Graphic above by Julianne Woodson

What are the best songs played on Top 40 radio during the 70s that were not released as singles by record companies?

Obviously, there are no definitive answers to my question. If I asked the above inquiry to 100 folks, I would surely receive one hundred different responses.

With this latest music blog message, I will be revealing my top selections based on these factors: Growing up in Roanoke, Virginia, listening to WROV 1240 AM and then being employed by the legendary top 40 station, starting in 1974.

My regular radio listening started in the spring of 1967 after my parents gave me a transistor radio.  I quickly discovered WROV and was hooked on their Top 40 format.

Then in the summer of 1967, I commandeered a desk-top tube radio from our kitchen and permanently kept this device in my bedroom.  On most nights that summer, I would tune in 50,000-watt, clear channel AM radio stations, such as WLS 890 Chicago and WABC 770 New York.

When I started listening to the radio 55 years ago, I quickly realized that Top 40 stations aired only songs that were released as 45-rpm singles by record companies.  The biggest album from the 1967 “summer of love” was “Sgt. Pepper’s Lonely Hearts Club Band” by the Beatles. Since Capitol Records didn’t release any singles on the Fab Four album, there were no songs from the LP regularly played on Top 40 outlets.

It wasn’t until late 1968/early 1969, that I noticed Top 40 radio playing album tracks.  The Beatles “White Album” came out during November 1968 but Capitol Records did not release any singles from the LP in America. However, many top 40 formatted stations played select cuts from the self-titled Beatles album.

On WROV Roanoke, they played three tracks from the Beatles “White Album.” First, the station aired “Back in the U.S.S.R” and then followed up with “Ob-La-Di, Ob-La-Da” and “Rocky Raccoon.”

 Above is an audio clip when I was a guest DJ for a My Fab Four segment on SiriusXM’s the Beatles Channel.  Featured on this audio clip: “While My Guitar Gently Weeps” & “Back in the USSR” from the “White Album.” Two of my four favorite Beatles songs of all-time.

Forward to the 70s.  Most Top 40 stations were still on the AM band at the beginning of the decade. The emergence of FM radio in the late 60s and early 70s created challenges for existing AM radio stations.

Since music sounded 100% better on FM, ratings for AM Top 40 stations starting declining. To compensate for the competitive disadvantage AM Top 40 radio had against new FM signals, many long-standing AM outlets decided to tweak their traditional playlists.

Most Top 40 AM stations in the early 70s started playing the longer album version of songs rather than the shorter edited 45-rpm single record. Many of these AM outlets also embraced the playing of “non-single” album tracks on their hot rotation playlists. 

Sometimes an AM Top 40 station playing an album track would result in a record company releasing a song as a 45-rpm single. This happened during my first job in radio at WROV in 1974.

 During early September 1974, WROV music director Chuck Holloway started playing the song “Black Water”, which was a track from the Doobie Brothers “What Were Once Vices Are Now Habits” album. After just a few spins on Holloway’s nighttime DJ air-shift, “Black Water” became an immediate hit in Roanoke.

Soon after, Phil Beckman at WQRK Norfolk and Buzz Bennett with KDWB Minneapolis added “Black Water” to their playlists. Finally, Warner Bros Records released the song as a single and the Doobie Brothers achieved their first number 1 hit on the Billboard Hot 100 during March 1975.  WROV received a gold record for being the first radio station to play and break “Black Water” as a hit song in America.

For the remainder of this message, I will be counting down what I consider to be the ten best classic Top 40 hits of the 70s. These were songs that received heavy airplay on WROV 1240 AM Roanoke, played as an album track and not released by a record company as a 45 RPM single.

My countdown of songs in this category is based solely on my experience of living in Roanoke, Virginia and listening to Top 40 WROV. The ten selections below are from my point of reference and are not meant to be a definitive listing of top album tracks aired on Top 40 radio in America during the 70s.

Before starting the countdown, here are some clarification points on non-single album tracks played on Top 40 radio:

• Information on album tracks not released as 45 RPM singles pertains only to the United States.

• Time frame for non-single songs is up to 24 months after an album was initially released.

•  Since only singles were eligible to appear on Billboard Hot 100, album tracks didn’t qualify to chart in the 70s.

• Some songs that were originally album tracks only may have subsequently been released as a single, years or even decades after the first release of a song.

• Later versions of singles could be in a variety of formats:  45 RPM, 12 Inch disc, Cassette, CD or Digital Download.

• With the 2001 advent of iTunes, all songs on countdown can now be purchased as a digital single: via multiple Internet platforms.

While the album tracks from the countdown are associated with airplay on WROV, all of the selections are still well-known songs in the 21^st Century.  Most can be heard daily on various radio outlets:  classic rock, classic hits, oldies and multiple SiriusXM channels in 2022.

A song just outside of my top 10 countdown is an album track that WROV played during 1976: “Turn the Page” from the Bob Seger & the Silver Bullet Band LP, “Live Bullet.”  Two singles were released from the album: “Nutbush City Limits” and a medley of “Travelin’ Man/Beautiful Loser”

WROV’s Music Director and DJ Bill Jordan provides information below on why he decided adding “Turn the Page” to his station’s playlist in 1976: “I was music director during a pretty interesting time at WROV. We had morphed into sort of a Top 40/Album Oriented format, and readily played album cuts that “fit” the sound we wanted.”

Jordan continues, “A friend switched me on to Bob Seger’s “Turn the Page” from his “Live Bullet” album. We started playing it in very light rotation and it quickly exploded. Record stores couldn’t keep the album in stock.

In fact, “Turn the Page” became so popular that Capitol Records considered delaying the release of the “Night Moves” album. In 1977, Seger performed at the Salem Civic Center in his last show as an opening act for Black Sabbath.

“Turn The Page” brought the house down. Great times!”

It is now time for the countdown. The top ten radio hits of the 70s not released as 45 RPM singles:

10.  Southern Man—Neil Young

From the “After the Gold Rush” album: Released September 19, 1970

WROV DJ I Associate with Song: Terry Young 1973

Singles released from album:   “Only Love Can Break Your Heart” and “When You Dance, I Can Really Love.”

“Southern Man” is found on two albums: Neil Young’s 1970, “After the Gold Rush” LP and a live version on a live 1971 Crosby Stills Nash & Young album, “4 Way Street.”  WROV DJ Terry “Motormouth” Young played this track on his 7 to midnight shift during the winter and spring of 1973. The fast-talking DJ went on bigger radio stations like WLEE Richmond and WCAU Philadelphia.  Terry Young was also on SiriusXM’s 60s on 6 channel during the first part of this century.

9.    Isn’t She Lovely—Stevie Wonder

From the “Songs in the Keys of Life” album: Released September 28, 1976

WROV DJ I Associate with Song: Rob O’Brady 1977

Singles released from album: “I Wish”, “Sir Duke”, “Another Star” and “As.”

