Broadcasting, Music, Music Countdowns, Pop Music, Radio, Retro Rock

Fantastic Flute Favorites from Top 40 Golden Age

When I think about core instruments in pop rock music, there is one that doesn’t fit into that category: a flute.  While this woodwind may be more at home with orchestras, the breezy sound of flutes was an integral part on many top 40 hits during the 20th century.

With this music blog message, I will be counting down what I consider to be my favorite songs featuring a flute. My selections are mostly tunes that I treasured when I was a teenager or as a young adult and I still love these songs in 2024.

My listing of fantastic flute songs all became hits on the Billboard Hot 100 chart during the golden age of top 40 radio. Obviously, that means that outstanding ensembles, classical masterworks, and any other genre of music outside of pop, rock and soul, are excluded from this article.

To avoid any confusion, here are the criteria that I used to narrow down my listing of outstanding flute songs:

  • My selections were aired on Top 40 radio between the years 1966 and 1976.
  • Only songs released as 45-rpm singles are listed.
  • No album tracks used on countdown.
  • Flute needs to be prominently heard in a song.
  • Lead flute solos on instrumental breaks on songs with lyrical singing.
  • Countdown songs peaked at #40 or higher on the Billboard Hot 100.

There are many top 40 songs that employ flutes as part of their musical mix but the instrument doesn’t standout. A good example of this is the Beatles’ song “Penny Lane.”

This tune features oboes, piccolos, trumpets and a flugelhorn, as well as traditional pop instruments of piano, guitar, bass and drums.  Thus, the flute sound is not distinguishable on this masterpiece song by the Beatles.

And since my countdown only spans from 1966 through 1976, excellent 80s flute singles won’t be listed on this message.  If I had chosen music from the totally tubular decade of the 80s, I surely would have included the 1982 Men at Work song “Down Under” as a superb flute single.

As I surveyed the prominent flute hits, the countdown is entirely based on my opinions. My selections are songs that I deem to be culturally, historically, aesthetically significant, meaningful or relevant.

Before I start the countdown, I am sharing some other first-class flute singles in a couple of different categories. I am a fan of all of the extra songs that didn’t make my favorite flute songs all-time listing.

Songs played on Top 40 and AOR (album-oriented-radio) stations but not released as 45-rpm singles:

  • Moondance—Van Morrison
  • Aqualung—Jethro Tull
  • So Long, Frank Lloyd Wright—Simon & Garfunkel

45-rpm singles that charted number 41 or lower on the Billboard Hot 100 chart

  • Locomotive Breath—Jethro Tull
  • White Bird—It’s a Beautiful Day
  • Can’t You See—The Marshal Tucker Band

This next group are songs that I considered for the flute countdown but fell outside of my top 20 selections. Singles are not ranked and are placed in a random order:

  • Fire on the Mountain—The Marshal Tucker Band
  • Ruby Tuesday—The Rolling Stones
  • Tubular Bells—Mike Oldfield
  • The Good, The Bad and the Ugly—Hugo Montenegro
  • Sing—The Carpenters
  • Walking In Rhythm · The Blackbyrds
  • Bungle in the Jungle—Jethro Tull
  • Kung Fu Fighting—Carl Douglas
  • There is a Mountain—Donovan
  • The Hustle—Van McCoy
  • The Power of Gold—Dan Fogelberg & Tim Weisberg
  • The Pied Piper—Crispian St Peters
  • Paloma Blanca—George Baker Selection
  • Born to Wander—Rare Earth
  • Dark Horse—George Harrison
  • Rockin’ Robin—Michael Jackson
  • Walk Away Renée—The Left Banke

Without further ado, here is my top flute songs countdown:

Top 20 Countdown

20.  You Are the Woman—Firefall (1976)

Peak Positions on Billboard Charts:  Adult Contemporary #6, Hot 100 #9

Written by Rick Roberts. Flute artist David Muse. Biggest hit for Firefall. Band had two other major hits: “Just Remember I Love You” and “Strange Way” both peaked at #11.

19.  I’m Your Captain (Closer to Home)—Grand Funk Railroad (1970)

Peak Positions on Billboard Chart:  #22 Hot 100

Written by Mark Farner. Flute artist: member of the Cleveland Orchestra. First top 40 hit and best-known songs from Grand Funk Railroad.

