Tag Archives: New Music

Broadcasting, Carolina Beach Music, Music, Music Countdowns, Pop Music, Radio, Shag Dancing

Colossal Carolina Beach Music Favorites

My first exposure to what is now referred to as Carolina Beach Music came during my junior year attending Glenvar High School, located in Roanoke County Virginia.  My class raised 1,700 dollars and hired vocal group the Tams to play at our May 1972 spring prom.

Our prom theme was “Be Young, Be Foolish, Be Happy” from the 1968 minor national hit song by the Tams. The vocal group from Atlanta, Georgia was well received by all who attended the Glenvar prom that year.

Photo courtesy of Susan Leonard Sanders, a classmate of mine, from her “Crusader Seventy Two” Glenvar HS yearbook. This was taken at the Glenvar High School prom during May 1972.

Obviously, I still have fond memories of the Tams performing at my high school prom and when I graduated from Glenvar in June 1973, “Be Young, Be Foolish, Be Happy” was played at the graduation ceremony.

A scan courtesy of Susan Leonard Sanders, a classmate of mine, from her “Crusader Seventy Two” Glenvar HS yearbook. These 4 photos were taken when the Tams performed at the Glenvar High School prom during May 1972.

With this month’s music blog article, I will be sharing what I consider to be my favorite songs in the Carolina Beach Music category. My top selections will be broken down into separate silos.

I will be having two countdowns in this article. First, will be national Soul/R&B/Pop hits that charted on the Billboard Hot 100. Second, I will list my top 10 favorite regional Carolina Beach Music (CBM) hits from the mid 60s through the early 80s.

One disclaimer: Carolina Beach Music is NOT associated with the Beach Boys, Jan & Dean, the Ventures and/or any other type of California west coast surfing music. “Wipeout” by the Surfaris is a completely different sub-genre of pop-rock music.

Before starting my countdowns, I need to give a brief history about Carolina Beach Music and a dance known as “Carolina Shag”, which is often shortened to “Shag.”  The term (CBM) wasn’t created until the mid 70s and the music began to take shape after World War II ended.

“Shag” dancing is performed with a partner and the dance is done primarily to beach music. According to Wikipedia, “The term “Carolina shag” is thought to have originated along the Atlantic Ocean in Cherry Grove Beach, South Carolina during the 1940s.”

Both North Carolina and South Carolina list the “Shag” as their “official dance” within those respective states.

The roots of CBM goes back in the late 40s and early 50s.  The music during the formulative years of this genre blended various types of Rock ‘n Roll, R&B, blues and pop music together.

During the late 50s and early 60s, most CBM songs were recorded by R&B artists and Shag dancing became closely associated with the sub-genre of popular music.

In viewing Britannica Dot Com, it states that WLAC Nashville, Tennessee (1510 AM) was influential in the growth of what came to be known as CBM.  “Radio station WLAC blasted 50,000 watts of varied programming, including plenty of rhythm and blues at night.

Using a directional pattern signal at night, WLAC was heard throughout Southeastern Atlantic coastal states.  DJ John R. attained fame in the 1950s and 1960s for playing rhythm and blues records on WLAC. Depending on night time atmospherics, the station could regularly reach 28 states.”

By the mid 60s, Myrtle Beach, South Carolina became the epicenter for Carolina Beach Music and Shag dancing. Clubs began popping up all along the South Carolina beach coastal towns, in a 60-mile area known as the “Grand Strand.”

 Soon after, CBM and Shag dance clubs started springing up and down other Atlantic Southeastern Seaboard shore towns, from Virginia Beach, Virginia down to Southern Georgia.  Some venues also opened up in Northern Florida coastal communities.

For a more detailed look for the history of CBM and Shag dancing, I would encourage you to search the Internet. An interesting article from Beach Music Awards Dot Com can be found here.

Another excellent source for CBM can be found at Born in the Carolinas Dot Com and Junkin Oldies Dot Com by John Hook

There are two eras of Carolina Beach Music:  Classic and Modern.  The “Classic” period is defined from the late 50s until early 80s, while the “Modern” sounds of CBM stretch from the mid 80s until today.

An example of the “Modern” sound of CBM is “Over the Rainbow” by Band of Oz. My friend Chris Keaton from Vinton, Virginia, composed an award-winning rendition of “Somewhere Over the Rainbow” for the CBM group Band of Oz and he was inducted into the North Carolina Music Hall of Fame in 2016 for his achievement.

Currently, there are 13 full time CBM radio stations in the United States:  8 in North Carolina, 4 in South Carolina and 1 in Florida. Another source to hear CBM 24/7 is on an app from SiriusXM radio.  Their “Carolina Shag Radio” channel plays nonstop Carolina Beach Music favorites.

One of the radio stations playing CBM full-time is 94.9 The Surf in Myrtle Beach, South Carolina. Below is a listing of this station’s Top 10 Best “Classic” CBM songs of all-time:

#1        Ms. Grace–The Tymes

#2        Carolina Girls–Chairmen of The Board

#3        I Love Beach Music–The Embers

#4        Under the Boardwalk–The Drifters

#5        Summertime’s Calling Me–The Catalinas

#6        60 Minute Man–Billy Ward & His Dominoes

#7        Lady Soul–Temptations

#8        Sand in my Shoes –Steve Jarrell

#9        Be Young Be Foolish Be Happy–The Tams

#10      My Girl –Temptations

For the purposes of this article, my two countdowns of CBM will be from the “Classic” era of the musical genre. Please note: my article is not a definitive ranking of all songs that are found within Carolina Beach Music.

My two separate countdowns of “Classic” CBM are songs that I have selected are all personal favorites for me.  I deem each song to be culturally, historically, aesthetically significant, meaningful or relevant. 

As a prelude to my tabulations of outstanding classic CBM tunes, I am listing 12 worthy Soul/R&B/Pop national Billboard Hot 100 hits that fell just outside my dual countdowns. These songs are not ranked, but placed in a random.

Excellent Songs That Didn’t Make Either Countdown:

  • Give Me Just a Little More Time—Chairmen of the Board
  • Girl Watcher—The O’Kaysions
  • Come Get to This—Marvin Gaye
  • Hello Stranger—Barbara Lewis
  • Use Ta Be My Girl–The O’Jays
  • What Kind of Fool Do You Think I Am—Bill Deal and the Rhondels
  • 39-21-46 Shape—The Showmen
  • Double Shot (Of My Baby’s Love)—The Swingin’ Medallions
  • Apple, Peaches, Pumpkin Pie—Jay & the Techniques
  • I’ve Been Hurt—Bill Deal & the Rhondels
  • Treat Her Like a Lady–Cornelius Brothers & Sister Rose
  • (Your Love Keeps Lifting Me) Higher & Higher—Jackie Wilson

Without further ado, the first of two Carolina Beach Music countdowns begins now.