When Stevie Wonder’s album “Songs in the Key of Life” came out, many consumers wanted Tamla Records to release “Isn’t She Lovely” as a single. Wonder didn’t want his over six-minute song to be edited and refused to have his song cut up into a shorter 45-RPM record. Many Top 40 stations played the song anyway, including WROV.  Rob O’Brady would often play Wonder’s album track on his morning drive show and announce that it was dedicated to his loyal listeners, fondly known as “O’Brady’s Ladies.”

8.    Let It Flow—Eric Clapton

From the “461 Ocean Boulevard” album: Released July 1974

WROV DJs I Associate with Song: Chuck Holloway, Bart Prater & Rob O’Brady 1974

Singles released from album: “I Shot the Sheriff” and “Willie and the Hand Jive.” 

While most Top 40 stations added “Willie and the Hand Jive” to their playlists after Eric Clapton hit number 1 with “I Shot the Sheriff”, WROV went in another direction.  Music director Chuck Holloway added the album track “Let it Grow” to its hot rotation and aired in all day-parts. Clapton plays a dobro on this track and Yvonne Elliman provides backup vocals on this melodic tune.

7.    South City Midnight Lady—The Doobie Brothers

From “The Captain and Me” album: Released March 2, 1973

WROV DJ I Associate with Song: Bart Prater & Larry Bly 1973

Singles released from album: “Long Train Running” and “China Grove.”

“South City Midnight Lady” is quite different from most Doobie Brothers songs. The tune features a pedal steel guitar, strings and synthesizer. I distinctly remember WROV’s morning DJ Larry Bly playing the song regularly in the fall of 1973.  However, I mostly associate this Doobie Brothers song with afternoon announcer Bart Prater. “South City Midnight Lady” was Prater’s favorite song that he played on WROV.  The legendary Roanoke DJ played it regularly on the station between 1973 and 1981, before leaving to work at crosstown K92 FM.

6.    The Chain—Fleetwood Mac

From the “Rumours” album: Released February 4, 1977

WROV DJ I Associate with Song: Rob O’Brady 1977

Singles released from album: “Go Your Own Way”, “Dreams”, “Don’t Stop” and “You Make Loving Fun.”

Fleetwood Mac (FM) was hot on Top 40 radio in 1977 with four-top 10 singles.  Fans wanted more songs to be played from the “Rumours” album and WROV obliged by adding a fifth song from the LP.  “The Chain” is the only FM song from the album with writing credits from all five members (Stevie Nicks, Lindsey Buckingham, Christine McVie, John McVie, and Mick Fleetwood.  The band also regularly opens their concert tours by playing “The Chain.”

5.    Funeral for a Friend/Love Lies Bleeding—Elton John

From the “Goodbye Yellow Brick Road” album: Released October 5, 1973

WROV DJ I Associate with Song: Chuck Holloway 1974

Singles released from album: “Saturday Night’s Alright for Fighting”, “Goodbye Yellow Brick Road” and “Bennie and the Jets.”

“Funeral for a Friend/Love Lies Bleeding” was too long for a single release, but we played it at WROV in 1974 when I first started working for the station.  Coming in at over 11-minutes long, this rock song was aired only after 7 pm and then up to 5 am the next morning.    Chuck Holloway played it at least once every evening on his air shift.  This medley of two songs from the “Goodbye Yellow Brick Road” album, is a renowned musical masterpiece by the Bernie Taupin/Elton John duo.

4.    I Heard It Through the Grapevine—Creedence Clearwater Revival

From the “Cosmo’s Factory” album: Released July 8, 1970

WROV DJ I Associate with Song: Bill Thomas 1970

Singles released from album: “Travelin’ Band/Who’ll Stop the Rain”, “Up Around the Bend/Run Through the Jungle” and “Lookin’ Out My Backdoor/Long as I Can See the Light.”

Creedence Clearwater Revival (CCR) had 3-double sided top 5 hit singles from their “Cosmos Factory” album.  In the fall of 1970, many Top 40 stations played CCR’s 11-minute cover version of “I Heard It Through the Grapevine.”  At WROV, the CCR album track only aired during night time air shifts.  7 to midnight DJ Bill Thomas played the album track on Roanoke’s top 40 outlet.

In 1972, CCR broke up and John Fogerty had a nasty falling out with his record company.  Fantasy Records released an edited 3:53 version of “I Heard It Through the Grapevine” as a single.  It peaked at number 43 on the Billboard Hot 100 in 1973. Obviously, this version cuts out most of the outstanding instrumental ending with the Motown cover tune.

3.    Maybe I’m Amazed—Paul McCartney

From self-titled “McCartney” album: Released April 17, 1970

WROV DJ I Associate with Song: Jack Fisher 1970

Apple Records was in a quandary in April 1970:  Paul McCartney officially confirmed that the Beatles had broken up, and the last Fab Four album, “Let it Be” was set to be released in May, along with the Beatles single, “The Long and Winding Road.”

On top of all that activity, a self-titled “McCartney” debut solo album, came out just a week after the news that the Beatles were history.  It was then decided by Apple Records that no singles would be released from Sir Paul’s LP.  That didn’t stop WROV from adding the album track “Maybe I’m Amazed” to its playlist. It was a midday favorite of legendary DJ Jack Fisher.

Forward to December 1976:  an album by Paul McCartney & Wings was released called “Wings Over America.”  This live LP featured a cover of “Maybe I’m Amazed” and it became the lead single from the album. This new rendition peaked at #10 on the Billboard Hot 100 during the spring of 1977.

2.    Baba O’Riley—The Who

From the “Who’s Next” album: Released August 14, 1971

WROV DJ I Associate with Song: Dan Alexander 1971

Singles released from album: “Won’t Get fooled Again” and Behind Blue Eyes.”

The opening track from the 1971 “Who’s Next” album is “Baba O’Riley.”  The song most music critics consider as the best ever recorded by the Who was not released as a 45-RPM single 51 years ago.

According to Wikipedia:  “Baba O’Riley” appears in Time magazine’s “All-Time 100 Songs” list, Rolling Stone’s list of “The 500 Greatest Songs of All Time”, and the Rock & Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll.”

My fond memory of hearing this album track played on WROV:  DJ Dan Alexander created comedy bits on his AM drive show, under the fictional character name of Marvin Meriweather. One morning just after Alexander started playing “Baba O’Riley”, Marvin shouts out the chorus refrain: “It’s only TEENAGE WASTELAND, they’re all WASTED.”   It was truly a LOL moment for me.

1. Stairway to Heaven—Led Zeppelin

From the “Lead Zeppelin IV” album: Released November 8, 1971

WROV DJs I Associated with Song:  Terry Young and Shane Randall 1973

Singles released from album: “Black Dog” and “Rock and Roll.”

My number 1 selection on the countdown is “Stairway to Heaven” by Led Zeppelin, which is the signature song by the English band. WROV’s Terry Young played the song every night in 1973, when he was employed by the station.

Composed by Jimmy Page and Robert Plant, “Stairway to Heaven” is considered by many as the best rock song of all-time.  This Led Zeppelin tune was inducted into the Rock & Roll Hall of Fame, voted as the third “Greatest Rock Song” by VH1, ranked #31 on the Rolling Stone “500 Greatest Songs of All Time” listing and inducted into the Grammy Hall of Fame in 2003.