18.  Hocus Pocus—Focus (1973)

Peak Positions on Billboard Charts: #9 Hot 100, 69th Biggest Song of 1973

Co-written by Thijs van Leer and Jan Akkerman. Flute artist Thijs van Leer. Dutch progressive rock band. A one hit wonder in the U.S.

17.  Spill the Wine—Eric Burdon & War (1970)

Peak Positions on Billboard Charts:  #3 Hot 100, 20th Biggest Song of 1970

Songwriters: Eric Burdon and 7 members of the band War.  Flute artist Charles Miller. Tune is a combination of progressive soul, funk and psychedelic rock.

16.  Hitchin’ a Ride—Vanity Fare (1970)

Peak Positions on Billboard Charts:  #5 Hot 100, 14th Biggest Single of 1970

Co-written by Mitch Murray & Peter Callander. Flute artist: Bernie Hagley. English sunshine pop rock band had two hits in the U.S.  “Early in the Morning” peaked at #12 in early 1970.

15.  The Tears of a Clown—Smokey Robinson & the Miracles (1970)

Peak Positions on Billboard Charts:  #1 Hot 100, #1 Hot Soul

Co-written by Hank Cosby, Smokey Robinson and Stevie Wonder. Flute artist Jim Horn. Song is a 2002 Grammy Hall of Fame inductee. First #1 hit for Robinson and his Miracles group.

14.  Windy—The Association (1967)

Peak Position on Billboard Charts:  #1 Hot 100, 4th Biggest Song of 1967

Written by Ruthann Friedman. Flute artist Gene Cipriano of the Wrecking Crew. Song spent four weeks at #1 during the summer of love 1967. Quintessential sunshine pop single.

13.  It Never Rains in Southern California—Albert Hammond (1972-1973)

Peak Positions on Billboard Charts:  #5 Hot 100, 98th Biggest Song of 1973

Co-written by Albert Hammond and Mike Hazlewood. Flute artists Alan Beutler, Jacky Kelso and Tommy Scott from the Wrecking Crew. Hammond’s biggest top 40 hit.

12.  Undun—The Guess Who (1969)

Peak Positions on Billboard Charts:  15 Adult Contemporary #22 Hot 100

Written by Randy Bachman. Flute artist Burton Cummings.  Originally the B-side of the Guess Who’s hit song “Laughing.” Numerous jazz musicians have recorded covers of “Undun.”

11.  Creeque Alley—The Mamas & the Papas (1967)

Peak Positions on Billboard Charts:  #5 Hot 100, 60th Biggest Song of 1967

Co-written by John Phillips and Michelle Phillips. Flute artist Jim Horn of the Wrecking Crew. Autobiographical account on how the Mamas and the Papas were formed and chronicles early years of the folk-pop group.

10.  Heard It in a Love Song—The Marshal Tucker Band (1977)

Peak Positions on Billboard Charts:  #14 Hot 100, 57th Biggest Song of 1977

Written by Troy Caldwell. Flute artist Jerry Eubanks. Song became a country crossover hit. Was the biggest charting single for the Southern Rock band.

9.    Spinning Wheel—Blood Sweat & Tears (1969)

Peak Positions on Billboard Charts:  #2 Hot 100, 27th Biggest Song of 1969

Written by David Clayton-Thomas. Flute artist Ken Gioffre. “Spinning Wheel” was the second consecutive single to peak at #2, after “You’ve Made Me So Very Happy” did so in April 1969.

8.    El Condor Pasa (If I Could)—Simon & Garfunkel (1970)

Peak Positions on Billboard Charts: #6 Easy Listening, #18 Hot 100

Songwriters: Daniel Alomía Robles (music), Paul Simon (English lyrics), Jorge Milchberg (Arrangement). Flute artists: Los Incas, an Andean folk music group.  This became the last top 40 hit for Simon & Garfunkel before the duo broke up and pursued solo careers.

7.    So Far Away—Carole King (1971)

Peak Positions on Billboard Charts:  #3 Adult Contemporary, #14 Hot 100

Written by Carole King.  Flute artist Curtis Amy.  From the legendary 1971 “Tapestry” album. James Taylor plays acoustic guitar on song.