My first listing contains national Top 40 charting songs. These were originally Soul/R&B/Pop hit singles on Billboard’s Hot 100 chart. These tunes are now also considered CBM and have been adopted by those who are into Shag dancing.

10.  I Can’t Help Myself—The Four Tops  1965

One of Motown’s biggest singles of the 60s.  Ranked as the second biggest hit of 1965 by Billboard. One of the signature songs by the Four Tops.

9.    But It’s Alright—JJ Jackson  1966 & 1969

This song was a hit on two separate occasions: During 1966 and 1969. JJ Jackson is considered a one hit wonder.

8.    Gimme Little Sign—Brenton Wood   1967  

One of three Top 40 hits for Wood. Co-written by Joe Hooven, Alfred Smith and Brenton Wood. Released during the summer of love in 1967.

7.   With This Ring—The Platters  1967

Vocal group formed in 1952. Had 20 Top 40 hits during their career. “With This Ring” is now considered a classic wedding love song.

6.   Under the Boardwalk—The Drifters  1964

Song was inducted into the Grammy Hall of Fame in 2014.  Spent 3 weeks at #1 on the Cash Box R&B singles chart and peaked at #4 on the Billboard Hot 100.

5.  More Today Than Yesterday—Spiral Starecase  1969

Band originally from Sacramento, California. This feel-good song is a one hit wonder. Scored their only top 40 song back in the summer of ’69.

4.  Build Me Up Buttercup—The Foundations  1969

British soul band had the 9th biggest single of 1969 according to Billboard. A popular song this decade. Played at many wedding receptions and sporting events in 2025.

3.  This Old Heart of Mine (Is Weak for You)—Isley Brothers  1966

Soul group began as a sibling trio in the late 50s. Song was recorded on Motown’s Tamla label and featured Ronald Isley on lead vocals.

2.  What Does It Take (To Win Your Love for Me)—Jr. Walker & the All Stars  1969

Song was voted Top U.S. Soul Record of 1969. Has an outstanding saxophone solo. One of the biggest singles by Jr. Walker.

1.  My Girl—The Temptations   1965

Signature song by one of Motown Record’s biggest recording artists during the 60s.  I rate “My Girl” as the 5th best classic wedding song of the 20th century and #1 best Motown song from the Detroit years of the Motor City record company.

The second countdown is Classic CBM songs that were regional hits in Southeastern Atlantic coastal states from the mid 60s through the early 80s. Some of these songs may have also charted nationally on the Billboard Hot 100 but weren’t major hits throughout the U.S.

10.  You’re More Than a Number in My Little Red Book—The Drifters    1976

The last charting single for the R&B/Soul group actually happened in the U.K.  The Drifters were inducted into the Rock & Roll Hall of Fame in 1998.

9.    Ms. Grace—The Tymes   1974

Soul vocal group are one of the only artists to have just one chart-topping #1 hit in the U.S and the U.K. with different songs: “So In Love” in America & “Ms. Grace” in Great Britain.

8.    Sweet Virginia Breeze—Robbin Thompson & Steve Bassett. 1978

While collaborating in 1978, Richmond artists Steve Bassett and Robbin Thompson wrote “Sweet Virginia Breeze” during a rehearsal for their concert at Virginia Commonwealth University. In 2015, this anthem was designated the official popular state song of Virginia.

7.    May I—Bill Deal & the Rhondels  1969

Blue-eyed soul band from Virginia Beach, Virginia. This group covered multiple songs by the Tams. “May I” was originally recorded by Maurice Williams and the Zodiacs.

6.    Carolina Girls—General Johnson & the Chairmen of the Board  1980

Within the boundaries of North Carolina and South Carolina, this ode has remained a staple with radio airplay and among residents living in these two southern states.

5.    Ocean Boulevard—Band of Oz. 1982

A prominent band in the CBM genre. The actual Ocean Boulevard is a main highway that runs through Myrtle Beach, South Carolina.  In 1997, the group was inducted into the Beach Music Hall of Fame.

4.    Myrtle Beach Days—The Fantastic Shakers. 1980

Members of the North Carolina Music Hall of Fame. Inducted in 2017.  With Myrtle Beach being the birthplace of Shag clubs playing CBM at those establishments, this song is a favorite for those who reside along the Grand Strand of South Carolina.

3.    Summertime’s Calling Me—The Catalinas   1975

Charlotte, North Carolina CBM band was formed in the late 50s. “Summertime’s Calling Me” is regarded as one of the most influential and favorite beach music songs of all time.

2.   I Love Beach Music—The Embers

Quintessential CBM song. The band was started in Raleigh, North Carolina in 1958. They are one of the longest running beach music bands in the southern U.S. Were inducted into the North Carolina Music Hall of Fame in 2016.

1.   Be Young, Be Foolish, Be Happy—The Tams. 1980  

My #1 favorite classic CBM song of all-time is by the Tams.  The vocal group from Atlanta, Georgia formed in 1960 and still performs today, without any original members.

The Tams signature song is peppy, upbeat, full of sunshine and encourages folks to live life without regret. Without a doubt, I rate “Be Young, Be Foolish, Be Happy” as the #1 best classic “Carolina Beach Music” song ever made.

That concludes up my countdown of what I consider to be the best classic Carolina Beach Music songs.

I realize that my listing of songs in this category was written from my point of view and is subjective. My countdowns of top CBM performances are based completely upon my personal humble opinions.

If you were creating a similar listing of outstanding Carolina Beach Music songs, your tabulation may be totally different from my selections. There are no right or wrong answers. I welcome your thoughts and comments below.

I want to publicly thank my friend Jerry English of Roanoke who provided information to me for this article. He has been a DJ for hundreds of CBM gigs with Shag dancing over the past 40 years in the Roanoke Valley.

I leave you with the closing lyrics of “I Love Beach Music” written by Jackie Gore and recorded by the Embers.  Rock on!

“I love beach music, Every single day of my life, I love beach music, That old beer drinking music, shagging kind of music like you hear at OD, I’m talking about music by the Townes, the Clovers, the Catalinas, the Embers, I love beach music, You know that I do.”