Led Zeppelin didn’t release many singles during their career and their greatest song was only available as an album track during the 70s decade.   Without a doubt, “Stairway to Heaven” is the number 1 song played on WROV/Top 40 radio in the 70s and not released as a 45 RPM single.

Now that I have submitted my top ten 70s album tracks that weren’t released as singles, I am curious to find out your opinions of this topic.  What are your favorite songs on my countdown?

If you were living in the 70s and listened to Top 40 radio were any of the tunes listed above played on your home town station?  Or maybe a Top 40 outlet in your community played different album tracks than the songs that I documented in this article?

Thanks in advance for sharing your thoughts and comments below on what you consider to be the best album tracks that never were released as a 45 RPM record during the 70s.  I look forward reading your responses. Rock on!

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I am amazed by the popularity of one hit wonders, and how the topic brings back nostalgic memories for many folks. Three articles that I have written over the past couple of years, about 1969, 1970 and 1971 one hit wonders, are among my most viewed messages of all-time.

With this edition of my musical musings, I am concentrating on the best “one hit wonders” of 1972.  I will be counting down the top songs in this category from 50 years ago.

I have fond memories listening to Top 40 radio during 1972.  I turned 17 that year and lived in Roanoke County, Virginia. During daytime hours, I was a regular listener to a couple of local Top 40 AM radio stations:  WROV and WBLU.

My go to station was legendary WROV 1240 AM, which was the top-rated radio outlet in Roanoke. The WROV DJs that I remember during 1972 include Bart Prater, Larry Bly, Dan Alexander, Ron Tompkins, Phil Beckman and Charlie Bell. 

WBLU 1480 AM was the other Top 40 outlet in the Roanoke radio market. The only times that I listened to WBLU was traveling via school bus to and from Glenvar High School, and during an afternoon art class that I took during my junior year.

At sundown, WROV reduced their power and WBLU signed off the air, so I tuned in radio stations located hundreds of miles away from my Virginia home. Since radio waves changed on a nightly basis, I would listen to a variety of 50,000-watt, clear channel AM stations on any given night.

There were three main stations that I listened to during the nighttime:  WLS 890 AM Chicago, WCFL 1000 AM and WABC 770 AM New York. On the Big 89 WLS, I remember DJs John Records Landecker, Fred Winston, Chuck Buell and JJ Jeffries.  When tuning in WCFL, I would listen to Larry Lujack, Big Ron O’Brien and Bob Dearborn.  With WABC, I regularly heard Cousin Brucie (Bruce Morrow) and Dan Ingram.

A Top 40 radio station that is memorable to me in 1972 was WAPE 690 AM Jacksonville.  My family was on vacation in Florida during July ’72 and I talked my parents into letting me visit the WAPE studios that was located in Orange Park. Since it was my dream to become a DJ once I graduated from high school, getting to visit the “Big APE” was extremely exciting for me.

 During my tour of WAPE, I got to meet music director and afternoon DJ Cleveland Wheeler, who gave me a quick look around the station. Then before leaving, Wheeler allowed me to view the “Big APE” main studio, where Larry Dixon was working his midday DJ shift.

 My visit to WAPE was influential in my pursuit to make radio a career. Less than two years later, I landed a job with WROV Roanoke in April 1974. I was thankful that I had the opportunity to tour the “Big APE” during the summer of 1972.

What exactly is a “One Hit Wonder?” The basic definition: An artist has only one hit song on the national Billboard Hot 100 pop chart during their career. This music blog message pertains solely to hit songs within the United States.

To avoid any confusion, here are the criteria that I am using to define a one hit wonder:

• No other songs from an artist ever peaking at number 40 or higher on the Billboard National Pop Chart. (Chart positions from number 40 to number 1).

• One hit wonders vary from country to country. An artist may have just one hit in the United States but may have multiple hits in another country.

• Regional hits are not taken into account: A second song must be a national hit and chart within the Billboard Top 40 pop survey.

• Any songs peaking outside of the Top 40, are always excluded for consideration.

• Songs that peak from numbers 41 through 100 on the national Billboard Hot 100 pop chart are never considered as second hits.

All documentation of chart positions I share below in this article comes from The Billboard Book of Top 40 Hits by Joel Whitburn.  I proudly own a hard copy of this excellent reference manual, which I consider to be the ‘bible” handbook for music history with Top 40 radio.

When I started researching the topic of 1972 one hit wonders, I found some interesting data. There happened to be no artists with only one hit, among the 20 biggest songs from 50 years ago. Below are the top records for 1972, according to Billboard magazine:

1          “The First Time Ever I Saw Your Face”            Roberta Flack

2          “Alone Again (Naturally)”       Gilbert O’Sullivan

3          “American Pie”           Don McLean

4          “Without You”               Nilsson

5          “The Candy Man”       Sammy Davis Jr.

6          “I Gotcha”       Joe Tex

7          “Lean on Me”  Bill Withers

8          “Baby, Don’t Get Hooked on Me”      Mac Davis

9          “Brand New Key”        Melanie

10        “Daddy Don’t You Walk So Fast”        Wayne Newton

11        “Let’s Stay Together”  Al Green

12        “Brandy (You’re a Fine Girl)”  Looking Glass

13        “Oh Girl”         The Chi-Lites

14        “Nice to Be with You” Gallery

15        “My Ding-a-Ling”        Chuck Berry

16        “(If Loving You Is Wrong) I Don’t Want to Be Right”  Luther Ingram

17        “Heart of Gold”           Neil Young

18        “Betcha by Golly, Wow”         The Stylistics

19        “I’ll Take You There”   The Staple Singers

20        “Ben”   Michael Jackson

Before I start sharing my 1972 one hit wonders countdown, I need to correct inaccurate information on the topic.  Some Internet sites erroneously give 1972 one hit wonder status to songs and artists with multiple Top 40 hits. Clearly, the two singles listed below ARE NOT 1972 ONE HIT WONDERS:

1. Brandy (You’re a Fine Girl)—Looking Glass 

One of my all-time favorite epic story songs from the 70s is actually a two-hit wonder. During the summer of 1972, “Brandy” was a number 1 song.   Looking Glass had a follow up hit in 1973 with “Jimmy Loves Mary Ann” which peaked at number 33 on the Billboard Hot 100. If “Brandy” had truly been the only hit for Looking Glass, it would have made #1 on my 1972 one hit wonder countdown.

• Layla—Derek & the Dominoes

It is absurd to place Eric Clapton as a one hit wonder. Clapton is the writer, singer and lead guitarist for the song “Layla” which was recorded under his band’s name of Derek & the Dominoes. The only 3-time member of the Rock & Roll Hall of Fame, had 16 Top 40 solo hits, including covering his song “Layla” in 1993. The legendary guitarist also charted multiple top 40 hits, as a member of Cream and the Yardbirds. Absolutely, Eric Clapton is NOT a one hit wonder.

