorite HR track by Seger. I love the saxophone playing by Alto Reed on this track.

5.     Running on Empty—Jackson Browne: 1977  

Jackson Browne’s autobiographical account uses a highway as a metaphor for this up-tempo, toe-tapping tune. Browne nostalgically longs for a simpler time in his life by stating, “in ‘65, I was 17” and “in ‘69, I was 21.”  It is a pleasing anthem for the nomadic lifestyle of a musician.  

4.     Centerfield—John Fogerty: 1985  

Baseball is said to be America’s national pastime and John Fogerty’s nostalgic ode is a legendary sports anthem. This tribute mentions MLB Hall of Fame centerfielders such as Joe DiMaggio, Willie Mays and Ty Cobb. In 2010, Fogerty became the only musician ever to be celebrated at the National Baseball Hall of Fame Induction Ceremony when “Centerfield” was honored.  

3.     The Boys of Summer—Don Henley: 1984  

Lyrics about aging are the theme for this song co-written by Don Henley and Mike Campbell. With reference to baseball and summertime, the track remembers a past love relationship with regrets and then questions the meaning of life as a middle-aged person. Henley won a Grammy Award for “Best Male Rock Vocal Performance” with his exceptional song. 

2.     Refugee—Tom Petty & the Heartbreakers: 1979  

Pressures of the music industry were the overriding theme for the Tom Petty and Mike Campbell co-written song. The lyrics encourage listeners to stand up for personal beliefs, fight for self-empowerment, and refuse to be victimized during times of trouble.  “Refugee” was one of the 4 songs that Petty played at the “Live Aid” charity show in Philadelphia, Pennsylvania in July 1985. 

1.     Born to Run—Bruce Springsteen: 1985  

My #1 Heartland Rock anthem is one of my favorite songs of all time.  Bruce Springsteen’s magnificently written ode addresses a desire to escape the weight and pressure of life. 

The Boss uses metaphors about cars, motorcycles and highways to vividly evoke topics of freedom, romance and pursuit of the “American Dream.”    

I love the high-energy music played on this 1975 hit, and the tenor saxophone solo by Clarence Clemons is outstanding. Springsteen’s single was the #1 favorite song that I played on WROV Roanoke in 1975, which was my first job on the radio.  

Without a doubt, I rate “Born to Run” by Bruce Springsteen as the #1 best Heartland Rock track on this countdown.  

That wraps up what I consider to be my favorite Heartland Rock songs. I completely understand that my listing of tracks in this category was written from my point of view and is subjective. 

If you were creating a similar register of excellent Heartland Rock songs, your tabulation may be totally different. What do you consider to be the best preeminent HR tracks from 1975 to 1989?  

Thanks in advance for sharing your thoughts and comments below on what you consider to be the best Heartland Rock tracks from the 70s and 80s.  Rock on! 

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Concert Reviews, Music, Pop Music, Retro Rock, Rock Music

Live Aid Top Performances:  London & Philadelphia 1985

Earlier this month was the 40th anniversary of Live Aid which was a two-venue benefit concert and music-based fundraising initiative held on July 13, 1985.

The Live Aid musical happening was held simultaneously at Wembley Stadium in London, England and John F. Kennedy Stadium in Philadelphia, Pennsylvania.

This event was organized by Irish singer-songwriter Bob Geldof, lead singer of the Boomtown Rats band, along with Scottish singer-songwriter and record producer James “Midge” Ure.

Geldof and Ure conceived the dual concert extravaganza after they co-wrote and collaborated together on a successful fund-raising charity single, “Do They Know It’s Christmas?” recorded by Band Aid in 1984.

More than 70 artists and bands performed over 16 hours of live music across the London and Philadelphia concerts.  For a complete listing of performing acts and ultimate info about dual charity shows, please access this Live Aid webpage.

For this article, I will be counting down what I consider to be the ten best artists and bands performing at Live Aid.

The top ten performances that I have selected are all personal favorites that I deem to be culturally, historically, aesthetically significant, meaningful or relevant.  These songs still sound good to me 40 years later.

Please note: my article is not a definitive ranking of all 70 artists that performed at the Live Aid venues in July 1985. For a more thorough accounting of this historic event, I would encourage you to search the Internet for that information.

Before I start my countdown, I will be highlighting two anthems that were performed at the end of each trans-continental shows.

At the end of the London segment, “Do They Know It’s Christmas” by Band Aid closed the U.K. concert.

And on the American side, “We Are the World” from USA for Africa was the Philadelphia finale, which ended the entire event.

Obviously, there were more outstanding musical performances at Live Aid besides those listed on my countdown. Below are some worthy artists and bands that didn’t make my top ten tabulation. Those performers are not ranked and place in a random order.

  • Crosby Stills & Nash
  • Elton John (with George Michael)
  • Led Zeppelin
  • Hall & Oates
  • The Pretenders
  • Simple Minds
  • Bryan Adams  
  • The Beach Boys
  • Crosby Stills Nash & Young
  • REO Speedwagon  
  • The Four Tops
  • Santana
  • Sade
  • Joan Baez

Without further ado, my Top 10 countdown of best Live Aid performances begin:

10.   The Who

Songs Performed:

  • “My Generation”
  • “Pinball Wizard”
  • “Love, Reign o’er Me”
  • “Won’t Get Fooled Again”

My favorite of the set list: “Won’t Get Fooled Again”

British Invasion band the Who performed 4 of their biggest and most renowned songs in London. “Pinball Wizard” from the “Tommy” rock opera and “Won’t Get Fooled Again” from the “Who’s Next” album were the highlights by this influential 20th century band.