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American Idol, Artist Profiles, Concert Reviews, Contemporary Christian Music, Music, Pop Music, Virginia Artists

Jeslynn Gelaine Music: All My Life I’ve Been a Dreamer

17-year-old Roanoke, Virginia native Jeslynn Gelaine has always been a dreamer.  And one of her dreams became reality just 4 days ago when the singer-songwriter’s debut professional music recording “Calm Me Down” was released as a single.

All photos and videos in this article were provided courtesy of Jeslynn Gelaine unless otherwise noted.

The music artist’s full name is Jeslynn Gelaine Reynolds, and she elected to drop the surname Reynolds at the beginning of her budding musical career.

I asked Reynolds about the significance on using her middle name as a music artist. She responded, “Jeslynn Gelaine is my way of paying tribute to my mom and Mimi, two talented singers who shared a middle name. Following my Mimi’s passing in August 2022, I’m passionate about honoring and carrying her legacy through Gelaine.”

Singing has always been a huge part of Gelaine’s life.  Her mom, Rebecca Reynolds, shared with me that, “Jeslynn has been singing since she could talk and also began singing harmony at age three.” 

Gelaine also traveled on the road and sang with her parents Adam & Rebecca Reynolds in full time evangelical ministry for 7 ½ years when Jeslynn was between the ages of 3 and 10.

In 2018, the Reynolds family settled in the Roanoke Valley and began ministry with Wake the World Church (WTW) in Salem, Virginia. Adam Reynolds is lead pastor while Rebecca Reynolds is minister and worship leader at the church.

Adam and Rebecca Reynolds are also accomplished gospel music singer-songwriters. Their daughter Jeslynn has also been a worship leader with WTW for the past 7 years.

In August, Jeslynn will be starting her senior year in high school as a homeschooled student. I asked Gelaine if she had any plans after she graduates from high school and she replied,” I’m unsure about college, but I have a peace about music. I trust God’s plan and believe he wants me to use my gift full-time.”

Another dream came true for the music artist when she was 15 years old. Jeslynn’s hope of singing on the American Idol reality TV show started almost two years ago.

 In August 2023, Gelaine auditioned virtually in front of producers for a chance to be on American Idol (AI). Her audition was successful that day and Jeslynn was set for the next round of qualification.

On to Nashville in November 2023, Jeslynn went for her audition in front of American Idol’s main judges:  Lionel Richie, Luke Bryan, and Katy Perry. Gelaine selected, “Still Rolling Stones” by Lauren Daigle to sing for her audition.

Jeslynn had another winning performance and received an American Idol “Golden Ticket.”  That meant that Gelaine would be one of just 150 singers going to Hollywood out of over 6,000 other contestants and she would actually be performing on the main AI show.

During Hollywood week, Jeslynn sang “Don’t You Worry ‘Bout a Thing” by Stevie Wonder. She again auditioned in front of the main AI judges Richie, Bryan and Perry.

Before singing the Motown song, Jeslynn addressed the judges with the following quote: “I want to be the next American Idol because I can say that I have truly just dedicated my whole life to music and songwriting. And this means everything to me, and I know this is what God has called me to do and that is why I’m singing on this stage today.”

 While Gelaine didn’t move on in the competition, she received high praise from the judges. After the performance, Katy Perry gave exceptional credit to the Roanoke singer, providing encouragement to Jeslynn who was just 15 at the time of this audition.

I first learned about Gelaine just after the AI “Hollywood Week” episode aired in the spring of 2024. WSLS TV channel 10 Roanoke featured the sensational singer with a news story outlining her musical story and the big dreams she’s accomplished. That feature can be viewed here via WSLS 10.

Around 13 months later, I had the opportunity to meet Jeslynn and her parents Adam and Rebecca Reynolds when Gelaine was performing in concert with the Strawberry Festival at Elmwood Park in Downtown Roanoke. The singer was the headlining artist for this event.

Accompanying Gelaine at her May 3rd Roanoke concert were 4 band members and a background vocalist. Personnel members and instruments played are listed below:

  • Bryan Davis-Piano
  • Eddy Sanders-Bass
  • Tonio Williams-Drums
  • Roger Graves Jr.-Guitar
  • Rebecca Reynolds-Background Vocalist

An unfortunate thing happened on that first Saturday in May 2025:  A big rain storm with thunder and lightning hit downtown Roanoke around 20 minutes into Jeslynn’s show. The Strawberry Festival administrators stopped the concert after just 3 and a half songs were performed.

Obviously, Jeslynn was deeply disappointed about the rain storm and abrupt ending of her concert: she had to make lemonade out of lemons.  Of the songs that Gelaine sang that afternoon, I made short video clips from two of her songs.

This first clip above is an original song Jeslynn wrote called “Song Outta Me”.

The second video I made is of her recently released single, “Calm Me Down.”  

The genesis for the lyrics of “Calm Me Down” came from Jeslynn when she attended a Songhouse summer camp in 2024. Gelaine shares co-writing credit with 4 other individuals who collaborated with her last summer at this music event.

Released just 4 days ago, “Calm Me Down” is available on all streaming platforms and can be purchased via Apple and Amazon music services. The link for Jeslynn’s YouTube channel is here.

On Tuesday July 8, 2025, Gelaine was interviewed on the WDBJ Roanoke TV program called 7@four by the station’s host Melissa Gaona. The WDBJ7 TV conversation video follows:

After Gaona completed her interview with Jeslynn, the Roanoke singer-songwriter sang her debut single “Calm Me Down” on the WDBJ7 TV show. Gelaine’s performance is found below.

After meeting Jeslynn at her Strawberry Festival concert, I sent her questions via email to answer for this article. She and I also utilized Microsoft’s Messenger online text communication for clarification.  My questions and her answers are found below.

DJ Dave:  How do you describe the genre or genres of music that you sing?  My guess would be a combination of pop and country.

Jeslynn: “Well, I’m going to be honest…lol! I don’t necessarily put my music in a “box” or genre as of now. I just write about life and put lyrics and whatever melody comes in my heart to it. I call my music my musical diary! I dabble in a lot of different sounds.”

DJ Dave:  I have gathered from listening to your written songs that you attempt to express your feelings about a subject, in a real and honest way.  And at the same time, you want to convey something positive to the listener of your songs?  Is that accurate?    

Jeslynn: “I want to give people something to relate to when they listen to my music. If they’ve experienced what I’ve experienced whether that be an emotion, an experience, etc. I want them to not feel alone and feel like they can have an anthem. I don’t just write about sad experiences. I also want listeners to just have something to “jam” too and feel happy about.