As I surveyed all true one hit wonders from 1972, I found 13 high quality singles that are on my countdown. These are songs that I deem to be culturally, historically, aesthetically significant, meaningful or relevant. Ahead of my countdown beginning, I want to share some extra songs that didn’t make my Baker’s Dozen listing.

Novelty records that were one hit wonders in 1972:  

•          Jungle Fever—The Chakachas

•          How Do You Do—Mouth and Macneal

•          The Delegates—Convention 72

Six-extra ’72 one hit wonders. These selections are all quality songs, that fell just outside of my Baker’s Dozen countdown:

• White Lies Blue Eyes—Bullet
• Small Beginnings—Flash
• Easy Livin’—Uriah Heap
• Run Run Run—Jo Jo Gunne
• Hallelujah—Sweathog
• Suavecito—Malo

Without further ado, here are what I consider to be the 13 best one hit wonders from 1972. My Baker’s Dozen countdown starts now:

13. Hot Rod Lincoln—Commander Cody and His Lost Planet Airmen

Peak Position on Billboard Hot 100: #9, 69^th Biggest Hit of 1972

Novelty tune. Commander Cody’s band combines country, rock, pop and western swing genres of music. Lyrics describe illegal auto racing in California.

12. Popcorn—Hot Butter

Peak Position on Billboard Hot 100: #9, 28^th Biggest Hit of 1972

First of two instrumental tunes on the countdown. Music composed by Gershon Kingsley.  Conductor Stan Free utilizes a Moog synthesizer on this song.

11. Good Time Charlie’s Got the Blues—Danny O’Keefe

Peak Positions on Billboard Charts:  #5 Adult Contemporary #9 Hot 100 in 1972

Folk singer-songwriter from Spokane, Washington. Danny O’Keefe has written hundreds of songs recorded by other artists: most prominent include Elvis Presley, Waylon Jennings, Willie Nelson, John Denver, Jackson Browne and Glen Campbell.

10. Motorcycle Mama—Sailcat

Peak Position on Billboard Hot 100: #12, 89^th Biggest Hit of 1972

Southern rock band from Alabama. Song written by Sailcat member John Wyker. The group decided to break up in 1973, after “Motorcycle Mama” was their only Billboard Hot 100 chart success.

9.   Day by Day—Godspell

Peak Positions on Billboard Charts: #8 Easy Listening, #13 Hot 100 in 1972

Cast from the Off-Broadway musical Godspell, are featured on this folk-rock ballad. Parables from the biblical book of Matthew provide lyrical content for this successful anthem.

8.   Beautiful Sunday—Daniel Boone

Peak Position on Billboard Hot 100 #15, 42^nd Biggest Song of 1972

English pop musician. Daniel Boone named “Most Likable Singer” by Rolling Stone magazine in 1972. According to Wikipedia, “Beautiful Sunday” is the biggest selling single by an international artist in modern Japanese musical history.

7.   Thunder and Lighting—Chi Coltrane

Peak Position on Billboard Hot 100 #17, Cash Box #15, Record World #12

Pianist, singer-songwriter with rock and gospel music genres. American Chi Coltrane was known as “The First Lady of Rock” in the United States and the “Queen of Rock” throughout Europe during the 70s.

6.   Sunshine—Jonathan Edwards.

Peak Position on Billboard Hot 100 #4, 37^th Biggest Song of 1972

Country folk-rock song.  Jonathan Edwards was born in Aitkin, Minnesota. Opened up tours for the Allman Brothers Band and B.B. King after “Sunshine” became a hit tune.

5.   Joy—Apollo 100

Peak Positions on Billboard Hot 100 #6, 71^st Biggest Song of 1972

The second instrumental song on the countdown.  “Joy” It is an up tempo contemporary rendition of a 1723 composition by Johann Sebastian Bach called “Jesu, Joy of Man’s Desiring.”

4.   Precious and Few—Climax

Peak Position of Billboard Hot 100 #3, 30^th Biggest Song of 1972

Soft rock band from Los Angeles, California. Lead singer of Climax was Sonny Geraci, who also provided lead vocals on the song “Time Won’t Let Me” from his former band the Outsiders during 1966.

3.   Bang a Gong (Get It On)—T. Rex

Peak Position of Billboard Hot 100 #10, 56^th Biggest Song of 1972

Originally named Tyrannosaurus Rex, the English glam rock band shorten their name to T. Rex in 1969. Song written by front man Marc Bolan. Among one of the best glitter rock singles from the 70s.

2.   The City of New Orleans—Arlo Guthrie.

Peak Position on Billboard Hot 100 #18, 45th Biggest Song of Year

Late singer-songwriter Steve Goodman portrays a train ride from Chicago to New Orleans on the Illinois Central Railroad and their legendary “City of New Orleans” rail line.  The song was written in 1971, after Amtrak took over servicing the famous railroad route from Illinois Central. Arlo Guthrie’s biggest Top 40 hit.

1. Hold Your head up—Argent

Peak Position on Billboard Hot 100 #5, 50^th Biggest Song of 1972.

As a founding member of the Zombies, Ron Argent was keyboardist and a chief song-writer for his British rock band.  He penned 3 of the Zombies biggest hits:  “She’s Not There”, “Tell Her No” & “Time of the Season.”  

In 1969, Ron Argent left the Zombies and formed a new rock band, named after himself:  Argent. Three years later, the band released the album “All Together Now” which featured Argent’s only song to chart on the Billboard Hot 100: “Hold Your Head Up.”

Here is what legendary keyboardist Rick Wakeman proclaims in a Louder Sound Dot COM quote: “Rod (Argent) is a good friend, and I’m not just picking people because they’re my mates, I’m picking this because it’s brilliant. The organ solo in “Hold Your Head Up” is, for me, one of the finest organ solos on a record. It’s brilliantly put together, and from an era where you couldn’t go back and correct notes and redo things. It’s a true solo. A little work of art, so it has to go in. It’s just brilliant, so good.”

The first time that I heard Argent’s song was via radio, on WAPE Jacksonville and the Big APE played it multiple times the week I was on vacation in Florida (July ’72).   I loved the song when it was a hit and still have fondness for the tune nearly 50 years later.  Without a doubt, my top number 1 outstanding one hit wonder from 1972 is “Hold Your Head Up” by Argent.

Now that I have humbly submitted my countdown of 1972 one hit wonders, I am curious to find out your opinion on this topic. Obviously, I do not want to come across as authoritative with my critique.  The songs that you feel are the best may be completely different from my selections.

 What do you consider to be the best one hit wonders from 1972?  There are no right or wrong answers. I welcome your thoughts.

I leave you with lyrics from a 1972 Mac Davis authored song, “I Believe in Music” that pop rock band Gallery covered during 1972: “Music is the universal language, and love is the key, to peace hope and understanding, and living in harmony.”   Rock on!

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Over the years, I have had many conversations about 70s disco music with friends or acquaintances. At some point during those types of musical discussions, I will ask the question: “What do you consider to be the best Top 40 disco hits of the 70s decade?”