6.    Living in the Past—Jethro Tull (1969 & 1972)

Peak Positions on Billboard Chart: #11 Hot 100

Written by and flute artist: Ian Anderson.  Originally released as a single in Europe during 1969. In 1972, Jethro Tull’s, “Living in the Past” album dropped and the title track was re-released as a 45-single in the U.S.

5.    Lowdown—Boz Scaggs (1976)

Peak Positions on Billboard Charts:  #3 Hot 100, #5 Hot Soul Singles, 49th Biggest Song of 1976

Co-written by Boz Scaggs and David Paich. Song is categorized in multiple musical genres. R&B, Disco, Jazz, Pop and Yacht Rock. Won a Grammy Award for best R&B song.

4.    California Dreamin’—The Mamas & the Papas (1966)

Peak Positions on Billboard Charts:  #4 Hot 100, #1 Biggest Song of 1966

Written by John Phillips and Michelle Phillips. Flute artist Bud Shank of the Wrecking Crew. Classic “Sunshine Pop” with outstanding vocal harmonies. Signature song for the folk-rock group was inducted into the Grammy Hall of Fame in 2001.

3.    Going Up the Country—Canned Heat (1968-1969)

Peak Position on Billboard Chart: #11 Hot 100

Written by Alan Wilson. Flute artist Jim Horn of the Wrecking Crew.  Tune was adapted from an old 1920 blues song. Canned Heat’s biggest hit single was performed in August 1969 at Woodstock and is considered a “hippie anthem.”

2.    Colour My World—Chicago: (1971)

Peak Positions on Billboard Charts: #7 Hot 100, 56th Biggest Song of 1971

Written by James Pankow. Flute artist Walter Parazaider. “Colour My World” is a short ode from Pankow’s, “Ballet for a Girl in Buchannon” song cycle/suite, on the legendary 1970 “Chicago” (Chicago II) album. Terry Kath sings lead vocals.

  1. Nights in White Satin—The Moody Blues (1967 & 1972)

Peak Positions on Billboard Charts:  #2 Hot 100, 32nd Biggest Song of 1972

Written by Justin Hayward. Flute artist Raymond Thomas. From the 1967 “Days of Future Passed” album and originally released as a single in 1967 and reached #19 in the U.K. It was re-released in the U.S. in 1972 and became a huge hit for the British band.

Musical backup on the track was provided by the London Festival Orchestra and the song is considered a progressive rock masterpiece. The 1972 single was inducted into the Grammy Hall of Fame in 1999.

I proclaim “Nights in White Satin” as my third favorite song of all-time and the Moody Blues hit is number 1 on my countdown of fantastic flute singles from the Top 40 golden age.

That wraps up what I consider to be my favorite and best flute hits. I completely understand that my listing of songs in this category was written from my point of view and is subjective.

If you were creating a similar register of excellent flute hits, your tabulation may be totally different. What do you consider to be the best preeminent flute singles?  I hope you will comment below.

Listening to music from the golden age of Top 40 radio will always have a special place in my heart.  I still cherish and fondly remember my favorite flute singles of all-time.

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Broadcasting, Music, Music Countdowns, Radio, Retro Rock

1983 Outstanding Hit Singles and MTV Videos

Some music historians have called 1983 the last great year for pop music. Billboard magazine lists that 60 percent of the Hot 100 singles that charted 40 years ago were in the pop rock category.

With my latest music blog message, I will be counting down what I consider to be my favorite singles and videos that MTV aired during 1983.

The genesis of pop music’s explosion in the 80s goes back to the demise of disco music being aired on Top 40 stations. In lieu of playing disco hits, radio playlists consisted of mainly pop, rock, easy listening ballads and country crossover singles.

In my hometown of Roanoke, Virginia, K92 FM 92.3 was the number 1 rated radio station. This hot, hip and happening Top 40 outlet remained the biggest and most listened to station throughout the 80s decade. Below is an audio clip of K92’s David Lee Michaels from July 1981.

Elsewhere in the early 80s, many top 40 programmers and consultants rebranded their stations with a new format name: “Contemporary Hit Radio” (CHR).  Most of these CHR outlets were on the FM dial.

During 1981, radio consultant Mike Joseph was hired by WCAU FM Philadelphia, Pennsylvania, to set a new tone for that radio station.  Joseph created the “Hot Hits” radio format for WCAU and is credited as revitalizing CHR/Top 40 radio for FM stations in the 80s.