 I also want them to know by my Christian songs that there is hope through Jesus and they don’t have time to stay there in that negative emotion. Jesus is the only way I’ve healed through life’s tough obstacles.”

DJ Dave: When I met you after your Strawberry Festival concert, I asked you about the quote at the top of your social media pages, “All my life I’ve been a dreamer.” Can you briefly describe the significance behind this meaningful statement?

Jeslynn: That quote is from my song “Dreamer”, which is about overcoming fear and chasing dreams. Ironically, I wrote it two weeks before my first American Idol audition which marked a significant step in my career.

DJ Dave: I like your quote, “Songwriting is a therapeutic outlet for you and medicine for your soul.”  Please give me more insight into this meaning?

Jeslynn: My songs are a musical diary, allowing others to relate and feel less alone in life’s journeys. I pray God’s gift to me can also be a gift to others through lyrics.

DJ Dave: With your duties as worship leader with Wake the World church, what are ways that you prepare your own heart before leading folks during a Sunday morning service?

Jeslynn: My mom and I seek the Holy Spirit’s leading when choosing songs for Sunday. I also prioritize daily Bible study and prayer as I prepare my heart.

DJ Dave: Your mom, Rebecca, shared with me that you started singing as soon as you learned to talk and began singing harmony at age 3. At what point in your life did you decide that you wanted to be a singer and utilize the talents God has given you for Christian service?

Jeslynn: Music has been my lifelong passion and has never really been a question for me. After being part of American Idol and SongHouseCo, I feel even more confident that music is what I’m supposed to do.

DJ Dave: What are your dreams, goals and aspirations in relation to singing and music as you become an adult next year?

Jeslynn: I aspire to release more original music, put out an album, and perform at the Grand Ole Opry, and award shows. Ultimately, I just want what God has for me.

When I saw Jeslynn at her rain shorten Roanoke concert last month, I was impressed by her powerful vocals. I also realized that her songwriting is complex, challenging and provoking, but also upbeat, inspirational and encouraging.

From my perspective, Jeslynn has a bright future in her chosen musical profession.  Her enthusiasm and passion to foster empowerment through music is outstanding.

I also appreciate Jeslynn’s desire to be a positive witness with her Christian faith and a willingness to tackle hard topics as a songwriter. As a Christian believer myself, I find Gelaine’s outlook to be refreshing.

Obviously, no one knows what the future holds in store for this young Virginia singer. I am confident that Jeslynn Gelaine’s music career will go in a favorable direction as she continues to seek God’s guidance for her life. Rock on!

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Album Review, Americana, Artist Profiles, Folk, Music, Pop Music, rock, Virginia Artists

Caleb Meyer:  Most of the Days EP: Now Released

Since I started publishing DJ Dave’s Musical Musings in 2018, I have regularly written about musical artists from a variety of musical genres who perform in the Roanoke area and throughout the state of Virginia. With this in mind, I am featuring an up-and-coming Americana folk-rock artist.

For my first music blog of 2025, I am glad to introduce to you musician and singer-songwriter Caleb Meyer.  This artist is from Roanoke, Virginia and has just released a 5-song EP called “Most of the Days.”

Meyer is a native of Roanoke and is 25 years old. Besides living in South Carolina and Colorado, Caleb has spent the majority of his life residing in Virginia.

I first met Meyer when he was a student at Hidden Valley High School in Roanoke, when his family started attending Anglican parish, Church of the Holy Spirit (CHS) where I have worshipped since 2002. I got to know Caleb well during my time as a volunteer small group leader with the CHS senior high youth group.

After Meyer graduated from Hidden Valley High School, he studied audio engineering and music business from 2018 to 2022. After beginning his professional career in Colorado, Caleb moved back to Roanoke and started utilizing his audio engineering skills.

I recently spoke with Church of the Holy Spirit (CHS) Chief of Staff Tim Henderson, and he told me that Meyer was hired to work in the CHS Audio/Visual department in 2022. Caleb has flourished with various duties such as audio engineering and heading up live streaming of church services over the past 3 years.

Quigg Lawrence, CHS Senior Pastor and Bishop in the Anglican Church says “Caleb is like a Swiss army knife, and functions well with any task he is assigned within the CHS worship arts ministry.”

All of the professional skills Meyer has gained over the past few years have been beneficial to his budding singing career. Caleb has amassed audio equipment and uses it to mix and master recordings of his own music inside the comfort of his own home.

 Meyer can also freelance and produce music for other local Roanoke artists at his home studio. With the growing music scene in the Roanoke Valley, Caleb is hoping to tap into recording, mixing and mastering music by fellow Virginia singers and musicians.

Since 2022, Meyer has a history working with Nashville record producer and engineer Evan Sieling, world-renowned instrumentalist Scott Mulvahill, and Artimus Pyle of Lynyrd Skynyrd. Some of Caleb’s professional sound credits are listed below:

  • A Robin Built a Nest on Daddy’s Grave–Bent Mountain
  • Say You’re Gone–Luke Lively
  • Mushroom Song–Landon Carder
  • Most of the Days–Caleb Meyer
  • Peaks–Brenidy O’Dea

The outstanding audio engineering skills of Meyer were evident as I listened to Caleb’s new EP called “Most of the Days.”   It is impressive that Meyer wrote lyrics to all of the songs, sings on every track, played acoustic guitar, then mixed, and produced this EP himself. Credit goes to Evan Sieling for mastering the 5 songs.

Released on December 23, 2024, “Most of the Days” does have input from some fellow Roanoke area musicians. These guys play a variety of instruments which gives the album a full, rich sound. Acoustic guitar was handled by Meyer on the EP.

Below are the names of the 5 tracks on “Most of the Days” by Caleb + Co.

  • Hard to Say
  • Convicted (Estranged)
  • I Might Understand
  • Suffer Well
  • Coming Through

As I listened to the tracks on Caleb’s “Most of the Days” EP for the first time, I realized the tracks were an outstanding mix of musical genres:  Rock, Pop, Folk and Americana.  To hear Meyer’s music, you can access via these sites: YouTube, Apple Music, Amazon and Spotify.

Just after New Year’s Day 2025, I met Caleb at Mill Mountain Coffee in downtown Roanoke to discuss his new EP and glean information for this blog article. During our time together, Meyer shared with me about his music career, producing songs for other artists and his desire to one day create a recording studio in Roanoke.