Responses to my inquiries about the greatest disco hits will vary but many folks will choose multiple songs by the same artist, when selecting their favorite 70s disco tunes.

While there isn’t anything wrong with picking multiple songs from the same artist in a listing of the best disco songs from the 70s, I am choosing different methodology in coming up with my own compilation of superior disco singles.

For this music blog message, I will be counting down what I consider to be the 20 best disco singles by 20 different artists. Here are the rules and criteria that I have set forth for this musical exercise:

•  Each artist, group, band or singer will have just one song listed on the top 20 countdown.

• All selections were hits on Top 40 radio and charted at number 20 or lower on the Billboard Hot 100.

• I deem each of my selections to be culturally, historically, aesthetically significant, meaningful or relevant.

• Song charted nationally on Billboard Hot 100 between 1975 and 1979.

The term “disco” is shorthand for the word discothèque, a French word for “library of phonograph records.”

Please note that I will not be giving a complete history of disco music with this message. For those who long for more information, there are multiple books, articles and links via the Internet on this topic.

Genesis of disco music wasn’t instantaneous but evolved during the first years of the 70s.

Below is a partial listing of Top 40 hits that were precursors to the formation of disco between 1971 and 1973.

• Theme from Shaft—Isaac Hayes
• Funky Nassau—The Beginning of the End
• Rock Steady—Aretha Franklin
• Jungle Fever—Chakachas
• Soul Makossa—Manu Dibango

• Superfly—Curtis Mayfield
• Papa Was a Rolling Stone—The Temptations
• Masterpiece—The Temptations
• Love Train—The O’Jays
• The Love I Lost—Harold Melvin and the Blue Notes

During the first few months of 1974, a couple of proto-disco songs became hits on top 40 radio. Both tunes reached number 1 on the Billboard Hot 100:

• Love’s Theme—The Love Unlimited Orchestra (Barry White)

• TSOP (The Sound of Philadelphia)—MFSB and the Three Degrees

During April 1974, I landed my first job in radio, working for Top 40 WROV Roanoke (1240 AM). For the next 18 months, I witnessed firsthand the tremendous growth of disco music at Roanoke’s top rated Top 40 outlet.

One of the most popular songs that I played during the summer of 1974 on WROV is “Rock the Boat” by the Hues Corporation. This up-tempo classic R&B/Soul tune was number 1 on the Billboard Hot 100 and is considered by some music historians as the earliest disco song to be a mainstream hit.

Another landmark recording of disco music from the summer of 1974 is “Rock Your Baby” by George McCrae.  Co-written and produced by Harry Wayne Casey and Richard Finch of KC & the Sunshine Band, the song sold over 11 million copies worldwide.

Other Top 40 disco hits in 1974:

• Never Can Say Goodbye—Gloria Gaynor
• You’re the First, The Last, My Everything—Barry White
• When Will I See You Again—Three Degrees
• Kung Fu Fighting—Carl Douglas

It was during the summer of 1975 that I realized that disco music was going to be huge, when “The Hustle” by Van McCoy was the number 1 song in Roanoke and nationally on the Billboard Hot 100.

My radio station WROV had a remote broadcast at the Kings Inn, a nightclub on Salem Avenue in downtown Roanoke.  I was engineer for this 3-hour remote and spun 45-rpm singles, which included all of the top 10 songs from the WROV playlist.

When I played Van McCoy’s number 1 hit during the first 15 minutes on the Kings Inn remote, just about every patron at the nightclub went on the dance floor to “do the hustle.” Because of the overwhelming positive response when I played the disco hit, Kings Inn management requested that I spin “The Hustle” a few more times before the remote was scheduled to end.

After I consulted with my fellow WROV staff members, I broke the station’s format and played “The Hustle” two other times that evening.  Close to 100 percent of everyone in the building danced on my second and third plays of Van McCoy’s hit.  Needless to say, disco music was alive and well in Roanoke that night at the Kings Inn.

The Royal Kings were the house band for Roanoke’s 70s premier nightclub, the Kings Inn. Photo is a scan from a Roanoke Times newspaper article, provided to me by band member Larry Wheeling, who is pictured above.

Other Top 40 disco hits in 1975:

• Pick Up the Pieces—Average White Band
• Lady Marmalade—LaBelle
• Express—BT Express
• That’s the Way (I Like It)—KC & the Sunshine Band
• Fly, Robin, Fly—Silver Convention
• Jive Talkin’—The Bees Gees

My time playing disco records ended in November 1975 as I accepted a full-time radio job with AM/FM combo WRIS 1410 and WJLM 93.5 Roanoke.  However, I still tracked the genre of music listening to various Top 40 stations including WROV, WLS Chicago and WABC New York.

Before I reveal my countdown of supreme disco hits, I am sharing ten songs that I considered for the Top 20 but didn’t make the cut.  These selections are listed in random order with no repeat artists:

• Disco Inferno—The Tramps
• Car Wash—Rose Royce
• Miss You—Rolling Stones
• Don’t Leave Me this Way—Thelma Houston
• I Love the Nightlife—Alicia Bridges

• Knock on Wood—Amii Stewart
• Who Loves You—The Four Seasons
• Turn the Beat Around—Vickie Sue Robinson
• Ain’t No Stopping Us Now—McFadden & Whitehead
• Ring My Bell—Anita Ward

All documentation of chart positions I share below, comes from The Billboard Book of Top 40 Hits by Joel Whitburn.  I proudly own a hard copy of this excellent reference manual, which I consider to be the “bible” handbook for music history with Top 40 radio.

I now present what I consider to be the top 20 best disco songs from the 70s. As Casey Kasem used to say on his American Top 40 show, “Now on with the countdown.”

20.  Best of My Love—The Emotions (1977)

Peak Positions on Billboard Charts: #1 Hot 100, 3^rd Biggest Song of 1977

Written by Maurice White and Al McKay of Earth Wind & Fire.  Won Grammy Award for Best R&B Performance. Billboard proclaims “Best of My Love” at number 1 on the “Top 40 Biggest Girl Group Songs of All Time” list.

19.  More, More, More—Andrea True Connection (1976)

Peak Positions on Billboard Charts: #4 Hot 100, 17^th Biggest Song of 1976

Signature song for Andrea True. International hit. Excellent horn section on tune. Canadian alternative rock duo Len sampled “More, More, More” on their 1999 hit “Steal My Sunshine.”

18.  Got to Give it Up—Marvin Gaye (1977)

Peak Positions on Billboard Charts: #1 Hot 100, 20^th Biggest Song of 1977

Marvin Gaye’s first recording of disco. Falsetto vocals. Outstanding percussion instrumentation with R&B/Funk guitar riffs. Worldwide smash. Number 1 song on 3 Billboard charts.

17.  Love Hangover—Diana Ross (1976)

Peak Positions on Billboard Hot 100: #1 Hot 100, 15^th Biggest Song of 1976

Superb bass line. Tempo of song starts as ballad, changes to fast groove. Motown’s first disco hit.  Fourth Billboard Hot 100 number 1 hit for Diana Ross as a solo artist.