One of the DJs on WCAU FM was Terry Young, who began his career in 1973 working at WROV 1240 AM Roanoke.  Below is an audio clip of Young on WCAU FM in 1983, provided by Ellis Feaster via YouTube.

1983 also saw the launch of CHR Z100 New York.  This legendary radio station was programmed by DJ Scott Shannon and went from “worst to first” with ratings in just 60 days. I am sharing an audio clip of Shannon on Z100’s third day on the air, August 4, 1983. Aircheck provided by Ellis Feaster via YouTube.

The rise of pop music can also be attributed to the advent of airing music video clips on cable TV.  Music Television (MTV) debuted on August 1, 1981 and MTV totally revolutionized how music was heard and seen by folks in the United States.

During the first 18 months of MTV, the cable music channel aired an “Album Oriented Rock” (AOR) format.  One of the chief criticisms of MTV during this time period was the lack of music videos by Black artists being played on the cable music channel.

It wasn’t until March 1983, that Michael Jackson’s video for “Billie Jean” was added and became the first video by a Black artist to be aired in heavy rotation on MTV.  In my humble opinion, Jackson’s “Billie Jean” clip is the number one best and most influential music video that MTV aired during the first two years in operation.

Soon after, MTV added “Little Red Corvette” by Prince into its hot rotation. Then “Beat It” by Michael Jackson and “1999” from Prince were regularly aired on MTV.  Finally Black music had a place on the cable music channel.

Probably the most renowned video that MTV played in 1983 was from the “King of Pop” Michael Jackson and his single “Thriller.”  This clip was released during the fall of ‘83 and set the standard for well-produced music videos during the 80s decade.

Other influential video clips aired on MTV during 1983:

  • Hungry like the Wolf—Duran Duran
  • Rio—Duran Duran
  • Every Breathe You Take—The Police
  • King of Pain—The Police
  • Sweet Dreams (Are Made of This)—The Eurythmics
  • Total Eclipse of the Heart—Bonnie Tyler
  • Sharp Dressed Man—ZZ Top
  • Modern Love—David Bowie

For the remainder of this message, I will be counting down what I consider to be the best CHR singles of 1983. The countdown is entirely based on my opinions. My selections are songs that I deem to be culturally, historically, aesthetically significant, meaningful or relevant.

In researching 1983 historical musical data for this article, I used 3 sources:  Billboard and Cash Box magazines, along with MTV, for documentation.

Before staring the countdown, below are 1983 singles that I consider to be excellent songs but fell outside my top 25 selections. These selections are not ranked and are placed in a random order:

  • Der Kommissar—After the Fire
  • The Safety Dance—Men Without Hats
  • Too Shy—Kajagoogoo
  • Jeopardy—The Greg Kihn Band
  • She Works Hard for the Money—Donna Summer
  • Straight from the Heart—Bryan Adams
  • I Know There’s Something Going On—Frida
  • 99 Luftballons—Nena
  • Shock the Money—Peter Gabriel
  • Photograph—Def Leppard
  • Back on the Chain Gang—The Pretenders
  • Our House—Madness
  • Lawyers in Love—Jackson Browne
  • Heart to Heart—Kenny Loggins
  • Rock the Casbah—The Clash
  • Come Dancing—The Kinks
  • Breaking Us in Two—Joe Jackson
  • You Got Lucky—Tom Pretty & the Heartbreakers
  • Maneater— Daryl Hall & John Oates
  • Maniac—Michael Sembello
  • Electric Avenue—Eddie Grant
  • Tell Her About It—Billy Joel
  • Islands in the Stream—Kenny Rogers & Dolly Parton
  • (Keep Feeling) Fascination—The Human League
  • True—Spandau Ballet

Without further ado, my quality 1983 CHR singles countdown begins:

25.  Love is a Battlefield—Pat Benatar

Peak Positions on Billboard Charts:   #1 Mainstream Rock: #5 Hot 100

Up tempo song, mixing traditional rock instruments with electronic dance music. Pat Benatar won a Grammy Award for “Best Female Rock Vocal Performance” with this single.