After my interview with Meyer, I emailed him a list of questions about on his music career and life experience highlights. Caleb’s responses to my questions are found below:

DJ Dave: At what age did you start having aspirations of becoming a singer-songwriter, musician and recording artist? Briefly describe how you came about your decision to be in the music industry.

Caleb: When I was 6 years old, I wrote my first song called “Burn the Idols”. As bad as that song was (and it was BAD), it was the start of a great passion for me. Soon after writing the lyrics, my parents got me a guitar so I could start putting some music to it. My dad taught me my first few chords on guitar, and I went on to continue to teach myself from there.

 DJ Dave: Now as a musician and singer-songwriter, how do you classify the type of music that you perform? Why have you selected the multiple musical genres you sing and record?

 Caleb: I call my own style folk-rock and/or alternative. I have a pretty eclectic music taste, and that shows in my writing. That is probably why I am comfortable working in so many different genres, but some genres I am definitely more comfortable in than others. Bands like Mumford and Sons and The Lumineers were big inspirations for me, as well as artists like Ed Sheeran and Jon Bellion.

 DJ Dave: When writing new songs, do you have a particular type of subject matter you prefer or do you pen a variety of topics with your compositions?

 Caleb: It is more difficult for me to write happy songs, but I still try to incorporate a sense of hope into all my songs. Most of my lyrics have a bittersweet tone to them. The theme of this EP specifically could be described as “learning and growing from pain and past mistakes”.

On a surface level, this EP was inspired by a breakup. But if you listen to the lyrics, the content goes much deeper than that.

DJ Dave: Being an indie artist, you write, sing, record, produce, mix and master your own songs. Can you describe the process of totally creating new music?

Caleb: Whether it’s one of my own songs or a song for a production client, the process always starts as a demo or voice memo recording. From there, I normally start to develop a vision for the instrumentation and structure I want the song to have.

Next, I will record whatever instrument that will act as the backbone of the song first. For my own music, this is often acoustic guitar. After that, I will record a scratch track of the lead vocal so I can start building the rest of the instrumentation around it.

Once this is complete, I will go back and record the final vocals and put any final touches on the sound design. Once the instrumental and vocals are in a good place, it’s time to mix and master!

 DJ Dave: On your recently released “Most of the Days” EP, who are the musicians that accompanied you and what instruments did they play on your latest project?

Caleb:    EP Personnel:

  • Parker Brown: Keys
  • Ayden Young: Banjo and double bass
  • Nathan Folta: Violin
  • Taylor Folta: Cajon
  • Caleb Meyer: Guitar and vocals

Dj Dave:  In the summer of 2025, you shared with me that you are planning to perform some live gigs with some fellow musicians in the Roanoke Valley. What types of venues are you playing this summer?

 Caleb: The possible gigs I’ve got lined up for the band are backyard concerts that my friends will host. Intimate venues with close friends, and whoever else is wants to come. I will likely have a few gigs at restaurants and breweries in the Roanoke area as well, but those come up sporadically. I will be posting about any upcoming events on my Facebook page.

Looking ahead to the future, Meyer has a couple of goals in relation to his own songs, as well as recording other Roanoke Valley/Southwest Virginia artist’s music.

  • His short-term goal is working towards creating a recording studio with sound equipment inside of a mobile trailer. Meyer could then record local Roanoke artists, plus expand his services to Central and Southwestern Virginia.
  • A long-term goal that Meyer has is to create a free-standing building to house a commercial recording studio in Roanoke by the year 2030. This would allow musical artists from all across the Mid-Atlantic region to utilize this type of facility.

The official Caleb Meyer Blue Ridge Fellows photo. Courtesy Caroline Crawford.

One take away I received from my time speaking with Meyer is his desire to be a positive Christian witness with every aspect with his music and audio engineering duties.  Colossians 3:23 (English Standard Version) sums up Caleb’s belief: “Whatever you do, work heartily, as for the Lord and not for men.”

As a Christian myself, I appreciated learning about Meyer’s dedication to rely on faith in his interactions with others. His aspiration to follow biblical teachings is encouraging to me. Without a doubt, I feel that Meyer is heading in a positive direction.

Obviously, no one knows what the future will hold. I look forward seeing how Meyer’s musical career blossoms and his desire to create recording studio opportunities for other artists in the next few years. Caleb’s future looks promising and bright here in Roanoke.  Rock on!

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Artist Profiles, Concert Reviews, Music, Virginia Artists

The Brothers Young: Virginia’s Accomplished Bluegrass Duo

Blane and Ayden Young at the Floyd Country Store October 19, 2024. Photo by DJ Dave

Exactly 4 years ago on October 31, I published a music blog on the Brothers Young. Now with 4 additional years of musical experience, I am updating info on the outstanding classical bluegrass sibling duo based out of Roanoke, Virginia.

Earlier this month, I had the opportunity to catch the Brothers Young (TBY) in concert at the Floyd Country Store (FCC).  Located in Floyd, Virginia, this is a venue that regularly features live musical groups, bands and performers, primarily with the genres of bluegrass, folk and old-time country music.

Short video of Don Reno cover, “Follow the Leader” by TBY on 10/19/24. Clip recorded by DJ Dave

Accompanying the Brothers Young on the FCC stage were Steve Farmer on bass and Stefan Kraft playing guitar. These fellows regularly play with TBY at concerts in and around the Virginia locations.

As I watched TBY play their classic bluegrass set, I saw firsthand superb musicianship and professional excellency from the Roanoke musical brothers.

Short video of Osborne Brothers cover, “Rocky Top” by TBY on 10/19/24. Clip recorded by DJ Dave.

The Brothers Young are 18-year-old Ayden who plays banjo while 14-year-old Blane plays mandolin for their group.  TBY are also multiple instrumentalist: Both are pianists while Blane is also a drummer.

Blane and Ayden Young. Photo courtesy of Melissa Young.

The musical partnership of TBY started in August 2020 during the COVID-19 pandemic under the direction of their parents Melissa and Chad Young. Obviously, with Ayden & Blane still in their teen years, they have received strong parental support with all aspects of TBY musical endeavors.

Since TBY was founded, the fellows have played numerous gigs in and around the Roanoke Valley, as well as many other Blue Ridge Mountain towns in Virginia. The Brothers Young have also performed concerts in North Carolina and Kentucky.