16.  Boogie Nights—Heat Wave (1977)

Peak Positions on Billboard Charts: #2 Hot 100, 93^rd Biggest Song of 1977

Funk/Disco international band. Two members from United States, three from European Countries and one Jamaican. “Always and Forever” and “The Groove Line” were two other smash tunes by Heat Wave.

15.  Dancing Queen—ABBA (1977)

Peak Positions on Billboard Charts: #1 Hot 100, 12^th Biggest Song of 1977

ABBA’s most recognizable and popular song. Inducted into Grammy Hall of Fame in 2015. Melodic tune and excellent vocal harmonies by Swedish quartet. Reached number 1 in 14 countries around the world.

14.  Lowdown—Boz Scaggs (1976)

Peak Positions on Billboard Charts: #3 Hot 100, 49^th Biggest Song of 1976

Co-written by Boz Scaggs and David Paich. Song is categorized in multiple musical genres. R&B, Disco, Jazz and Yacht Rock. Won a Grammy Award for best R&B song.

13.  Got to Be Real—Cheryl Lynn (1979)

Peak Positions on Billboard Charts: #12 Hot 100, 69^th Biggest Song of 1979

Considered a one hit wonder. Cheryl Lynn was former gospel singer. Discovered on the Gong Show in 1976. Song inducted into the Dance Music Hall of Fame in 2005.

12.  Ladies Night—Kool & the Gang (1979)

Peak Positions on Billboard Charts:  #8 Hot 100, 35^th Biggest Song of 1979

American Funk/R&B band. First of 3 top 10 hits for group during 1979/1980. An anthem for disco bars and nightclubs. Promoting female patrons to venues all across America.

11.  We Are Family—Sister Sledge (1979)

Peak Positions on Billboard Charts: #2 Hot 100, 53^rd Biggest Song of 1979

Siblings Debbie, Joni, Kim and Kathy Sledge from Philadelphia, Pennsylvania. Lyrics express family solidarity. Signature song and biggest hit for Sister Sledge.  Selected by the National Recording Registry/Library of Congress as being “culturally, historically, or artistically significant” in 2017.

10.  Shake Your Groove Thing—Peaches & Herb (1979)

Peak Positions on Billboard Charts: #5 Hot 100, 31^st Biggest Song of 1979

A reformed Peaches & Herb duo formed in the 70s with new singer Linda Greene joining founding member Herb Fame. “Shake Your Groove Thing” and “Reunited” were mega hits for the R&B/disco pair during 1979.

9.    Shame—Evelyn “Champagne” King (1978)

Peak Positions on Billboard Charts: #9 Hot 100, 64^th Biggest Song of 1978

 Singer born in The Bronx, New York City. Evelyn King had four Top 40 hits. None bigger than “Shame.” Song features excellent saxophone section and superb bass line. R&B/Funk smash single.

8.    Get Down Tonight—KC & the Sunshine Band (1975)

Peak Positions on Billboard Charts: #1 Hot 100, 64^th Biggest Song of 1975

The first of 5 number 1 hits on Billboard Hot 100 for South Florida band. Fast tempo. Excellent guitar solo.  Superb mixture of R&B, funk and disco.

7.    I Will Survive—Gloria Gaynor

Peak positions on Billboard Charts: #1 Hot 100, 6^th Biggest Song of 1979

Lyrics have become an anthem for female empowerment. Inducted into Library of Congress National Recording Registry in 2016.  “I Will Survive” received a Grammy Award for “Best Disco Recording.”

6.    Good Times—Chic (1979)

Peak Positions on Billboard Charts: #1 Hot 100, 20^th Biggest Song of 1979

Written by Chic band members Bernard Edwards and Nile Rodgers. Song has legendary bass line riff and is one of the most sampled tunes in music history. 

Backing track from “Good Times” was used on the first Top 40 hip-hop hit, “Rapper’s Delight” by Sugarhill Gang.  Comes in at number 68 on Rolling Stone “Greatest Songs of All Time” list.

5.    Don’t Stop ‘Til You Get Enough—Michael Jackson (1979)

Peak Positions on Billboard Charts: #1 Hot 100, 91^st Biggest Song of 1979

Produced by Quincy Jones and written by Michael Jackson.  It was the biggest solo hit of the 70s by the “King of Pop.”  Musically, it features a six-piece horn ensemble of saxophones, trumpets and trombone.  A sterling string section also adds to the rich sound on this tune.

“Don’t Stop ‘Til You Get Enough” was a world-wide hit, and helped pave the way for Jackson’s superstar status during the 80s.  The singer received a Grammy Award for “Male R&B Vocal Performance” with this popular disco smash.

4.    Heart of Glass—Blondie (1979)

Peak Positions on Billboard Charts: #1 Hot 100, 18^th Biggest Song of 1979

 Brilliant “New Wave” meets “Disco” mix by New York rock band. Magnificent combination of synthesizers, drum machine and guitar. Blondie’s singer Debbie Harry shines on vocals.

“Heart of Glass” was inducted into the Grammy Hall of Fame in 2015. It was the first of 4 number 1 songs on the Billboard Hot 100 for the 2016 Rock and Roll Hall of Fame band.

3.    September—Earth Wind & Fire (1979)

Peak Positions of Billboard Charts: #8 Hot 100, 78^th Biggest Song of 1979

“September” is a quintessential song with multiple genres of music:  R&B, Soul, Funk, Jazz, Disco and Yacht Rock.  Upbeat, feel-good groove. Philip Bailey and Maurice White share lead vocals on this successful song.

Highlighted by transcendent saxophone, trumpet, trombone, guitar and keyboards. Earth Wind & Fire’s most beloved song, was added to Library of Congress’ National Recording Registry list of sound recordings in 2018. 

2.    Stayin’ Alive—The Bee Gees (1978)

Peak Positions on Billboard Charts:  #1 Hot 100, 4^th Biggest Song of 1978

Coming in second on the countdown is my selection by the Bee Gees. Written by brothers Barry, Robin and Maurice Gibb, biggest song from the “Saturday Night Fever” motion picture soundtrack. Great guitar hook with a pulsating beat.

“Stayin’” Alive” is one of the most iconic disco songs from the 70s. Rolling Stone ranks it at number 99 on their “Greatest Songs of All Time” listing. Placed in the Rock and Roll Hall of Fame in 1995. This signature song from the Bees Gees, is my second-best disco single of the 70s.

1. I Feel Love—Donna Summer (1977)

Peak Positions on Billboard Charts: #6 Hot 100, 96^th Biggest Song of 1977

When I think of the greatest disco artist from the 70s, there is only one person who fits that bill: Donna Summer.  The “Queen of Disco” was one of the leading female vocalists during the disco era of music and then extending into the early 80s.

“I Feel Love” is one of the most influential songs of the 20^th century.  Music historians believe that the 1977 disco hit, had a major impact in the development of electronic dance music (EDM).  Many who chronicle music history, consider the Donna Summer single to be the first ever recorded EDM song.