24.  Heart and Soul—Huey Lewis & the News

Peak Positions on Billboard Charts:  #1 Top Rock Tracks, #8 Hot 100

First single from the 1983 “Sports” album which produced 5 top 20 hits. Nominated for a Grammy Award in the category of “Best Rock Vocal, Group.”

23.  China Girl—David Bowie

Peak Positions on Billboard Charts:  #3 Mainstream Rock, #10 Hot 100

Written by Iggy Pop and David Bowie.  Co-produced by Nile Rodgers. Second top 10 hit from the “Let’s Dance” album. Clip of the song won an MTV video award for “Best Male Video.”

22.  Dirty Laundry—Don Henley

Peak Positions on Billboard Charts: #1 Top Rock Tracks, #3 Hot 100

 First solo hit for Don Henley. An all-star group of musicians play on single: Timothy B. Schmit, Joe Walsh, Steve Lukather, Danny Kortchmar, and Steve Porcaro. Lyrics portray callousness and insensitivity of network news anchors.

21.  Beat It—Michael Jackson

Peak Positions on Billboard Charts:  #1 Hot 100, 5th Biggest Song of 1983

The “King of Pop” scored a massive hit with this rock song. Features a guitar solo by Eddie Van Halen. Single sold 11 million copies world-wide. Won two Grammy Awards: for “Record of the Year” and “Best Male Rock Vocal Performance.”

20.  Stand Back—Stevie Nicks

Peak positions on Billboard Charts: #2 Top Rock Tracks, #5 Hot 100

Stevie Nicks penned this new wave, synth rock hit. Prince played synthesizer during recording but was uncredited on the track. The Fleetwood Mac singer-songwriter continues to perform “Stand Back” during solo concerts here in 2023.

19. She’s a Beauty—The Tubes

Peak Positions on Billboard Charts:  #1 Top Rock Tracks, #10 Hot 100

Single was co-written by Tubes band member Fee Waybill, producer David Foster and Toto guitarist Steve Lukather. Biggest top 40 hit for the San Francisco-based rock band.

18.  Twilight Zone—Golden Earring

Peak Positions on Billboard Charts: #1 Mainstream Rock, #10 Hot 100

 Golden Earring’s guitarist George Kooymans wrote this driving rock single. One of two top 40 hits by the Dutch band (“Radar Love” reached #13 in 1974).

17.  Let’s Dance—David Bowie

Peak Positions on Billboard Charts: #1 Hot 100, 18th Biggest Song of 1983

David Bowie wrote song and co-produced the track with Nile Rodgers. Incorporates pop, rock, funk and new wave with a superb bass line. Diverse musical instruments on track: trumpet, saxophone, guitar, woodblocks, congas and tambourine.

16.  Mr. Roboto—Styx

Peak Positions on Billboard Charts: #3 Mainstream Rock, #3 Hot 100

Track is from “Kilroy Was Here” a concept rock opera album by Styx. Written by band member Dennis DeYoung, who sang lead vocals and played keyboards on single.

15.  Owner of a Lonely Heart—Yes

Peak Positions on Billboard Charts: #1 Hot 100, #1 Mainstream Rock

The band Yes switched up their progressive rock sound on this chart-topping song. Jon Anderson provides lead vocals. Tune is a mixture of pop, rock, electronic dance music.

14.  Uptown Girl—Billy Joel

Peak Positions on Billboard Charts: #5 Hot 100, #8 Top Rock Tracks

A tribute to Frank Valli and the Four Seasons.  Video featured Christie Brinkley, who married Billy Joel two years later in 1985.

13.  She Blinded Me with Science—Thomas Dolby

Peak Positions on Billboard Charts:  #5 Hot 100, #6 Top Rock Tracks

Quirky new wave synth-pop. Thomas Dolby was also a producer and session musician.  The artist is considered a one hit wonder in the U.S.

12.  Africa—Toto

Peak Positions on Billboard Charts: #1 Hot 100, #5 Adult Contemporary

Toto’s band members David Paich and Jeff Porcaro co-wrote song. Signature song by group. Rolling Stone rates “Africa” as one of the “Greatest songs of all-time.”

11.  Down Under—Men at Work

Peak Positions on Billboard Charts:  #1 Hot 100, #1 Top Rock Tracks

Considered a patriotic song in Men at Work’s home country of Australia. Co-written by band members Colin Hay and Ron Strykert. Second consecutive number 1 single on Billboard Hot 100.