 Below are just a few concert venues that TBY has performed since 2020:

•          Merlefest

•          Bristol Rhythm & Roots

•          The Floyd Country Store

•          Biltmore (Antler Hill Stage)

•          Woodsong Kids (Lexington, KY)

•          Rassawek Autumn Festival

•          WPAQ’s Merry-Go-Round

•          Virginia Museum of Transportation

•          Milepost Music – Peaks of Otter

•          Autumn Leaves Festival

Ayden and Blane also play music monthly at various local Roanoke Valley locations. Melissa Young says “her sons regularly perform at around 20+ Roanoke & Salem retirement communities, partnering with activities directors for those facilities. The residents love the classic bluegrass music and the boys!”

The Brothers Young have recorded the following music during the past 4 years:

  • Two singles with award-winning, traditional bluegrass group the Junior Sisk Band.
  • One track recorded on a gospel bluegrass album “Come Home” by Bent Mountain.
  • One full-length bluegrass album, “B is for Bluegrass.”
  • One Christmas music album, “Christmas in the Hills”, featuring piano favorites and bluegrass songs.

With the financial help of parents Chad and Melissa Young, Ayden created a home studio where he has recorded, mixed and mastered two TBY albums (CDs).  Ayden says, “It is convenient to have a studio in my own home and it has helped me to learn more about the recording process.”

Christian faith is important to TBY.  Ayden plays banjo for the worship team at Church of the Holy Spirit (CHS) an Anglican parish in southwest Roanoke County.  I am a member of the CHS congregation and I have witnessed the entire Young family serving our church body over the past few years.

Here is a quote by Ayden on being a Christian and playing music. ”Being a musician, I often have to tell myself that all of the talents and all of the opportunities we’ve had, have come from the Lord and not from ourselves. Here is a perfect verse that helps me remind myself that all the glory must not go to me, but to God.”   Psalm 115:1 “Not to us, O Lord, not to us but to Your Name be the glory, because of Your steadfast Love and Faithfulness.”

Stefan Kraft, Blane Young, Ayden Young & Steve Farmer. Courtesy of Melissa Young.

One of the musical mentors of TBY is Bishop Quigg Lawrence, who is senior pastor at Church of the Holy Spirit. Lawrence was executive producer and lyrical creator for a gospel bluegrass album released in 2021: “Come Home” by Bent Mountain.

I asked Bishop Lawrence to provide comments about his involvement with TBY on spiritual and musical supervision over the past 4 years: “What a privilege to watch two boys from Roanoke grow up playing traditional bluegrass. Ayden and Blane are some of the best kids I know. They are humble, hardworking, disciplined, funny, and just likable. I would be happy to call them my sons!”

Lawrence continues, “When I recorded a bluegrass album in 2020, the boys were on it. Ayden was older 14 years old and crushed two banjo songs. Blane was a tender ten and mainly added mando chops. Still, I was amazed at how they both entered the studio and started playing well with pro-players.”

“I went to Galax and saw them perform in 2021. Their band was #1 in the Youth Band Category. If memory serves me correctly, Ayden placed 2nd in Youth Banjo. This past year, 2024, Ayden placed 3rd in ADULT banjo, and Blane placed 2nd in youth mandolin. Many full time, well-known pro players never placed that high!”

As I mentioned above, I saw TBY perform in concert recently and I asked Blane and Ayden to answer this question:  Musically, what are attributes that you admire most about your brother? Their responses are below:

Blane:  “First off, he is an amazing banjo player!  One of the things I love about playing with my brother is that he helps the band start the songs on the right timing.  He is a good leader of the band. He encourages me after nobody laughs at my jokes. And mainly I enjoy it because I get to work with my brother.”

Blane and Ayden Young. Courtesy of Melissa Young.

Ayden:  “My brother has been gifted with nearly perfect rhythm. Whether it’s on the jazz drum kit or the mandolin, he holds down those chops! His ability to improvise and add some taste to the mix we’re going for is unchallenged.”

“The thing that impresses me the most is the fact that Blane has the perfect people person charisma. He will approach anyone and everyone and be completely interested in the conversation he’s having.”

In addition to TBY playing classic bluegrass, the siblings have also formed a jazz group called “610 Jazz.”  With this other musical venture, Ayden plays piano while Blane is on a drum kit. Both brothers enjoy the variety of performing jazz as a side project.

For those who are on the social media site Facebook, here is the link for the official Brothers Young page. Another excellent site is TBY YouTube channel.

As I spoke with Ayden and Blane at a home-schooling event in Roanoke County last Saturday, I ask them what can folks expect from the Brothers Young band in the future?

  • TBY would like to record a new album of bluegrass in 2025.
  • The siblings plan of continuing performing classic bluegrass music with as many venues as possible.
  • Blane and Ayden look forward to sharing their God given talents to everyone who attends one of their concerts.
  • Play more music with their “610 Jazz” group.

The consensus among the Brothers Young on future bluegrass career plans are unclear at this time.  Ayden graduated from high school in June. He is now teaching private banjo and piano music lessons, while also playing with other Roanoke area musicians in various recording sessions. Blane just started his 8th grade year with schooling.

Blane and Ayden are exploring various paths they may take in the future with career opportunities. Both fellows are also steadfast with their desire to be guided by God as they finish their teenage years.

Stefan Kraft, Blane Young, Ayden Young & Steve Farmer. Courtesy of Melissa Young.

Without a doubt, the TBY have grown musically over the past 4 years and these guys have matured in positive directions. I am encouraged to see the dedication and loyalty that Ayden and Blane show as they endeavor to hone their craft of playing bluegrass music together.

The Brothers Young performing at Floyd Country Store on October 19, 2024. Photo courtesy of Melissa Young.

Obviously, we do not know what the future has in store for the bluegrass teens. I am confident the Brothers Young of Roanoke will continue to be a positive force within the local Southwestern Virginia community. Rock on!

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Artist Profiles, Broadcasting, Music, Music Countdowns, Radio, Retro Rock

Outstanding Trio Rock Bands from the 20th Century

What are the greatest rock bands in the history of popular music that featured trios?

With my latest music blog message, I will be counting down what I consider to be the ten best rock band trios from the 20th century from 1965 through 1985.

Before I share the countdown of the ten bands that I have selected for this topic, I need to state what constitutes a rock trio band.

Basically, a rock trio band features all three members playing instruments: normally an electric guitar, an electric bass guitar and drums. In some other trios, keyboards are substituted for either a guitar or a drum set.

At the same time that instruments are being played by all members, one or more of those same individuals will provide singing on songs that have vocals. These bands tend to have a full, rich sound with just three members.

The fresh electric sounds of British Invasion bands in the mid 60s such as the Beatles, the Rolling Stones and the Who, gave inspiration to those wanting to play that type of music with just 3 musicians. Soon thereafter, many new rock trio bands started forming in the United States and Great Britain.