Summer’s ground breaking song also had a significant impact with other genres of music, such as New Wave, Punk Rock, Synth-Pop, House, and Disco, during the late 70s, early 80s and beyond. 

Giorgio Moroder and Pete Bellotte produced and co-wrote “I Feel Love” along with Donna Summer.  The use of a Moog synthesizer, with a repetitive beat, gives the tune a hypnotic, rhythmic feel, that was popular on disco dance floors all across America.

Without a doubt, I proclaim that “I Feel Love” by Donna Summer is the most supreme disco hit from the 70s.

After I finished compiling information for the 20 songs listed above, I realized an interesting fact. Over the past 5 years, I have regularly played many of these songs at wedding receptions, class reunions and other similar events where I am hired for DJ gigs.  My 20 selected disco tunes are still popular with those who want to dance.

Now that I have humbly submitted my countdown of the top 20 supreme disco songs of the 70s, I am curious to find out your opinion on this topic. Obviously, I do not want to come across as authoritative with my critique on what I consider to be the best disco songs. The songs that you feel are the best may be completely different from my selections.

I am asking for your opinion: What do you consider to be the best disco songs from the 70s? There are no right or wrong answers. I welcome your thoughts.

If you are a fan of 70s disco music, I welcome your comments below.  I leave you with these lyrics by Alicia Bridges and Susan Hutcheson: “I love the nightlife, I got to boogie on the disco ’round.” Disco on!

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What do artists like the Beach Boys, the Mamas & the Papas, the Association, the Turtles and the 5^th Dimension all have in common?  Each of these Southern California groups were hit makers during the mid to late 60s, with a refreshing brand of music called Sunshine Pop.

With my latest edition of DJ Dave’s Musical Musings, I will be counting down what I consider to be the best Sunshine Pop Top 40 singles from the 60s decade. My selections were all hits on the Billboard Hot 100 chart, during the golden age of Sunshine Pop (1965-1969).

What is Sunshine Pop?  Wikipedia describes the type of rock music as, “cheerful, upbeat music which is characterized by warm sounds, prominent vocal harmonies, lush vocals, light arrangements and sophisticated productions. Rooted in easy listening and advertising jingles, sunshine pop acts combined nostalgic or anxious moods with an appreciation for the beauty of the world.”

Originating in California during the mid 60s, Sunshine Pop combined segments of folk-rock, soft pop, progressive rock, Baroque pop and Psychedelia.  Some tunes in this category are slow grooves, but most songs featured breezy, up-tempo beats.

The term Sunshine Pop did not exist during the 60s so it is difficult to pin-point an exact beginning to this sub-genre of pop rock music.  It appears that Sunshine Pop happened because of multiple musical influences as a wide range of musicians and record producers converged together around Los Angeles, California, during 1965 and 1966.

Some of the more instrumental players in the development of Sunshine Pop include:

• The Beatles and “Beatlemania” permeates America in 1964
• British Invasion bands other than the Beatles (1964-1965)
• Folk rock bands like the Byrds/Roger McGuinn
• Phil Spector Wall of Sound record producer
• John Phillips of the Mamas & the Papas
• Brian Wilson of the Beach Boys
• Pet Sounds album by the Beach Boys
• Curt Boettcher Record Producer
• The Wrecking Crew: Los Angeles session musicians

The Beatles are the most influential band of the rock era and they changed the course of musical history during the 60s.  The band’s impact on all types of pop/rock music is legendary and their musical fingerprints are all over what now is called Sunshine Pop. “Good Day Sunshine” from the Beatles “Revolver” album is noteworthy for being influential with the California pop/rock sounds coming out of Los Angeles during this time period.

Obviously, the Beatles are not considered a Sunshine Pop band.  However, the Fab Four did record similar types of songs during their career.  Two examples that come to my mind are George Harrison’s, “Here Comes the Sun” from the Abbey Road album and the 1967 Baroque Pop masterpiece from Paul McCartney, “Penny Lane.”

One other major influence of Sunshine Pop is the Brian Wilson produced album, “Pet Sounds” by the Beach Boys.  Rolling Stone magazine ranks Wilson’s 1966 project as the number one, “greatest rock album of all time.” The album incorporates rock, pop, and jazz with vocal harmonies and is considered a template for the genre of Progressive Rock.  “God Only Knows” is a gem from the superb album.

The peak for the first wave of Sunshine Pop happened during the “Summer of Love” in 1967.  Young people flocked by the thousands to the San Francisco, California neighborhood of Haight-Ashbury, searching for peace, love and tranquility. Music played a huge part of this cultural revolution. 

During the spring of 1967, John Phillips wrote and produced a song called, “San Francisco (Be Sure to Wear Flowers in Your Hair)” that his friend Scott McKenzie recorded as a single. The song immediately became a Top 10 hit on the Billboard Hot 100 and was an inspiration for those creating Sunshine Pop music in the 60s.

While I was researching information for this topic, I found that there were 12 core bands or groups that are associated with Sunshine Pop of the 60s decade:

• The Association
• The Beach Boys
• The Buckinghams
• The Cowsills

• Gary Lewis & the Playboys
• Harpers Bizarre
• The Mamas & the Papas
• The Monkees

• Spanky and Our Gang
• Strawberry Alarm Clock
• The Turtles
• The Rascals

Of the 12 artists listed above, many of them recorded more than just Sunshine Pop songs.  There is much musical diversity among these top pop/rock performers.

There are also 6 lesser-known Sunshine Pop bands and groups from this time period.  These artists tended to have regional hits and didn’t chart high enough on Billboard or Cash Box music charts to become major hits on Top 40 radio during the 60s.

• The Peppermint Rainbow
• Yellow Balloon
• The Sunshine Company
• The Parade
• Sagittarius
• The Cherry People

There are also two other artists and songs that I want to highlight, which are actually Baroque Pop but sound similar to 60s Sunshine Pop:

• Pretty Ballerina—The Left Banke
• 98.6—Keith featuring the Tokens

Before starting the countdown of my 25 best Sunshine Pop singles of the 60s, I want to share information on how I determined my top songs in this category.

With this article about Sunshine Pop, I am including only American artists who had major hits on the Billboard Hot 100 chart between 1965 and 1969. Every song on my countdown peaked at least at number 14 on the Billboard Hot 100.  Eleven tunes peaked at number one.

As I surveyed all the top 40 Sunshine Pop hits from the 60s, I found 25 high quality singles that are on my countdown. These are songs that I deem to be culturally, historically, aesthetically significant, meaningful or relevant.

I submit to you, my top 25 best Sunshine Pop singles.  As Casey Kasem used to say on his weekly American Top 40 show: “Now on with the countdown.”

25. Sunday Will Never Be the Same—Spanky & Our Gang

Peaked at #9 Billboard Hot 100: 1967

Debut single by band. Lead vocals by Elaine “Spanky” McFarlane.  First of two songs on Top 25 countdown.