10.  Burning Down the House—Talking Heads

Peak Positions on Billboard Charts: #6 Top Rock Tracks, #9 Hot 100

New York City rock band.  Biggest top 40 hit for group. Single is a combination of pop, new wave, art rock and funk. David Byrne is lead singer.

9.    Allentown—Billy Joel

Peak Positions on Billboard Charts: #17 Hot 100, 43rd Biggest Song of 1983

Billy Joel’s chronicle with the decline of blue-collar manufacturing in Rust Belt America. This pop rock tune was one of four top 20 singles for the “Piano Man” during ’83.

8.    Synchronicity II—The Police

Peak Position on Billboard: #16 Hot 100

Powerful driving rock single written by band member Sting.  Lyrics depicts the theory of synchronicity, a concept by Swiss psychiatrist Carl Jung.  The third of four top 20 hits in 1983 by the Police.

7.    Separate Ways (Worlds Apart)—Journey

Peak Positions on Billboard Charts: #1 Top Rock Tracks, #8 Hot 100

Co-written by Jonathan Cain and Steve Perry of Journey. Up-tempo rock with a Motown/R&B groove. Song is still a crowd favorite during Journey concerts during 2023.

6.    Steppin’ Out—Joe Jackson

Peak Positions on Billboard Charts: #4 Adult Contemporary, #6 Hot 100

New wave, synth pop, rock single. Has a catchy tune. Biggest selling hit in the U.S. for Joe Jackson. Lyrics celebrate driving/cruising around town with a lover or significant other relationship.

5.    Human Nature—Michael Jackson

Peak Positions on Billboard Charts: #2 Adult Contemporary, #7 Hot 100

Produced by Quincy Jones. Members of the band Toto are the musicians on this smooth yacht rock single. Michael Jackson’s fifth consecutive top 10 ten hit from the biggest album of 1983: “Thriller.” An outstanding melodic ballad.

4.    Major Tom (Coming Home)—Peter Schilling

Peak Positions on Billboard Chart:  Number 2 Dance, #14 Hot 100

Major Tom was a character in David Bowie’s “Space Oddity” single. German songwriter Peter Schilling created an unofficial response to Bowie’s character with this 80s hit. Tune has a pulsating synth-pop beat and was popular on dance floors in the U.S.

3.    The One Thing—INXS

Peak Positions on Billboard Chart: #2 Top Rock Charts

MTV introduced Australian rock group INXS to America.  Michael Hutchence, and Andrew Farriss of the band co-wrote “The One Thing.”  The first U.S. hit for INXS paved the way for international success during the mid 80s.

2.    Overkill—Men at Work

Peak Positions on Billboard Charts: #3 Hot 100, #3 Mainstream Rock

Written by Men at Work band member Colin Hay. This melodic tune features outstanding saxophone playing by Greg Ham. Third consecutive top 3 U.S. smash hit by the Australian band.

  1. New Year’s Day—U2

Peak Positions on Billboard Chart: #2 Top Rock Tracks

My top selection on this countdown is “New Year’s Day” by U2.  The lyrics for this song are credited to all four members of the Irish band.

The “New Year’s Day” single was the first track from U2’s 1983 “War” album. Subject matter of the song was inspired by the Polish Solidarity movement of the early 80s.

Musically, it features a distinctive bassline by Adam Clayton, melodic piano and guitar playing from the Edge, superb drumming by Larry Mullen Jr. and strong, heartfelt vocals from Bono.

Without a doubt, I proclaim that “New Year’s Day” as my favorite U2 song of all-time. And the band’s first single to chart in the U.S. on the Billboard Hot 100, is my number 1 best CHR single of 1983.

That wraps up what I consider to be my favorite and best top CHR hits for 1983. I completely understand that my listing of songs in this category was written from my point of view and is subjective.

If you were creating a similar register of excellent 1983 singles, your tabulation may be totally different. What do you consider to be best preeminent singles from ’83? I hope you will comment below.

Listening to music on CHR radio and watching music video clips from MTV during 1983, will always have a special place in my heart.  I still cherish and fondly remember the excellent music of 40 years ago.  Rock on!

To subscribe to my blog via email, please click the “Follow” button in the menu above.

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