As I did research for the topic of rock trio bands, I realized there were other types of musical groups with just 3 members.  I classify these artists as vocal pop groups, that featured 3 singers that didn’t play musical instruments.

Below are some outstanding 3-person vocal groups from the 60s and 70s. These trios performed in a variety of musical genres from pop, rock, folk and soul.

  • The Supremes
  • Three Dog Night
  • The Bee Gees
  • Peter Paul and Mary
  • The Isley Brothers
  • Martha and the Vandellas

While all of the above 3-person vocal groups produced excellent music, they are not power trio rock bands and have been excluded from consideration on my countdown. Maybe I will write and publish a separate article on outstanding 60s and 70s trio vocal groups in the future?  Stay tuned.

Here are the criteria I used in compiling my countdown of best rock trio bands:

  • Majority of album chart success between the years of 1965 and 1985.
  • Since my home country is in America, my rankings are based solely on what bands achieved in the United States.
  • In researching historical musical data for this article, I used Billboard and Cash Box magazines for documentation.
  • I also gathered artist information from the liner notes of vinyl albums that I still own in 2024.
  • Bands received significant airplay on Top 40 and Album Oriented Rock (AOR) radio in the U.S. from mid 60s through to the mid 80s.
  • Some groups listed in countdown may have had more than 3 members at some point but stayed as a trio during a majority of the band’s existence.
  • I will document main members of trio bands and may leave out part time personnel and/or people in a band whom stayed for short periods of time.

Please note that my ranking of albums and songs within the countdown of best rock trio bands is entirely based on my own opinion. My rating system reflects directly upon music that I deem to be culturally, historically, aesthetically significant, meaningful or relevant.

Without further ado, my countdown of the ten best trio rock bands begins:

10. James Gang

Main Lineup: Joe Walsh (guitars, lead vocals), Dale Peters (bass) and Jim Fox (drums).  Widely acclaimed album: “James Gang Rides Again.”  My #1 top-rated song: “Walk Away.”   Second favorite track: “Funk #49.”

Active years as a trio: 1968-1974. The front man & lead singer for American band James Gang was Joe Walsh. He left the classic rock trio in 1971 for a solo career. Walsh later joined Eagles band during late 1975 and still is a member in 2024. He and his Eagles group were inducted into the Rock & Roll Hall of Fame in 1998.

9.   Emerson Lake & Palmer

Main Lineup: Keith Emerson (keyboards), Greg Lake (Vocals and guitar) and Carl Palmer (drums and percussion).  Widely acclaimed album: “Pictures at an Exhibition.”  My #1 top-rated song: “Nut Rocker.”  Second favorite track: “Lucky Man.”

Active years as a trio: 1970-1979, 1991-1999.  Emerson Lake & Palmer (ELP) were an English progressive rock juggernaut. The band mixed genres of jazz, classical, along with pop-rock sounds together and became one of the leading bands for experimental music during the 70s.

8.    Grand Funk Railroad

Main Lineup:  Mark Farner (lead vocals, guitarist, keyboards), Mel Schacher (bassist) and Don Brewer (drummer and vocalist).  Widely acclaimed album: “Closer to Home.”  My #1 top-rated song: “We’re an American Band.”  Second favorite track: “I’m Your Captain (Closer to Home).”

Active years as trio: 1969-1976.  Grand Funk Railroad (GFR) was founded in Flint, Michigan during 1969. Labeled as arena rock, the group toured intensively and the band’s live shows were popular among concert attendees. (GFR) was inducted into the Michigan Rock and Roll Legends Hall of Fame in 2015.

7.   Rush

 Main Lineup: Geddy Lee (bass guitar, keyboards, vocalist), Alex Lifeson (guitar) and Neil Peart (drums, percussion and songwriter). Widely acclaimed album: “Moving Pictures.” My #1 top-rated song: “Tom Sawyer.” Second Favorite track: “New World Man.”

Active years as trio: 1974-2015.  Inducted into the Rock & Roll Hall of Fame in 2013. Canadian band formed in Toronto, Ontario. Musically, group is considered progressive rock. Band also is known for synthesizer pop and hard rock blues. Rush produced excellent musicianship and top-notch lyrical compositions during the 20th century.

6.   Genesis

Main Lineup: Tony Banks (keyboards, acoustic guitar), Mike Rutherford (electric guitar, bass) and Phil Collins (Drums, percussion and vocalist). Widely acclaimed album: “Abacab.”  My #1 top-rated song: “Abacab” Second favorite track: “No Reply at All.”

Active years as a trio: 1977-1996.  Genesis is considered as a pioneer progressive rock band. This English group actually started with 5 members but paired down to just 3 fellows in 1977. All 3 guys recorded side projects in the 80s, with Collins having the most success, followed by Rutherford (Mike + The Mechanics).  Band was inducted into the Rock & Roll Hall of Fame in 2010.

5.   ZZ Top

Main Lineup: Billy Gibbons (guitarist and vocalist), Frank Beard (drums) and Dusty Hill (bassist and vocalist).  Widely acclaimed album: “Tres Hombres.”  My #1 top-rated song: “La Grange.” Second favorite track: “Sharp Dressed Man.”

Active years as a trio: 1969 to 2021. The 2004 Rock & Roll Hall of Fame inductees started in Houston, Texas. During the 70s, this southern rock band played a combination of hard rock and blues. During the MTV 80s, ZZ Top switched into a synthesizer pop-rock sound which brought the band much success.  The band still performed as a trio until Hill’s death in 2021.

4.   The Jimi Hendrix Experience

Main Lineup:  Jimi Hendrix (guitarist and vocalist), Noel Redding (bass guitar) and Mitch Mitchell (drums).  Widely acclaimed album: “Are You Experienced.”  My #1 top-rated song: “All Along the Watchtower.”  Second favorite track: “Purple Haze.”

Active Years as a trio: 1966-1970: Jimi Hendrix was inducted into the Rock & Roll Hall in 1992, along with the other members of his Experience trio, drummer Mitch Mitchell and bassist Noel Redding.  Although his mainstream music career was only 4 years long, many music critics consider Hendrix to be the greatest guitarist of all-time.

3.   Crosby Stills & Nash

Main Lineup:  David Crosby (guitarist, singer-songwriter), Graham Nash (singer-songwriter, keyboardist and guitarist) and Stephen Stills (lead guitarist, bass guitar, percussion, singer-songwriter).  Widely acclaimed album: “Crosby Stills & Nash.”  My #1 top-rated song: “Suite: Judy Blue Eyes.”  Second favorite track: “Marrakesh Express.”