24. I Saw Her Again—The Mamas & the Papas

Peaked at # 5 Billboard Hot 100: 1966

Song co-written John Phillips and Denny Doherty. Third consecutive Top 5 hit for the group. It is the first of three songs on the countdown.

23.  Grazing in the Grass—The Friends of Distinction

Peaked at #3 Billboard Hot 100: 1969

Vocal remake of South African trumpeter Hugh Masekela’s 1968 instrumental hit. Harry Elston of the group wrote lyrics for the song that repeatedly ask, “Can you dig it?”

22.  Green Grass—Gary Lewis & the Playboys

Peaked at #8 Billboard Hot 100: 1966

Gary Lewis is son of actor/comedian Jerry Lewis. Song was the last of the band’s seven consecutive Top 10 hits.

21.  Good Morning Starshine—Oliver

Peaked at #3 Billboard Hot 100: 1969

Oliver covered a song from the Broadway rock musical “Hair.”  It was the first of two Top 3 hits in 1969 for the singer.

20.  Kind of a Drag—The Buckinghams

Peaked at #1 Billboard Hot 100: 1967

Band from Chicago, Illinois. Song was first of 3 consecutive top 10 hits on the Billboard Hot 100 during 1967.

19.  Up–Up & Away—The 5^th Dimension

Peaked at #7 Billboard Hot 100: 1967

Written by Jimmy Webb. First Top 10 hit by the vocal quartet. Won 6 Grammy Awards, including Record of the Year and Song of the Year.

18.  Windy—The Association

Peaked at #1 Billboard Hot 100: 1967

First of 3 Association songs on countdown. Second number 1 song for the group. 4^th biggest record of 1967.

17.  Monday Monday—The Mamas & the Papas

Peaked at #1 Billboard Hot 100: 1966

Only number 1 song for the vocalists. First song to top the Billboard Hot 100 by a mixed gender group. Second of three songs on the countdown.

16.   Good Vibrations—The Beach Boys

Peaked at #1 Billboard Hot 100: 1966

First of two Beach Boys songs on countdown. Inducted into the Grammy Hall of Fame. Is the 6^th biggest song on the Rolling Stone “500 Greatest Songs of all Time” list.

15.  The 59^th Street Bridge Song (Feeling Groovy)—Harpers Bizarre

Peaked at #13 Billboard Hot 100: 1967

Written by Paul Simon. Harpers Bizarre band from Santa Cruz, California. Song was the biggest hit for the group.

14.  Lazy Day—Spanky & Our Gang

Peaked at #14 Billboard Hot 100: 1967

Third single from debut “Spanky and Our Gang” album. Group performed song on the Ed Sullivan Show. Second song in the countdown.

13.  Incense & Peppermint—Strawberry Alarm Clock

Peaked at #1 Billboard Hot 100: 1967

Los Angeles, California band. Highest charting single for group. 23^rd biggest record for 1967.

12.  Groovin’—The Young Rascals

Peaked at #1 Billboard Hot 100: 1967

First number 1 hit for New Jersey formed band. Song is in both the Grammy Hall of Fame and the Rock & Roll Hall of Fame’s “500 Songs that Shaped Rock & Roll.”  

11.  Cherish—The Association

Peaked at #1 Billboard Hot 100: 1966

Second of 3 Association songs on countdown. First number 1 song for vocal group. Second biggest record of 1966.

10.  Aquarius/Let the Sunshine In—The 5^th Dimension

Peaked at #1 Billboard Hot 100: 1969

A medley of two songs from the Broadway rock musical “Hair.” Second biggest record of 1969. Ranked number 66 on Billboard’s “Greatest Songs of all time” chart.

9.   Summer in the City—Lovin’ Spoonful

Peaked at #1 Billboard Hot 100: 1966

First of two songs on the countdown. Only number 1 record for band. 11^th biggest song of 1966. Ranked at 401 on Rolling Stones’ “500 Greatest Songs of all Time” listing.

8.  Happy Together—The Turtles

Peaked at #1 Billboard Hot 100: 1967

Only number 1 hit for the band. Mark Volman and Howard Kaylan formed a duo called “Flo and Eddie” after breakup of the Turtles. Song is in the Grammy Hall of Fame.

7.  Daydream Believer—The Monkees

Peaked at #1 Billboard Hot 100: 1967

Song written by John Stewart. Last number 1 hit by the band. Davy Jones of the group sings lead vocals on the track.

6.  The Rain, The Park & Other Things—The Cowsills

Peaked at #2 Billboard Hot 100: 1967

Debut smash for Newport, Rhode Island family band. Sold 3 million records. Ties the song “Hair” as the Cowsills’ two biggest hits.

5.  Never My Love—The Association

Peaked at #2 Billboard Hot 100: 1967

Third Association song on countdown. Popular wedding song over the past 54 years. Second most played song on radio and TV during the 20^th century according to BMI.

4.   A Beautiful Morning—The Rascals

Peaked at #3 Billboard Hot 100: 1968

Second song on the countdown. 3^rd biggest song for the band. Came in at number 35 on the Billboard Top 100 records for 1968.

3. California Dreamin’—The Mamas & the Papas

Peaked at #4 Billboard Hot 100: 1966

Rolling Stone ranks single at number 89 on their “500 Greatest Songs of all Time” listing. Inducted into the Grammy Hall of Fame during 2001. “California Dreamin’” is the signature song for the Mamas and the Papas.

2.  Do You Believe in Magic—The Lovin’ Spoonful

Peaked at #9 Billboard Hot 100: 1965

Written by band member John Sabastian. Second selection on countdown.  Rolling Stone ranks song at 216 on their “500 Greatest Songs of All Time” chart.  “Do You Believe in Magic” was the first of 7 consecutive top ten hits for the Lovin’ Spoonful from 1965 through 1967.

1.  Wouldn’t It Be Nice—The Beach Boys

Peaked at #8 Billboard Hot 100: 1966

One of the greatest doubled-sided 45 rpm singles of all time. B-side “God Only Knows.” Brian Wilson’s masterpiece uses the “Wall of Sound” production technique and 18 different instruments played on the track.  The song is considered ground-breaking and influential for future sub-genres of rock music: Power pop and progressive pop.

Pitchfork ranks Wilson’s gem at number 7 on their “200 Best Songs of the 1960s” listing.  Without any doubt, “Wouldn’t It Be Nice” is my number 1 best Sunshine Pop song of the 60s.

Now that I have humbly submitted my thoughts on the best Sunshine Pop singles from the 60s, I am curious to find out your opinion on the music from that year.

Obviously, I do not want to come across as authoritative with my critique of Sunshine Pop. The songs that you might feel are the best, may be completely different from my selections.

I am asking for your opinion: What do you consider to be the best Sunshine Pop singles of the 60s decade? There are no right or wrong answers. I welcome your thoughts.

Listening to Sunshine Pop from the golden age of Top 40 radio will always have a special place in my heart.  I cherish and fondly remember all of the wonderful Sunshine Pop songs from my youth.  Rock on!

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