9.     The Cars  

Song Performed:

  • “You Might Think”
  • “Drive”
  • “Just What I Needed”
  • “Heartbeat City”

My favorite of the set list: “Just What I Needed”

New Wave and power pop rock band the Cars were at the height of their popularity in 1985 when they performed at Live Aid. Leaders of the band, Benjamin Orr and Ric Ocasek, gave a spirited performance on fan favorites like “You Might Think”, “Drive” and “Just What I Needed.”

8.     Tom Petty & the Heartbreakers

Songs Performed:

  • “American Girl”
  • “The Waiting”
  • “Rebels”
  • “Refugee”

My favorite of the set list: “Refugee”

Along with his band the Heartbreakers, Tom Petty fired off four superb power pop rock songs with the raising of funds for famine relief in Ethiopia. “American Girl” and “The Waiting” were both superb, while Petty’s 1980 hit “Refugee” ended the exceptional set on a high note.

7.     Eric Clapton & Phil Collins

Songs Performed:

  • “White Room”
  • “She’s Waiting”
  • “Layla”

My favorite of the set list: “Layla”

Arguably, “Layla” is one of the greatest classic rock songs of all time.  With “Slow Hand” Eric Clapton shredding his guitar, Phil Collins on drums and Chris Stainton playing keyboards, it was an outstanding rendition of the song written by Clapton. The opening selection of “White Room” was also memorable.

6.     David Bowie

Songs Performed:

  • “TVC 15”
  • “Rebel Rebel”
  • “Modern Love”
  • “Heroes”

My favorite of the set list: “Modern Love”

David Bowie and his band played 4 up-tempo songs during his set. “Modern Love” was a rousing number with outstanding saxophone playing while the lyrics of “Heroes” fit nicely with the message and purpose of the benefit concert: “Oh, we can be heroes, just for one day.”

5.     Mick Jagger & Tina Turner

Songs Performed:

  • “Lonely at the Top”
  • “Just Another Night”
  • “Miss You”
  • “State of Shock” (w/ Tina Turner)
  • “It’s Only Rock ‘n Roll (But I Like It)” (with Tina Turner)

My favorite of the set list: “It’s Only Rock ‘n Roll (But I Like It)” (with Tina Turner)

Mick Jaggar sang 3 songs before Tina Turner joined him on stage as the pair performed “State of Shock” and “It’s Only Rock ‘n’ Roll (But I Like It).”

During this racy two-song duet, Jagger stripped off his shirt for a mid-song costume change and then dramatically ripped off Turner’s skirt. The singer’s fun and flirty chemistry electrified the audience in London.

4.     Paul McCartney  

Song Performed: “Let It Be” (w/ David Bowie, Bob Geldof, Alison Moyet and Pete Townshend)       

The beginning of “Let It Be” was sparse: Just Sir Paul playing a piano and singing solo. McCartney didn’t want any other vocalists or instruments to accompany his performance.

 At some point during McCartney’s performance, his microphone stopped working. The crowd started singing the chorus of “Let It Be” and then fellow artists Bowie, Geldof, Moyet and Townshend joined McCartney on the stage for a powerful ending of this classic Beatles ode.

3.    U2

Songs Performed:

  • “Sunday Bloody Sunday”
  • “Bad”

My favorite of the set list: “Sunday Bloody Sunday”

U2 was an up-and-coming band in 1985 and their appearance helped the Irish band achieve a new level of stardom after their two-song set.

Kicking off the performance was the anti-war anthem “Sunday Bloody Sunday” with front man Bono giving a fiery, passionate vocal delivery.  Following the U2 signature song was a 12-minute rendition of “Bad” that was a crowd favorite in London.

2.   Dire Straits & Sting

Songs Performed:

  • “Money for Nothing” (with Sting)
  • “Sultans of Swing”

My favorite of the set list: “Money for Nothing”

British band Dire Straits (DS) performed only two songs and both selections were superb. “Sultans of Swing” is my favorite DS song of all-time:  I love the guitar riffs and vocals by Mark Knopfler on this signature song by the British band.

My absolute top performance of the day by DS was “Money for Nothing.”  Joining the band on stage was Sting and his singing of “I want my MTV” reverberated throughout Wembley Stadium as DS rocked the house with their #1 summer of 1985 smash hit.

  1.  Queen

Songs Performed:

  • “Bohemian Rhapsody”
  • “Radio Ga Ga”
  • “Hammer to Fall”
  • “Crazy Little Thing Called Love”
  • “We Will Rock You”
  • “We Are the Champions”

My favorite of the set list:  “Bohemian Rhapsody”

Many music historians proclaim that Queen’s Wembley Stadium set is the greatest live rock musical performance of all-time.  The 21-minute set was actually one continuous medley of popular short snippets of some of the British band’s most beloved songs.

This was Freddie Mercury’s shining moment, along with guitarist Brian May, bassist Jon Deacon and Roger Taylor on drums.  Queen’s musical presentation is my #1 best performance during Live Aid in 1985.

That wraps up my countdown of what I consider to be the best performances at Live Aid 1985.

I realize that my listing of songs in this category was written from my point of view and is subjective. My countdown of top performances is based completely upon my personal humble opinions.

If you were creating a similar listing of outstanding Live Aid performances during 1985, your tabulation may be totally different from my selections. There are no right or wrong answers. I welcome your thoughts.

Here is hoping that you will listen to and/or watch YouTube videos of Live Aid performances after you have read this music blog message.

I still have fond memories of music that was performed at Live Aid in July 1985.  And much of the music played 40 years ago still sounds great 40 years later. Rock on!

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