Active years as a trio: 1969-1970, 1973-1974, 1976-2015:  Crosby, Stills & Nash (CSN) were a superb folk-rock supergroup and in 1997 became members of the Rock & Roll Hall of Fame.  During 1970-1971 and occasionally at other select times, Neil Young joined CSN to form a quartet.  The CSN trio contributed outstanding vocal harmonies and all were first-rate singer-songwriters.

2.   The Police

Main Lineup: Sting (singer-songwriter, bass guitarist, main vocalist), Stewart Copeland (drums, percussion) and Andy Summers (guitarist). Widely acclaimed album: “Synchronicity.”  My #1 top-rated song: “Every Little Thing She Does is Magic.”  Second favorite track: “Roxanne.”

Active years as a trio: 1977-1984: English band formed in London during 1977.  This trio combined rock, pop, reggae, jazz and punk together. Considered a new wave band in the late 70s. The Police became one of the biggest bands during the 80s and got into the Rock & Roll Hall of Fame in 2003.

1.   Cream

Main Lineup: Jack Bruce (bassist chief vocalist and songwriter), Eric Clapton (guitarist, songwriter) and Ginger Baker (drums). Widely acclaimed album: “Disraeli Gears.”  My #1 top-rated song: “Sunshine of Your Love.” Second favorite track: “White Room.”

Active years as a trio: 1966–1969:   Cream is among the first supergroups in rock music history.  Eric Clapton, Ginger Baker and Jack Bruce were pioneers musically mixing blues and hard rock sounds for trios. This British band reformed temporarily in 1993 when the group were inducted into the Rock & Roll Hall of Fame.  Without a doubt, Cream is my number one best power rock trio of all-time.

That wraps up what I consider to be my favorite and best top trio rock bands.  I completely understand that my listing of songs and albums in this category was written from my point of view and is subjective.

If you were creating a similar register of excellent trio rock bands, your tabulation may be totally different. What do you consider to be the best rock groups with just 3 members from the years 1965 through 1985?  I hope you will comment below.

I still love listening rock trio bands on the radio or at home on my home stereo system. Music from the groups in my countdown will always have a special place in my heart. Long live the outstanding music of classic rock trio bands.  Rock on!

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Album Review, Artist Profiles, Music

Locks: Fresh New Sara Niemietz Single from Upcoming Superman Album

Sara Niemietz with guitar. Photo credit: Xanderphotography.com

I describe the new single “Locks” by Sara Niemietz as hot, hip and happening indie rock. The song is now available for purchase and is the first track from an upcoming October 2022 Niemietz album release called “Superman.”

The “Locks” single and the remaining 13 other tracks from the new “Superman” LP are a collaboration between Sara Niemietz and her musical partner Linda Taylor.  This dynamic duo merged their musical talents together over the past two years: Niemietz-Taylor are co-producers for “Superman” and co-wrote every song on their collaborative project.

Niemietz is a singer-songwriter, musician, actor and member of PostModern Jukebox, who has recorded 3 albums during her career.  Taylor is a superb guitarist, composer, music producer and plays guitar on ABC TV show “Whose Line Is It Anyway?”  Together, the Niemietz-Taylor team creates musical magic!

Sara Niemietz and Linda Taylor before a Smith Center concert in Las Vegas, Nevada May 2022.

With the production of “Locks” and “Superman” by Niemietz-Taylor, the duo employed session musicians for their recordings. Personnel on all 14 songs include:

  • Sara Niemietz – vocals
  • Linda Taylor – guitars
  • Léo Costa – drums
  • Ed Roth – keyboards
  • Daniel Pearson – bass

Here are my thoughts about the new Niemietz-Taylor single.   When I heard “Locks” for the first time, I responded back to Sara and Linda via email with the following reply: “The track is a good choice for a first single. It is a catchy, up-tempo groove.  Excellent interplay with the drum, guitar and bass. I love the special effects with the switching of tune tempo. Outstanding vocals and harmonies. A Superb production. Pleasing to my ear.”

What does the co-producer team of Niemietz-Taylor have to say about their new single?  I asked Sara and Linda about “Locks” and they answered my inquiry from two different continents.

Sara Niemietz and Linda Taylor in studio during the “Superman” album recording sessions. Early 2022.

Taylor’s answer came to me from her Los Angeles, California home, submitting a quote from an official press release on “Locks” and the “Superman” album: “The bluesy “Locks” captures the bittersweet side of getting through life challenges. Here, Sara’s rich and sultry vocals imbue the song with a sense of burnished hope befitting the lyrics. One choice passage reads: “Who’s that looking out from the mirror/A little bit leaner, meaner/She figured it out/Can’t believe what I see/It’s almost hard to believe/This other side of the street I’m standing on.”

Album art for new Sara Niemietz single “Locks.”

My question for Niemietz: “Why did she and Taylor choose “Locks” as the first single to be released?  Sara replied via email, on a bus somewhere in Austria, as she was touring with PostModern Jukebox last month: “We have new versions of some previously released songs on “Superman” but “Locks” was the first idea specifically for the album. It went through several re-writes and re-records before we found its heart. In fairness, it got a little beat up, but we weren’t willing to let it go. Now we find it just feels like the start, the start of the setlist, the start of the album, the opening chapter, it sets everything in motion and the obvious first single.”

“Super” Sara in costume.

Link for purchasing “Locks” single: https://tinyurl.com/saralocks

Sara’s official website: www.saraniemietz.com

Linda’s official website: www.lindataylormusic.com

 As I mentioned above, “Locks” and all the songs on “Superman” were written and produced by Niemietz-Taylor.   The album will feature five new studio versions of previously released singles of the past two years: “Come to Me”, “Superman”, “Lovely Lies”, “The Dimming”, and “GOODX3.” From these five existing songs, the last two have already become fan favorites for those who follow the Niemietz-Taylor musical pair.

A second single from “Superman” called “I Want You” was released on September 23.

Considering that Niemietz has recorded three excellent albums during her career, “Superman” promises to be a musical delight.  The collaborative Niemietz-Taylor album is now available for pre-ordering from Bandwear. Link to purchase album is below:

Sara Niemietz
Album art for Sara Niemietz “Superman” album.

For anyone searching for new music to purchase this summer, look no further than “Locks” and the upcoming “Superman” album from Sara Niemietz and Linda Taylor.  I guarantee that you will not be disappointed.  Rock on!

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